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G2: Taking multi-effects to the next level
Conventional floor-type multi-effect processors are designed to sound good when they are plugged into a guitar amp. Modeling processors are designed for recording in line. Until now, there was no product that could handle both scenarios with equal finesse. Introducing the G Series from Zoom. G2 pedal offers two algorithms: One for live and one for recording. The sound you created at practice or in the studio can now be brought straight to the stage. Or take the sounds you worked out during a rehearsal and apply them seamlessly in the recording studio. Your creative scope has suddenly doubled.
96 kHz sampling brings out authentic sounding tube amp harmonics
Everyone knows that the sound of tube amplifiers is the ultimate in guitar tone. By employing high-accuracy sampling at 96 kHz, G2 pedal faithfully model these sonic properties, right up to the highest harmonic register. Dynamic range is also excellent, thanks to 24-bit A/D/A conversion. These extremely high levels of digital processing also make your playing sound cleaner and clearer thanks to the fast processing speeds.
ZFX-3: A new-generation DSP from ZOOM
The heart of any multi-effect device is its processor and decoder section. Zoom has reached a new level with its newly developed ZFX-3 chip. 32-bit architecture ensures smooth and detailed signal processing. Accuracy and speed bring out the character of your instrument without restrictions.
54 high-quality effects made possible by 32-bit processing
A total of nine effects modules are included, including dynamics, ambience, drive, and modulation. Together they offer 54 types of effects. The Harmonized Pitch Shifter lets you play along in key. Use long delays or multi-tap delay of up to 5000 milliseconds. Select dynamic flanger and have the effect level controlled by picking intensity. Select from three types of modulation waveforms for the tremolo. A multitude of high-performance choices opens up totally new territory in this class. Touch up the harmonic register with the six-band equalizer. The cabinet simulator gives a choice of mic positions. The G Series has in incredible level of flexibility and the ability to create an awesome array of great tones.
Latest modeling technology supports 16 different drive sounds
By digitally simulating the clipping action of analog devices such as tubes and diodes, the G Series faithfully duplicates the distortion of tube amps and vintage effects. This includes not only the superficial sound character but also elements such as depth and dynamics. As you start using the G Series, you will be amazed by the realistic balance between fundamental notes and harmonics that is essential to a great analog tone.
The right tools for the job: Editing controls with analog feel
The three rotary knobs let you tailor three different parameters at the same time. This could be the equalizer bass/midrange/treble, or the chorus depth/rate/mixing level, or the delay time/feedback/mixing level. It's like having an array of stomp boxes ready for action. In play mode, the three knobs are assigned to drive effect gain, tone, and patch level. This lets you quickly match the unit's performance to the guitar or amp type, room acoustics, or other factors. Delay time and modulation rate settings can be made directly via the intuitive TAP key input.
Preset patches ready to use for recording or live performance
The unit comes preprogrammed with a total of 40 preset effects patches. 20 pairs of similar sounding and similarly named effects are optimized respectively for use with a guitar amp on stage or for recording with DAW software or a mixer. There are settings for duplicating well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as totally original Zoom creations. There is also enough built-in memory to store up to 40 of your own effects patches.
World's fastest patch change speed: 5 ms
Thanks to the speed of Zoom's new processors, that annoying interval when switching patches has been all but eliminated. With its amazing speed of 0.005 seconds, the G Series pedals never miss a beat. When changing from rhythm to lead, you no longer need to press the switch slightly in advance. Simply push the foot switch and start playing the solo phrase. No more fear of losing the rhythm when making patch changes.
Built-in auto-chromatic tuner for guitar
The guitar tuner can be called up instantly by pushing two foot switches together. High-brightness LED indicators make the note readout easy to see also on a dark stage. The calibration range is 435 to 445 Hz, and mute tuning without sound output is also possible.
ZNR makes those playing pauses silent
Zoom Noise Reduction (ZNR) was developed specifically for guitar. While keeping any alteration of the original sound to an absolute minimum, ZNR shuts out unwanted noise in the playing pauses. Even the tails of long sustain notes come out beautifully, with natural release. Additional flexibility is provided by two noise gates. The vintage type DIRTY GATE is a great match for fuzz sounds, while the high-speed muting of the GATE setting brings heavy riffs into clear focus.
