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Ashly Audio digiMIX 18-Channel Digital Mixer
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The digiMIX series of digital mixers give you complete control over your performance space. Whether you're mixing live bands, a high school musical, a worship service, or recording in a project studio - there are many applications where digiMIX feels right at home.
With its traditional analog feel, the Live Control Surface allows optimum control with real knobs and a live fader when selecting important functions, while offering conveniences of a responsive touchscreen, USB interfacing, and companion Apple iPad App. Together, its the ideal mixing experience.
Main Features
Live Motorized Fader & Intelligent Meter Bridge shows all signal levels.
Select any channel to assign the Live Motorized Fader to an individual channel. The Intelligent Meter Bridge will not only display signal levels, but also all fader positions as shown above.
7″ Touchscreen adds depth to control.
Combined with the Live Control Surface, use the LCD touchscreen to navigate sub menus and toggle to various settings quickly and intuitively.
EZ-Mode for the non-technical user
Use the free Ashly digiMIX iPad App for remote control or in a fixed installation with EZ-Mode for users with no technical experience. Programmers can password-protect a very simple control interface that clients can easily understand and operate.
Add a Dante for network audio capability, or a USB for multi-track recording.
Use digiMIX18 as a command center to integrate live performance throughout an entire venue or facility. Add an optional Dante module to transmit and receive Dante network audio. Assign one or more channels of network audio to receive and integrate audio with any endpoint in the system. With the optional USB-3018 digital audio module (sold separately), process 24-bit audio for recording with a computer.
Features
• 18 total inputs / 12 total output buses
• 16 low noise mic/line preamps with Neutrik Combo jacks, dedicated trim controls, +48V phantom power, phase invert
• Desktop mixer that is Rack-mountable (Rack rails included)
• Cross-fade mode for panning between any two assigned channels
• TRS inserts on channels 1-8
• 8 aux sends, assignable pre/post
• 6 DCA for fader or mute groups
• 2 stereo effects buses (FX) with fully editable reverbs, delay with tap tempo, tremolo, flanger, and chorus.
• 7-inch colour LCD touch screen for graphical viewing, assign, and setup
• Wired network interface for iPad remote control using Ashly digiMIX18 app, available free on the App Store
• EZ-Mode for secure, simplified touchscreen or iPad control
• 100mm precision Alps motorized fader
• Pan control
• High resolution delay (0.2mS) on every main L/R output, input1-18, aux1-8, or FX1-2
• Expander/noise gate on every input and FX channel
• Compressor/limiter on every input, output, and FX channel
• 4-band parametric/shelving EQ filters plus HPF/LPF on every input, output, and FX channel
• 31-band graphic EQ on main L/R and aux1-8 outputs
• 12 different effects and effect combinations
• Stereo link available on inputs 1-16 and aux1-8 outputs
• Solo/PFL on every input, main L/R output, aux1-8, or FX1-2
• Stereo main L/R output on XLR and 1/4" phone jacks with dedicated level control
• Headphone and control room outputs with level control
• User presets for Scene Settings, DSP channel settings, FX settings, or GEQ settings, plus channel copy function
• 24-bit A/D and D/A converters, 32-bit DSP processing, 48KHz sampling rate
• Password security
