Opens in a new window
Fender Fender Supersonic 22 Blonde
Votre prix: $2,449.99 CDN
ou à partir de $144 CDN/mo
Les amplificateurs Super-Sonic sont l'outil préféré des guitaristes professionnels dans de nombreux genres musicaux différents qui aiment créer des sonorités Fender propres et des sonorités modernes expressives à gain élevé avec un seul ampli à lampes sans fioritures. Le Super-Sonic 22 Combo offre cette polyvalence avec la sensation organique et la puissance de sortie modérée du légendaire ampli Deluxe Reverb, parfait pour la plupart des applications sur scène et en studio. Le canal vintage offre une sonorité Fender pure et inimitable, et l'impressionnant canal de combustion enflamme l'inspiration musicale avec des saveurs surdouées allant du bluesy au flamboyant. Et bien que le Super-Sonic 22 soit capable de distorsion et de sustain à tube fortement saturé, il ne masque jamais le caractère sonore de votre guitare.
Q et R
There are currently no questions for this product.
Avis
18.189.188.113
Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; [email protected])
Listen to good reviews, this amp rocks 3 personnes sur 3 ont trouvé cet avis pertinent
Caractéristiques
Qualité
Valeur
Évaluation globale
Relation au produit I own it
Succursale Toronto (Bloor St.), Ontario
The good reviews tell the truth. The one bad review does not take into account that the amp he tried could have been used and abused. Very rare that you get a lemon. Expect it once a decade if you live in the real world. Apart from that this amp sounds great, clean or dirty. It has the optimum power, two 6V6 tubes producing 22 glorious tube watts. I like the FAT mode in the clean channel. The normal mode is thin sounding but since you have the FAT option, the clean channel is a winner. The Burn Channel rocks with Bass, Mid and Treble controls and double gain controls to dial in the desired amount of overdrive. Remember that this amp has the same power structure as the Deluxe Reverb which means up to 5 clean volume-wise, above that differing levels of dirt but not louder. But a 22 watt tube amp can be loud enough when you are playing with drums. So at full clean at 5 it is loud, but not ridiculous like a Twin. The tubes are attached to the chassis, this is good and important. Some amps the tubes are connected to the circuit board, bad, beware. Also this amp is made in USA, Corona California. This amp is under rated. Performing as well as some amps at twice the price. As good as a Mesa Boogie Fillmore 50, two 6L6's. The Fillmore 50 has twice the clean power, that means 6db louder. I like the Supersonic 22 better than a Mesa Boogie California four 6V6 Tweed, which is twice the price. I use the Supersonic head version. I use a Mesa Boogie 1x12 closed back cab with a Celestion 90 speaker. I definitely like the head/cab format especially if you are going to use the Burn channel for overdrive. On the 22 you can use the effects loop as a boost if you get a decent boost pedal. My current favourite boost pedal is the Mesa Boogie Flux Five with Bass, Treble, Boost and 5 band EQ. You can dial in the boost pedal levels to match other footswitch level settings on the 22. The 4 button footswitch is a major plus of this amp for instant tone shaping/switching; Vintage/Burn, Normal/Fat, Spring Reverb, Effects Loop. I like to use the Boss RV-500 for a dozen glorious reverb types and the Boss DD-200 for a dozen glorious delay types. I have two Supersonics. One is new and one is 10 years old, still rocking after being rode hard and put away not wet but had the tubes glowing, gig after gig. Love that smell of the tolex and wood with the tubes radiating waves of blue orange heat. 10 years always responding, speakers with 10,000 hours of conditioning.
