Opens in a new window
Tascam
SERIES 8p Dyna 8-channel Mic Preamplifier with Analog Compressor
Additional Photos:
This product is no longer available.
With superb audio specifications and connectivity and featuring an outstanding microphone preamp, the TASCAM SERIES 8p Dyna is a great choice for both studio and stage. Housed in a rugged 1U rack-mount casing, its dual S/MUX optical ports make it a perfect expansion unit for a TASCAM SERIES 102i or SERIES 208i or other S/MUX-equipped audio interfaces including ADAT, or use it as a stand-alone front end.
Each SERIES 8p Dyna channel also features individually switched +48V phantom power for use with condenser mics, and an easy-to-use, single-control analog compressor with true bypass.
A Superior Front End for Studio and Stage
TASCAM has long been known for transparent, natural, ultra-low-noise preamps, and the eight TASCAM no-compromise HDIA (High Definition Instrumentation Architecture) preamps in the SERIES 8p Dyna are its best preamps yet; the noise level (EIN) is at -127dBu, the THD is 0.0007%, the dynamic range is 116dB, and the crosstalk is 119dB. Each SERIES 8p Dyna channel also features an easy-to-use, single-control analog compressor with true bypass for handling hot input signals and creating smooth audio input.
Versatile Inputs
With two instrument/microphone combo inputs on the front panel, you can quickly plug in mics, guitars, bass and more. Six balanced mic/line inputs grace the rear. Every microphone input has individually switched +48V phantom power for using different types of microphones such as Dynamic, Condenser, Ribbon and vintage for proper operation and safety. It adds up to a multi-purpose front end for recording and live sound.
Expand Your Interface or Other Device
Dual S/MUX optical outputs on the rear of the SERIES 8p Dyna enable you to use the unit as a front end expander for S/MUX-equipped audio interfaces, such as TASCAM's SERIES 102i and SERIES 208i, and Celesonic US-20x20. ADAT compatibility is also available. With two S/MUX outputs, you can send all eight SERIES 8p Dyna channels at up to 96 kHz (four channels at 176.4 or 192 kHz), dramatically expanding your system's capabilities.
Send to Anything
The SERIES 8p Dyna's eight line-level analog channel outputs are provided on both 1/4-inch balanced TRS connectors and balanced 25-pin D-Sub connectors. Route signals to interfaces, recording mixers, front-of-house consoles, and pretty much anything else. Connect its D-Sub outputs to a TASCAM ML-16D or ML-32D Analog Dante converter, and it becomes a pristine front end for an audio-over-IP network.
The Features Professionals Need
From its high-end preamps to its versatile outputs, the SERIES 8p Dyna is a thoroughly professional product, right down to its rugged metal 1U rack-mount enclosure. Word clock in and out BNC connectors with an In/Out/Thru switch enable proper synchronization of digital signals. Front-panel analog overload indicators, compression indicators, and digital peak and level meter bars let you monitor the unit's performance. Yet the SERIES 8p Dyna is simple to operate so you can stay focused on the task at hand.
Key Features
• Versatile, great-sounding front end for recording and live sound
• 8 TASCAM HDIA (High Definition Instrumentation Architecture) microphone preamplifiers
• Single-knob analog compressor with true bypass individually assignable to each input channel
• 2 front panel instrument (Hi-Z)/microphone combo inputs
• 6 rear-panel balanced mic/line inputs
• Individually switched +48V phantom power per channel
• Dual S/MUX optical outputs: 8 channels at up to 96 kHz; 4 channels at 176.4 or 192 kHz (ADAT compatible)
• 8 line-level 1/4-inch balanced TRS analog channel outputs
• 8 line-level balanced channel outputs on a 25-pin D-Sub connector
• Word clock in and out on BNC connectors, with In/Out/Thru switch
• Front-panel analog overload indicators, compression indicators, and digital peak and level meter bars
• Rugged metal 1U rack-mount enclosure
Specifications
Sampling Frequency: 44.1k / 48k / 88.2k / 96k / 176.4k / 192k Hz
Quantization Bit Rate: 24-bit
Analog Audio Inputs
MIC IN (Balanced): 1-2 (when the input switch is set to MIC/LINE), 3 thru 8
Connector: XLR-3-31 equivalent (1: GND, 2: HOT, 3: COLD)
Input Impedance: 2.3kΩ
Rated input level
GAIN: MAX: -58dBu（0.001Vrms)
GAIN: MIN: -6dBu（0.388Vrms)
Maximum Input Level: +10dBu (2.45Vrms)