Integrated drum machine with PCM sound sources
Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, some great shuffle riffs for blues sessions, and many more choices. Rhythm training is a cinch, and the rotary knobs let you quickly make tempo or level adjustments.
Ultra low noise design: 120 dB SN ratio and -100 dB noise floor
Specifications such as a signal-to-noise ratio of 120 dB and noise floor of -100 dB demonstrate a level of performance that is unsurpassed in this class. Background noise is a thing of the past, leaving the unit free to produce only its own superbly transparent sound. Especially when using reverb effects such as Hall, Room, or Spring, the low noise floor combined with 96 kHz sampling and 32-bit processing results in breathtaking performance.
Sturdy metal chassis and rubber damping for superior toughness and durability
The combination of a solid metal chassis with shock-absorbent rubber damping ensures that the unit can stand up to the rigors of use on stage. Take it on the road or into the studio, the G Series will not let you down.
Two-way power allows use just about anywhere
Thanks to its circuit design optimized for low voltage operation, the unit will run for more than 7.5 hours on a set of four IEC R6 (size AA) batteries. A separately available AC adaptor (AC-0006) can be plugged in for extended studio work, whereas on stage you never need to worry about AC power.
Conventional floor-type multi-effect processors are designed to sound good when they are plugged into a guitar amp. Modeling processors are designed for recording in line. Until now, there was no product that could handle both scenarios with equal finesse. Introducing the G Series from Zoom. G2 pedal offers two algorithms: One for live and one for recording. The sound you created at practice or in the studio can now be brought straight to the stage. Or take the sounds you worked out during a rehearsal and apply them seamlessly in the recording studio. Your creative scope has suddenly doubled.
96 kHz sampling brings out authentic sounding tube amp harmonics
Everyone knows that the sound of tube amplifiers is the ultimate in guitar tone. By employing high-accuracy sampling at 96 kHz, G2 pedal faithfully model these sonic properties, right up to the highest harmonic register. Dynamic range is also excellent, thanks to 24-bit A/D/A conversion. These extremely high levels of digital processing also make your playing sound cleaner and clearer thanks to the fast processing speeds.
ZFX-3: A new-generation DSP from ZOOM
The heart of any multi-effect device is its processor and decoder section. Zoom has reached a new level with its newly developed ZFX-3 chip. 32-bit architecture ensures smooth and detailed signal processing. Accuracy and speed bring out the character of your instrument without restrictions.
54 high-quality effects made possible by 32-bit processing
A total of nine effects modules are included, including dynamics, ambience, drive, and modulation. Together they offer 54 types of effects. The Harmonized Pitch Shifter lets you play along in key. Use long delays or multi-tap delay of up to 5000 milliseconds. Select dynamic flanger and have the effect level controlled by picking intensity. Select from three types of modulation waveforms for the tremolo. A multitude of high-performance choices opens up totally new territory in this class. Touch up the harmonic register with the six-band equalizer. The cabinet simulator gives a choice of mic positions. The G Series has in incredible level of flexibility and the ability to create an awesome array of great tones.
Latest modeling technology supports 16 different drive sounds
By digitally simulating the clipping action of analog devices such as tubes and diodes, the G Series faithfully duplicates the distortion of tube amps and vintage effects. This includes not only the superficial sound character but also elements such as depth and dynamics. As you start using the G Series, you will be amazed by the realistic balance between fundamental notes and harmonics that is essential to a great analog tone.
The right tools for the job: Editing controls with analog feel
The three rotary knobs let you tailor three different parameters at the same time. This could be the equalizer bass/midrange/treble, or the chorus depth/rate/mixing level, or the delay time/feedback/mixing level. It's like having an array of stomp boxes ready for action. In play mode, the three knobs are assigned to drive effect gain, tone, and patch level. This lets you quickly match the unit's performance to the guitar or amp type, room acoustics, or other factors. Delay time and modulation rate settings can be made directly via the intuitive TAP key input.