• Utility programs for Windows and Mac for preset backup/restore and firmware update
• Internal 100 to 240 VAC universal power supply
Specifications
Microphone Input
• Class-A discrete balanced, 7.3 kOhm input impedance
• Frequency Response to L/R Main Output: 20 Hz to 20 kHz (0 / -0.5 dB)
• Distortion (THD + N) to L/R Main Output: < 0.01% at 0 dBu, 20 Hz to 20 kHz
• Equivalent Input Noise: -126 dBu, unweighted, 20 Hz to 20 kHz (150 Ohm source)
• Gain (Trim): 0 to +50 dB
• Maximum Input Level: +20 dBu, balanced
• Phantom Power: +48 VDC, +0 / -4 V (assignable to channels 1-16)
Line Inputs
• Balanced, 75 kOhm input impedance
• Frequency Response to Main L/R Output: 20 Hz to 20 kHz at 0 dBu (0 / -1.5 dB)
• Distortion (THD + N) to Main L/R Output: < 0.01% at 0 dBu, 20 Hz to 20 kHz
• Gain (Trim): -20 to +30 dB
• Maximum Input Level: +20 dBu
Inserts
• Channels 1 to 8 only
• Connector Type: 1/4" TRS, unbalanced, tip = send, ring = return
• Maximum Output Level: +20 dBu, 120 Ohm source impedance
• Maximum Input Level: +20 dBu, 5 kOhm source impedance
Stereo Line Inputs
• 17 to 18: 2 x stereo pairs
• Connector Type: 1/4" TRS, balanced
• Impedance: 27 kOhms
• Frequency Response to Main L/R Output: 20 Hz to 20 kHz, +/-0.5 dB
• Distortion (THD + N) to Main Output: < 0.07% at 0 dBu, 20 Hz to 20 kHz
• Input Level (Max): +20 dBu
Maximum Output Levels (240 Ohm source impedance)
• Main L/R outputs (Max): Balanced XLR and TRS phone jack, +20 dBu
• AUX 1-8 outputs: Pseudo-balanced TRS phone jack, +20 dBu
• Control room outputs: Balanced TRS phone jack, +20 dBu
Crosstalk
• Adjacent Channels (1 kHz): -82 dB
• Noise (bus noise, adjacent channels 20 Hz to 20 kHz): -70 dB
Analog to Digital Converter
• Bit Rate: 24
• A-D Converter Dynamic Range: 104dB, unweighted
• Internal Processor: 32-bit floating point
• D-A Converter Dynamic Range: 105 dB, unweighted
• Latency: 5.8 ms, 1 kHz, analog input to analog output
Channel DSP Functions
• Polarity Invert (inputs, main L/R, aux 1-8, FX 1-2): Per channel, on/off
• Delay Time (inputs, main L/R, aux 1-8, FX 1-2): Per channel, 0 to 300 ms in 0.2 ms increments
Noise Gate / Expander
• On inputs, FX 1-2
• Threshold Range: -84 to 0 dB
Compressor / Limiter
• On inputs, main, aux, FX 1-2
• Threshold Range: -50 to 0 dB
• Gain: 0 to +24 dB
Parametric EQ
• Inputs, main L/R, aux 1-8, FX 1-2
• EQ1, EQ2, EQ3, EQ4 Filter Type: Parametric, low shelf, high shelf
• Parametric Filters: 20.6 Hz to 20 kHz, Q 0.4 to 24, boost / cut +/-24 dB
• Shelving Filters: 20.6 Hz to 20 kHz, boost / cut +/-24 dB
• HPF and LPF: 20.6 Hz to 20 kHz, 20 filter types
Graphic Equalizer
• On main L/R, aux 1-8, outputs
• Filter Type: 31-band, constant Q, boost/cut +/- 24 dB
FX
• FX 1-2 input Sends from all 18 inputs
• FX 1-2 output Assigns to main L/R, aux 1-8
Effect Types: 3 x reverbs, delay (1200 ms), tremolo, flange, chorus, combinations
Digital I/O
• Digital In Ch 1-18 (pre-DSP): On/Off, level control +10dB to -70dB, off, fixed channel mapping
• Digital Out Ch 1-16 (Selectable as group pre- or post-DSP): On/Off, +10dB to -70dB level, fixed channel mapping
• Digital Out Ch 17-18, main L/R, Aux 1-8, Solo (post-DSP Only): On/Off, +10dB to -70dB level, fixed channel mapping
Power
• AC Mains: 100-240 VAC, 50/60 Hz, 120 W max
Size and Weight
• Dimensions: 19.3"L x 5.65"W x 14.0"H (48.6cm x 14.4cm x 35.6cm)
• Weight: 17.0 lbs (7.7kg)
With its traditional analog feel, the Live Control Surface allows optimum control with real knobs and a live fader when selecting important functions, while offering conveniences of a responsive touchscreen, USB interfacing, and companion Apple iPad App. Together, its the ideal mixing experience.