Gain Range: 52dB
INSTRUMENT IN (Unbalanced): 1-2 (when the input switch is set to INST)
Connector: 1/4" (6.3mm) TS jack equivalent (Tip: HOT, Sleeve: GND)
Input Impedance: 1MΩ or more
Rated input level
GAIN: MAX: -58dBV (0.0012 Vrms)
GAIN: MIN: -6dBV (0.501Vrms)
Maximum Input Level: +10dBV (3.162Vrms)
Gain Range: 52dB
LINE IN (Balanced): 1-2 (when the input switch set to MIC/LINE), 3 thru 8
Connector: 1/4" (6.3mm) TRS jack equivalent (Tip: HOT, Ring: COLD, Sleeve: GND)
Input Impedance: 10kΩ
Rated input level
GAIN: MAX: -48dBu (0.003 Vrms)
GAIN: MIN: +4dBu (1.228Vrms)
Maximum Input Level: +24dBu (12.282Vrms)
Gain Range: 52dB
Analog Outputs
ANALOG OUT (Balanced)
Connector: D-Sub 25pin, inch-screw No.4-40 UNC
Output Impedance: 200Ω or less
Nominal Output Level: +4dBu (1.228Vrms)
Maximum Output Level: +20dBu (7.75Vrms)
Load Impedance: 2kΩ or more
LINE OUT (Balanced): LINE OUT 1 thru 8
Connector: 1/4" (6.3mm) TRS jack (Tip: HOT, Ring: COLD, Sleeve: GND)
Output Impedance: 200Ω or less
Nominal Output Level: +4dBu (1.228Vrms)
Maximum Output Level: +20dBu (7.75Vrms)
Digital Audio Outputs
OPTICAL OUT (S/MUX)
Connector: OPTICAL (JEITA RC-5720C)
Signal Format: Multi-channel Optical Format
(Supports S/MUX2: 88.2k/96k Hz, S/MUX4: 176.4k/192k Hz)
Control Input/Output
WORD IN
Connector: BNC
Input Voltage: 2.0Vpp to 5.0Vpp
Input Impedance: 75Ω +/-10% with Terminal ON/OFF Switch
Frequency Deviation: +/-100ppm
WORD OUT
Connector: BNC
Output Voltage: 2.0Vpp (into 75Ω)
Output Impedance: 75Ω +/-10% with OUT/THRU switch
Sampling Frequency: 44.1k / 48k / 88.2k / 96k / 176.4k /192k Hz
Power: DC 12V (dedicated AC adapter PS-P1230)
Power Consumption: 16 W
Other
Dimensions: 482(W) 44.8(H) 228.8(D) mm
Weight: 2.6kg / 5.7lb
Operating Temperature Range: 0 to 40C
Accessories: User's manual(with warranty), AC adapter (PS-P1230)
Each SERIES 8p Dyna channel also features individually switched +48V phantom power for use with condenser mics, and an easy-to-use, single-control analog compressor with true bypass.
A Superior Front End for Studio and Stage
TASCAM has long been known for transparent, natural, ultra-low-noise preamps, and the eight TASCAM no-compromise HDIA (High Definition Instrumentation Architecture) preamps in the SERIES 8p Dyna are its best preamps yet; the noise level (EIN) is at -127dBu, the THD is 0.0007%, the dynamic range is 116dB, and the crosstalk is 119dB. Each SERIES 8p Dyna channel also features an easy-to-use, single-control analog compressor with true bypass for handling hot input signals and creating smooth audio input.
Versatile Inputs
With two instrument/microphone combo inputs on the front panel, you can quickly plug in mics, guitars, bass and more. Six balanced mic/line inputs grace the rear. Every microphone input has individually switched +48V phantom power for using different types of microphones such as Dynamic, Condenser, Ribbon and vintage for proper operation and safety. It adds up to a multi-purpose front end for recording and live sound.
Expand Your Interface or Other Device
Dual S/MUX optical outputs on the rear of the SERIES 8p Dyna enable you to use the unit as a front end expander for S/MUX-equipped audio interfaces, such as TASCAM's SERIES 102i and SERIES 208i, and Celesonic US-20x20. ADAT compatibility is also available. With two S/MUX outputs, you can send all eight SERIES 8p Dyna channels at up to 96 kHz (four channels at 176.4 or 192 kHz), dramatically expanding your system's capabilities.
Send to Anything
The SERIES 8p Dyna's eight line-level analog channel outputs are provided on both 1/4-inch balanced TRS connectors and balanced 25-pin D-Sub connectors. Route signals to interfaces, recording mixers, front-of-house consoles, and pretty much anything else. Connect its D-Sub outputs to a TASCAM ML-16D or ML-32D Analog Dante converter, and it becomes a pristine front end for an audio-over-IP network.
The Features Professionals Need
From its high-end preamps to its versatile outputs, the SERIES 8p Dyna is a thoroughly professional product, right down to its rugged metal 1U rack-mount enclosure. Word clock in and out BNC connectors with an In/Out/Thru switch enable proper synchronization of digital signals. Front-panel analog overload indicators, compression indicators, and digital peak and level meter bars let you monitor the unit's performance. Yet the SERIES 8p Dyna is simple to operate so you can stay focused on the task at hand.