Posted by Gord Ahl on May 19, 2020
Best Amp I've ever played! 1 personne sur 1 ont trouvé cet avis pertinent
Caractéristiques
Qualité
Valeur
Évaluation globale
Relation au produit I own it
Succursale Calgary Royal Vista, Alberta
I've owned this amp for 2 years now and figured it's time to write a review. It takes some time to dial in your sound on the drive channel as the eq is extremely versatile - which is a good thing, but it's also easy to dial in sounds you aren't looking for, if anyone doesn't like the drive channel my guess is you just need to spend a little more time dialing it in. I like to dime both gain knobs and roll back my volume to get a really nice crunch sound, then crank it as needed, it sounds great! Most of the stuff we play is rock-hard rock. This will cover AC/DC, GNR and other higher gain stuff no problem. You can get close to metal territory by scooping the mids and putting a tube screamer in from of the amp. The other really important thing to note with this amp is that you need to have the right pickups! I use a strat with a humbucker on the bridge and it sounds great. You're not going to get the Marshall rock sound with lower output, single coil pick-ups. I've a/b'd this amp with a jubilee, Friedman runt, Marshall dsl 40 and to my ears this amp just sounds smoother and better than all of them, the tube dynamics are incredible. This amp has no problem keeping up in a band setting and even playing small venues. The sweet spot on the drive channel seems to be around 4-5 which is a little loud for bedroom use, but it doesn't sound terrible at lower volumes either. I would highly recommend this amp.
Posted by Brad on Nov 19, 2019
Great all around amp 1 personne sur 1 ont trouvé cet avis pertinent
Caractéristiques
Qualité
Valeur
Évaluation globale
Relation au produit I own it
Succursale Saskatoon, Saskatchewan
Picked up a used one for an unbelievable price. Careful of the reverb on the older ones. There is a Tech note to adjust a couple resister values to fix the reverb ring. Once up to the new specs they really sing. I find the distortion a bit thin on the gain channel, but the cleans are fender solid. The fat channel gives it a nice bit of dirt that sounds great. The reverb goes all the way from a nice little texture to all out surf on the high end, just like any spring reverb fender. Foot switch seems well built. It also takes pedals on the clean channel very well. Overall a great amp I will be holding on to for a very, very long time.
Posted by B.J.S. on Apr 29, 2019
Wicked amp 1 personne sur 1 ont trouvé cet avis pertinent
Caractéristiques
Qualité
Valeur
Évaluation globale
Relation au produit I own it
Succursale Edmonton North, Alberta
I traded in my Blues Jr. mark I for this amp about 1.5 years ago, and it was the best decision I've made regarding gear. I found the Jr.'s EQ next to useless, and had a really mushy bottom end tone.
The SS22 fixed all of my major complaints. It's distortion is really useful and much more open sounding. The EQ is powerful and you can squeeze a lot of different sounds out of it. If you crank both gains, however, things can get a little fizzy, but this isn't too bad if you keep gain 2 on the lower side of things.
I don't play clean very much, so I can't really speak to it - it seems fairly useful, nothing glaringly wrong, and again the EQ does the job.
Haven't used the FX loop much, but it's a nice feature to have. The Reverb is good, bit much when really cranked.
I play blues and rock mostly, so this fits my style nicely.
Posted by Jorden on Mar 17, 2019
Awesome 0 personne sur 0 ont trouvé cet avis pertinent
Caractéristiques
Qualité
Valeur
Évaluation globale
Relation au produit I own it
Succursale Edmonton South, Alberta
Traded in my Blues Jr II for this about a year ago. What a world of difference. I found my Jr. had a flubby low end, sounded muffled, and the EQ didn't do much. This sounds much more open, and pretty much everything I wanted out of my first amp. Lots of gain on tap, can shape
my tone with the EQ well, and it takes pedals well. Sounds decent at pretty low volumes, and amazing at higher ones (around 3-4 on burn channel). I don't use the clean channel much, but it's resonable. The cleans I've been able to get out of it are Fendery.
Recommended for classic rock and blues. Capable of most modern rock, but not made for metal.
Posted by Jorden on Apr 27, 2018
Fender SuperSonic 22 1 personne sur 1 ont trouvé cet avis pertinent
Caractéristiques
Qualité
Valeur
Évaluation globale
Relation au produit I own it
Succursale Regina, Saskatchewan
I remember owning a Spider IV 15 as my first amp (still have). Decent, but I knew I needed some tubes. I came across this amp, and was immediately in love when I first tried it. Glorius Fender clean tone, and a great distortion "burn" channel as well. The clean channel stays clean (even at 6!!) and the distortion is as good as any distortion pedal you can buy. It is not light, (40 lbs) but then again, no amp with this sort of power is. The only issue I have experienced with this amp is recently with the reverb, but I have owned the amp for over three years, playing it almost every day, but it is fixed and all is well. Even the best things need a little maintenece every now and again. Glorious sound, decent price, good volume. It is my signaure sound, and I have never looked back. Amazing combo amp from Fender.