Main Features
Live Motorized Fader & Intelligent Meter Bridge shows all signal levels.
Select any channel to assign the Live Motorized Fader to an individual channel. The Intelligent Meter Bridge will not only display signal levels, but also all fader positions as shown above.
7″ Touchscreen adds depth to control.
Combined with the Live Control Surface, use the LCD touchscreen to navigate sub menus and toggle to various settings quickly and intuitively.
EZ-Mode for the non-technical user
Use the free Ashly digiMIX iPad App for remote control or in a fixed installation with EZ-Mode for users with no technical experience. Programmers can password-protect a very simple control interface that clients can easily understand and operate.
Add a Dante for network audio capability, or a USB for multi-track recording.
Use digiMIX18 as a command center to integrate live performance throughout an entire venue or facility. Add an optional Dante module to transmit and receive Dante network audio. Assign one or more channels of network audio to receive and integrate audio with any endpoint in the system. With the optional USB-3018 digital audio module (sold separately), process 24-bit audio for recording with a computer.
Features
• 18 total inputs / 12 total output buses
• 16 low noise mic/line preamps with Neutrik Combo jacks, dedicated trim controls, +48V phantom power, phase invert
• Desktop mixer that is Rack-mountable (Rack rails included)
• Cross-fade mode for panning between any two assigned channels
• TRS inserts on channels 1-8
• 8 aux sends, assignable pre/post
• 6 DCA for fader or mute groups
• 2 stereo effects buses (FX) with fully editable reverbs, delay with tap tempo, tremolo, flanger, and chorus.
• 7-inch colour LCD touch screen for graphical viewing, assign, and setup
• Wired network interface for iPad remote control using Ashly digiMIX18 app, available free on the App Store
• EZ-Mode for secure, simplified touchscreen or iPad control
• 100mm precision Alps motorized fader
• Pan control
• High resolution delay (0.2mS) on every main L/R output, input1-18, aux1-8, or FX1-2
• Expander/noise gate on every input and FX channel
• Compressor/limiter on every input, output, and FX channel
• 4-band parametric/shelving EQ filters plus HPF/LPF on every input, output, and FX channel
• 31-band graphic EQ on main L/R and aux1-8 outputs
• 12 different effects and effect combinations
• Stereo link available on inputs 1-16 and aux1-8 outputs
• Solo/PFL on every input, main L/R output, aux1-8, or FX1-2
• Stereo main L/R output on XLR and 1/4" phone jacks with dedicated level control
• Headphone and control room outputs with level control
• User presets for Scene Settings, DSP channel settings, FX settings, or GEQ settings, plus channel copy function
• 24-bit A/D and D/A converters, 32-bit DSP processing, 48KHz sampling rate
• Password security
• Utility programs for Windows and Mac for preset backup/restore and firmware update
• Internal 100 to 240 VAC universal power supply
Specifications
Microphone Input
• Class-A discrete balanced, 7.3 kOhm input impedance
• Frequency Response to L/R Main Output: 20 Hz to 20 kHz (0 / -0.5 dB)
• Distortion (THD + N) to L/R Main Output: < 0.01% at 0 dBu, 20 Hz to 20 kHz
• Equivalent Input Noise: -126 dBu, unweighted, 20 Hz to 20 kHz (150 Ohm source)
• Gain (Trim): 0 to +50 dB
• Maximum Input Level: +20 dBu, balanced
• Phantom Power: +48 VDC, +0 / -4 V (assignable to channels 1-16)
Line Inputs
• Balanced, 75 kOhm input impedance
• Frequency Response to Main L/R Output: 20 Hz to 20 kHz at 0 dBu (0 / -1.5 dB)
• Distortion (THD + N) to Main L/R Output: < 0.01% at 0 dBu, 20 Hz to 20 kHz