Preset patches ready to use for recording or live performance
The unit comes preprogrammed with a total of 40 preset effects patches. 20 pairs of similar sounding and similarly named effects are optimized respectively for use with a guitar amp on stage or for recording with DAW software or a mixer. There are settings for duplicating well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as totally original Zoom creations. There is also enough built-in memory to store up to 40 of your own effects patches.
World's fastest patch change speed: 5 ms
Thanks to the speed of Zoom's new processors, that annoying interval when switching patches has been all but eliminated. With its amazing speed of 0.005 seconds, the G Series pedals never miss a beat. When changing from rhythm to lead, you no longer need to press the switch slightly in advance. Simply push the foot switch and start playing the solo phrase. No more fear of losing the rhythm when making patch changes.
Built-in auto-chromatic tuner for guitar
The guitar tuner can be called up instantly by pushing two foot switches together. High-brightness LED indicators make the note readout easy to see also on a dark stage. The calibration range is 435 to 445 Hz, and mute tuning without sound output is also possible.
ZNR makes those playing pauses silent
Zoom Noise Reduction (ZNR) was developed specifically for guitar. While keeping any alteration of the original sound to an absolute minimum, ZNR shuts out unwanted noise in the playing pauses. Even the tails of long sustain notes come out beautifully, with natural release. Additional flexibility is provided by two noise gates. The vintage type DIRTY GATE is a great match for fuzz sounds, while the high-speed muting of the GATE setting brings heavy riffs into clear focus.
Integrated drum machine with PCM sound sources
Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, some great shuffle riffs for blues sessions, and many more choices. Rhythm training is a cinch, and the rotary knobs let you quickly make tempo or level adjustments.
Ultra low noise design: 120 dB SN ratio and -100 dB noise floor
Specifications such as a signal-to-noise ratio of 120 dB and noise floor of -100 dB demonstrate a level of performance that is unsurpassed in this class. Background noise is a thing of the past, leaving the unit free to produce only its own superbly transparent sound. Especially when using reverb effects such as Hall, Room, or Spring, the low noise floor combined with 96 kHz sampling and 32-bit processing results in breathtaking performance.
Sturdy metal chassis and rubber damping for superior toughness and durability
The combination of a solid metal chassis with shock-absorbent rubber damping ensures that the unit can stand up to the rigors of use on stage. Take it on the road or into the studio, the G Series will not let you down.
Two-way power allows use just about anywhere
Thanks to its circuit design optimized for low voltage operation, the unit will run for more than 7.5 hours on a set of four IEC R6 (size AA) batteries. A separately available AC adaptor (AC-0006) can be plugged in for extended studio work, whereas on stage you never need to worry about AC power.
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Reviews
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Its good 0 of 0 customers found this review helpful
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Product Experience I own it
Closest Store Port Coquitlam, British Columbia
I have the G2.1 but they're pretty much the same and I really like it, use it all the time. The recording is very low quality though
Posted by martin on Jun 17, 2012
G2 is great, but.... 0 of 0 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I own it
Closest Store Brampton, Ontario
Nice little multi-FX processor for the price. I found the presets to be a lot of lunchbag letdown - there's a bunch that are useful but a bunch are just overdone and way too saturated with clangy, fizzy sounding reverbs, etc. My point is that the effects are mostly quite decent, you just have to tweak everything to perfection in order to get this unit sounding like you want it to - like any bunch of pedals, right?
Well built with at least a metal housing now, but dropping this unit. while not messing with the guts, produced a cracked plastic knob interior and it fits loose and wobbly now, with annoying play in the rotation - I just leave it off. - they're cheap-ass knobs, not metal knobs like you would get on some more expensive (dedicated) pedals. take the time to set up your sounds and this pedal is worth the money spent. Forget gigging with it for very long.... OVERALL, very cool for bedroom or studio.
Posted by anonymous on Mar 12, 2012
Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
- No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
- Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
- Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
- Loaners Available: A loaner product may be given while the product is being repaired.
- Power Surge Protection: Your product is covered even if damaged from a power surge.
- Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
- Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
- USED products: 4% of the current new selling price to increase the warranty from 3 months to 1 year. 4% for each additional year.
- GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
- BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
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| Product | SKU | Qty |
|---|---|---|
| G2 - Multi FX Processor | 230454 |