Posted by anonymous on Aug 5, 2016
supersonic 22 2 personnes sur 2 ont trouvé cet avis pertinent
Caractéristiques
Qualité
Valeur
Évaluation globale
Relation au produit I own it
Succursale Abbotsford, British Columbia
I bought this amp after playing Solds state for yrs...man this amp is everything I expected and more...killer tone and beautiful craftsmanship...best amp I've ever played
Posted by anonymous on Dec 4, 2015
Fender Supersonic 22 2 personnes sur 2 ont trouvé cet avis pertinent
Caractéristiques
Qualité
Valeur
Évaluation globale
Relation au produit I own it
Succursale Dartmouth, Nova Scotia
I purchased this amp because it was a tube amp with the features I wanted, and it isn't too heavy to haul around to gigs. It worked well for the first few months, but then the reverb started to feed back. I took the reverb tank apart and found it had been improperly assembled at the factory. Some of the grommets were not properly inserted, and had fallen out. As well, the reverb unit was askew in the back of the amp. I reworked and reassembled the reverb and all is well. I play every other day and gig at least once a month, our other guitar player plays the same amp, and we have nothing but good things to say about their performance and consistency. Fender, pay more attention to your quality assurance.
Posted by Laurie on Jul 29, 2015
An Absolute Jem! 3 personnes sur 3 ont trouvé cet avis pertinent
Caractéristiques
Qualité
Valeur
Évaluation globale
Relation au produit I own it
Succursale St. Catharines, Ontario
Let me save you some time right here, right now! If you know what low wattage tube amps are all about this is the amp for you. Anyone giving this little jem a bad review is either inexperienced or just doesn't know anything about tube amps. I've had Mesa Boogie amps pretty much for all of my 30 plus years of playing. Still love Mesa but this little amp gives me everything I need and more. Remember it's all about getting the right amp for what you do. Love it!
Posted by Pierre on May 23, 2015
Amazingly bad! 4 personnes sur 21 ont trouvé cet avis pertinent
Caractéristiques
Qualité
Valeur
Évaluation globale
Relation au produit I've tried it
Succursale Vancouver, British Columbia
I was so looking forward to buying one of these after seeing/hearing great reviews online. When I went to L&M to try/buy this amp, I took it and 2 other amps into the test room to compare "Fender" sounds (A/B'd with a Fender hot rod deluxe & Deluxe Reverb). What a disappointment! The Supersonic sounds thin and shrilly. Both clean and crunch tones are bad. It also had an irritating constant buzzing when not playing at all. I bought the deluxe reverb that day and have never looked back. Save your money and don't believe the stuff you read/hear online, Try it for yourself and you will probably buy another amp or be glad you saved the $1000 bucks you had burning a hole in your wallet when you get back to your car. Two Thumbs down!
Posted by anonymous on Dec 29, 2014
Best gig amp I've ever owned 2 personnes sur 2 ont trouvé cet avis pertinent
Caractéristiques
Qualité
Valeur
Évaluation globale
Relation au produit I own it
Succursale Edmonton North, Alberta
sound is classic tube fender plus an excellent overdrive channel , versatility plus
Posted by Bob Loblaw on Dec 20, 2014
N/A 2 personnes sur 4 ont trouvé cet avis pertinent
Caractéristiques
Qualité
Valeur
Évaluation globale
Relation au produit I've tried it
Succursale Edmonton Mayfield, Alberta
greatest amp i have ever tried, ive had a marshall amp for a while i was totally hooked on it then when i heard that fender a fender amp has a burn channel well i just had to go and try it and let me tell you i absolutly love it iam currently seeing if i can trade my marshall in
Posted by anonymous on Oct 15, 2012
Recommend the SuperSonic 22 8 personnes sur 8 ont trouvé cet avis pertinent
Caractéristiques
Qualité
Valeur
Évaluation globale
Relation au produit I own it
Succursale Edmonton South, Alberta
I traded my Deluxe Reverb reissue for the SuperSonic 22 to get a more diversified amp sound. The fat and burn features plus upgraded speaker make all the difference. Highly recommended for gigs and recording.
Posted by Gord on Jun 5, 2012
Protégez votre investissement avec la Garantie de fiabilité Long & McQuade.