• Gain (Trim): -20 to +30 dB
• Maximum Input Level: +20 dBu
Inserts
• Channels 1 to 8 only
• Connector Type: 1/4" TRS, unbalanced, tip = send, ring = return
• Maximum Output Level: +20 dBu, 120 Ohm source impedance
• Maximum Input Level: +20 dBu, 5 kOhm source impedance
Stereo Line Inputs
• 17 to 18: 2 x stereo pairs
• Connector Type: 1/4" TRS, balanced
• Impedance: 27 kOhms
• Frequency Response to Main L/R Output: 20 Hz to 20 kHz, +/-0.5 dB
• Distortion (THD + N) to Main Output: < 0.07% at 0 dBu, 20 Hz to 20 kHz
• Input Level (Max): +20 dBu
Maximum Output Levels (240 Ohm source impedance)
• Main L/R outputs (Max): Balanced XLR and TRS phone jack, +20 dBu
• AUX 1-8 outputs: Pseudo-balanced TRS phone jack, +20 dBu
• Control room outputs: Balanced TRS phone jack, +20 dBu
Crosstalk
• Adjacent Channels (1 kHz): -82 dB
• Noise (bus noise, adjacent channels 20 Hz to 20 kHz): -70 dB
Analog to Digital Converter
• Bit Rate: 24
• A-D Converter Dynamic Range: 104dB, unweighted
• Internal Processor: 32-bit floating point
• D-A Converter Dynamic Range: 105 dB, unweighted
• Latency: 5.8 ms, 1 kHz, analog input to analog output
Channel DSP Functions
• Polarity Invert (inputs, main L/R, aux 1-8, FX 1-2): Per channel, on/off
• Delay Time (inputs, main L/R, aux 1-8, FX 1-2): Per channel, 0 to 300 ms in 0.2 ms increments
Noise Gate / Expander
• On inputs, FX 1-2
• Threshold Range: -84 to 0 dB
Compressor / Limiter
• On inputs, main, aux, FX 1-2
• Threshold Range: -50 to 0 dB
• Gain: 0 to +24 dB
Parametric EQ
• Inputs, main L/R, aux 1-8, FX 1-2
• EQ1, EQ2, EQ3, EQ4 Filter Type: Parametric, low shelf, high shelf
• Parametric Filters: 20.6 Hz to 20 kHz, Q 0.4 to 24, boost / cut +/-24 dB
• Shelving Filters: 20.6 Hz to 20 kHz, boost / cut +/-24 dB
• HPF and LPF: 20.6 Hz to 20 kHz, 20 filter types
Graphic Equalizer
• On main L/R, aux 1-8, outputs
• Filter Type: 31-band, constant Q, boost/cut +/- 24 dB
FX
• FX 1-2 input Sends from all 18 inputs
• FX 1-2 output Assigns to main L/R, aux 1-8
Effect Types: 3 x reverbs, delay (1200 ms), tremolo, flange, chorus, combinations
Digital I/O
• Digital In Ch 1-18 (pre-DSP): On/Off, level control +10dB to -70dB, off, fixed channel mapping
• Digital Out Ch 1-16 (Selectable as group pre- or post-DSP): On/Off, +10dB to -70dB level, fixed channel mapping
• Digital Out Ch 17-18, main L/R, Aux 1-8, Solo (post-DSP Only): On/Off, +10dB to -70dB level, fixed channel mapping
Power
• AC Mains: 100-240 VAC, 50/60 Hz, 120 W max
Size and Weight
• Dimensions: 19.3"L x 5.65"W x 14.0"H (48.6cm x 14.4cm x 35.6cm)
• Weight: 17.0 lbs (7.7kg)
Q & A
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Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
- No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
- Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
- Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
- Loaners Available: A loaner product may be given while the product is being repaired.
- Power Surge Protection: Your product is covered even if damaged from a power surge.
- Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
- Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: Starting at 4% of the current new selling price to double the warranty from 1 year to 2 years. Starting at 4% for each additional year.
- USED products: Starting at 4% of the current new selling price to increase the warranty from 3 months to 1 year. Starting at 4% for each additional year.
- GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
- BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
Great Additions
Reserve in Store
| Product | SKU | Qty |
|---|---|---|
| digiMIX 18-Channel Digital Mixer | 708993 |