Key Features
• Versatile, great-sounding front end for recording and live sound
• 8 TASCAM HDIA (High Definition Instrumentation Architecture) microphone preamplifiers
• Single-knob analog compressor with true bypass individually assignable to each input channel
• 2 front panel instrument (Hi-Z)/microphone combo inputs
• 6 rear-panel balanced mic/line inputs
• Individually switched +48V phantom power per channel
• Dual S/MUX optical outputs: 8 channels at up to 96 kHz; 4 channels at 176.4 or 192 kHz (ADAT compatible)
• 8 line-level 1/4-inch balanced TRS analog channel outputs
• 8 line-level balanced channel outputs on a 25-pin D-Sub connector
• Word clock in and out on BNC connectors, with In/Out/Thru switch
• Front-panel analog overload indicators, compression indicators, and digital peak and level meter bars
• Rugged metal 1U rack-mount enclosure
Specifications
Sampling Frequency: 44.1k / 48k / 88.2k / 96k / 176.4k / 192k Hz
Quantization Bit Rate: 24-bit
Analog Audio Inputs
MIC IN (Balanced): 1-2 (when the input switch is set to MIC/LINE), 3 thru 8
Connector: XLR-3-31 equivalent (1: GND, 2: HOT, 3: COLD)
Input Impedance: 2.3kΩ
Rated input level
GAIN: MAX: -58dBu（0.001Vrms)
GAIN: MIN: -6dBu（0.388Vrms)
Maximum Input Level: +10dBu (2.45Vrms)
Gain Range: 52dB
INSTRUMENT IN (Unbalanced): 1-2 (when the input switch is set to INST)
Connector: 1/4" (6.3mm) TS jack equivalent (Tip: HOT, Sleeve: GND)
Input Impedance: 1MΩ or more
Rated input level
GAIN: MAX: -58dBV (0.0012 Vrms)
GAIN: MIN: -6dBV (0.501Vrms)
Maximum Input Level: +10dBV (3.162Vrms)
Gain Range: 52dB
LINE IN (Balanced): 1-2 (when the input switch set to MIC/LINE), 3 thru 8
Connector: 1/4" (6.3mm) TRS jack equivalent (Tip: HOT, Ring: COLD, Sleeve: GND)
Input Impedance: 10kΩ
Rated input level
GAIN: MAX: -48dBu (0.003 Vrms)
GAIN: MIN: +4dBu (1.228Vrms)
Maximum Input Level: +24dBu (12.282Vrms)
Gain Range: 52dB
Analog Outputs
ANALOG OUT (Balanced)
Connector: D-Sub 25pin, inch-screw No.4-40 UNC
Output Impedance: 200Ω or less
Nominal Output Level: +4dBu (1.228Vrms)
Maximum Output Level: +20dBu (7.75Vrms)
Load Impedance: 2kΩ or more
LINE OUT (Balanced): LINE OUT 1 thru 8
Connector: 1/4" (6.3mm) TRS jack (Tip: HOT, Ring: COLD, Sleeve: GND)
Output Impedance: 200Ω or less
Nominal Output Level: +4dBu (1.228Vrms)
Maximum Output Level: +20dBu (7.75Vrms)
Digital Audio Outputs
OPTICAL OUT (S/MUX)
Connector: OPTICAL (JEITA RC-5720C)
Signal Format: Multi-channel Optical Format
(Supports S/MUX2: 88.2k/96k Hz, S/MUX4: 176.4k/192k Hz)
Control Input/Output
WORD IN
Connector: BNC
Input Voltage: 2.0Vpp to 5.0Vpp
Input Impedance: 75Ω +/-10% with Terminal ON/OFF Switch
Frequency Deviation: +/-100ppm
WORD OUT
Connector: BNC
Output Voltage: 2.0Vpp (into 75Ω)
Output Impedance: 75Ω +/-10% with OUT/THRU switch
Sampling Frequency: 44.1k / 48k / 88.2k / 96k / 176.4k /192k Hz
Power: DC 12V (dedicated AC adapter PS-P1230)
Power Consumption: 16 W
Other
Dimensions: 482(W) 44.8(H) 228.8(D) mm
Weight: 2.6kg / 5.7lb
Operating Temperature Range: 0 to 40C
Accessories: User's manual(with warranty), AC adapter (PS-P1230)
Q & A
There are currently no questions for this product.
Reviews
There are currently no reviews for this product. Be the first to write one!
Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
- No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
- Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
- Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
- Loaners Available: A loaner product may be given while the product is being repaired.
- Power Surge Protection: Your product is covered even if damaged from a power surge.
- Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
- Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
- USED products: 4% of the current new selling price to increase the warranty from 3 months to 1 year. 4% for each additional year.
- GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
- BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
Great Additions
Reserve in Store
| Product | SKU | Qty |
|---|---|---|
| SERIES 8p Dyna 8-channel Mic Preamplifier with Analog Compressor | 744548 |