Une bonne garantie est souvent un facteur décisif au moment d’un achat. Étant donné qu’une réparation peut être très dispendieuse, les manufacturiers n’offrent en général qu’une protection limitée d’un an couvrant seulement les défauts de fabrication. Lors d’une acquisition aussi importante que celle d’un instrument de musique ou d’une pièce d’équipement, vous voudrez avoir l’assurance que votre achat sera protégé de façon adéquate.
C’est pourquoi Long & McQuade offre une année GRATUITE de sa Garantie de fiabilité sur la plupart de ses produits. Cette couverture, qui bonifie celle du fabricant, vous procurera la tranquillité d’esprit que vous recherchez.
En quoi la garantie Long & McQuade se distingue-t-elle de celles des autres fabricants?
- Fiabilité assurée : l’usure normale de certaines pièces est couverte. Le produit fonctionnera aussi bien qu’au premier jour pour toute la durée de la protection. Pour les instruments d’orchestre, nos techniciens et techniciennes évalueront la nécessité d’effectuer un nettoyage en profondeur, un remplacement de tampons ou un nettoyage à ultrasons. Ces services ne sont pas offerts systématiquement dans le cadre de la Garantie de fiabilité.
- Possibilité de remplacement : si votre produit est irréparable ou coûte trop cher à remettre en état, nous l’échangerons contre un modèle identique ou équivalent, sans frais supplémentaires. Si ce n’est pas possible, nous vous accorderons un remboursement complet.
- Politique anticitron : si votre article présente un problème récurrent, nous le remplacerons.
- Accessibilité : vous pouvez vous prévaloir de votre garantie dans n’importe quelle succursale Long & McQuade.
- Réglage de guitare : une mise au point gratuite est incluse à l’achat de toute guitare neuve ou d’occasion.
- Prêt de matériel : un produit de rechange peut être mis à votre disposition pendant la réparation de votre article.
- Survoltage couvert : l’appareil est garanti même s’il est endommagé par une surtension.
- Assurance-accessoires : tous les accessoires fournis avec le produit (pédale, étui, etc.) sont couverts.
- Usage commercial approuvé : l’équipement acheté pour une utilisation intensive bénéficie aussi de cette protection.
Long & McQuade se réserve le droit de limiter l’achat d’années additionnelles. Les produits d’occasion sont protégés par la Garantie de fiabilité pour une durée de trois mois. Certains articles (logiciels, cymbales, etc.) sont couverts uniquement par la garantie du fabricant. Les biens non durables (cordes, anches, baguettes, piles, tubes, etc.) sont exclus, tout comme les dommages accidentels, la détérioration esthétique et les problèmes causés par l’humidité ou la température. Les haut-parleurs endommagés par un usage excessif ne sont généralement pas couverts. Notre garantie ne compense pas la perte de jouissance. A partir de juin 2018, la garantie de performance n'est plus transférable. Valide seulement au Canada.
Achat d’années additionnelles de garantie
Certains fabricants offrent une garantie de plus d’un an, mais qui est en général limitée et moins avantageuse que la nôtre. Lorsque c’est le cas, la prolongation de notre protection vous sera tout de même profitable, du fait qu’elle est plus complète et pratique.
Vous pouvez acheter des années supplémentaires de notre protection si vous souhaitez en profiter plus longtemps. Les tarifs sont les suivants :
- Produits NEUFS : à partir de 4 % du prix actuel de l’article à l’état neuf par année supplémentaire.
- Produits D’OCCASION : à partir de 4 % du prix actuel de l’article à l’état neuf pour passer initialement de trois mois à un an. À partir de 4 % pour chaque année de plus.
- Guitares : 4 % du prix actuel de l’article à l’état neuf pour passer d’un an à deux. 4 % pour chaque année de plus. Tarif maximum de 45 $. Une mise au point gratuite supplémentaire n’est pas incluse avec l’achat d’années de couverture additionnelles.
- Instruments d’orchestre : 4 % du prix actuel de l’article à l’état neuf pour passer d’un an à deux. 4 % pour chaque année de plus.
Complétez votre achat
Reserve in Store
| Product | SKU | Qty |
|---|---|---|
| Fender Supersonic 22 Blonde | 325591 |
