Hammond Digital Leslie Pedal - Long & McQuade Musical Instruments
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Hammond Digital Leslie Pedal

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SKU: # 394159
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LESLIE PEDAL

Your Price: $529.00 CDN

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Hammond Organ USA announces the release at the 2013 Winter NAMM of their first-ever Digital Leslie Pedal. Designed and built in America, the Leslie Pedal allows the distinctive rotary, moving sound of a Leslie to be added to any, guitar, bass, keyboard, or studio rig.

Derived from the state-of-the art Digital Leslie onboard the new Hammond Sk series stage keyboards and the flagship B-3mkII Organ, the Leslie Pedal evokes
vintage 122 and 147 Leslies, and the Model 18, basis of the classic Vibratone Guitar cabinet made famous by Stevie Ray Vaughn and others. The fourth model replicates the distinctive PR-40 stationary speaker cabinet, which was standard issue with Hammond Organs in the 50′s and 60′s, and a secret weapon for many vintage studio guitar recordings.

Rotary controls allow adjustment of virtual mic placement, ramp up and down speeds, overdrive, horn and bass balance, EQ and overall volume. Three footswitches provide true bypass, speed and brake control, stereo in/out. A gain switch allows the Leslie Pedal to be used in a guitar effects chain, or direct inject into a sound reinforcement system/keyboard amp.

Leslie Simulators Are Like Apples And Oranges...Usually3 of 3 customers found this review helpful

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Product ExperienceI've tried it
Closest StoreOttawa, Ontario
I expected the makers of Hammonds and Leslies would've nailed the next "big" rotary speaker simulator since the Neo Ventilator. I was wrong. I've several gripes with this pedal. 1. IMHO, the effect is subpar. Listen to the Neo Ventilator (or even the significantly cheaper BOSS RT-20) and you'll hear that three-dimensional "grind". Search for "Pink Floyd On The Run" on YouTube. You'll hear what I'm talking about.The HDLP has a very slight phaser/flanger sound instead (e.g. the Tech 21 Roto Choir) with a somewhat sophisticated stereo panner. 2. The point of having all those dials is to get some use out of them. Unfortunately three of them fall short. The distance control simulates a mic right in front of the cabinet to only 3' away. Three feet makes almost no difference on a blaring Leslie and the same applies here. A dial goes from 1 to 10 with almost no variation. Some..but then what's the point? The Neo nails this one.The overdrive is another let down. Crank it up and you'll just barely get a bluesy overdrive. Barely. It works better as a volume boost. 3. The volume dial goes from 1 to 10 yet I found it was still just a tad softer than the bypass signal even when maxed. The Overdrive control compensated for this. If you have a volume control there should ALWAYS be some "wiggle room". The HDLP's big plus are the four selectable types of Leslies: the 122, 147, 18V (aka Fender Vibratone) and the stationary PR40 which has its own tonal characteristic, much like a wah/modulation stuck in one position. It adds some nice subtle "colour". A plus is the Brake button which wasn't on the Neo. That required an additional foot switch bringing the total cost to almost $600! I A-B-C'd all three pedals and the sadly the HDLP came in third place. Neo won hands-down followed by the RT-20 (and for only $199). A missed opportunity for Hammond. Sadly the most impressive thing about this pedal is having the name "Leslie" painted across it.
Posted by Brian Krause on Feb 8, 2014
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Leslie Simulators Are Like Apples and Oranges...Usually1 of 1 customers found this review helpful

FeaturesProduct ratingProduct ratingProduct ratingProduct ratingProduct rating
QualityProduct ratingProduct ratingProduct ratingProduct ratingProduct rating
ValueProduct ratingProduct ratingProduct ratingProduct ratingProduct rating
OverallProduct ratingProduct ratingProduct ratingProduct ratingProduct rating
Product ExperienceI've tried it
Closest StoreOttawa, Ontario
I expected the makers of Hammonds & Leslies would've nailed the next "big" rotary speaker simulator since the Neo Ventilator. I was wrong. I've several gripes with this pedal. 1. IMHO, the effect is sub-par. Listen to the Neo Ventilator (or even the significantly cheaper BOSS RT-20) and you'll hear that three-dimensional "grind". Search for "Pink Floyd On The Run" on YouTube. You'll hear what I'm talking about. The HDLP has a very slight phaser/flanger sound instead (e.g. the Tech 21 Roto Choir) with a somewhat sophisticated stereo panner. 2. The point of having all those dials is to get some use out of them. Unfortunately three of them fall short. The distance control simulates a mic right in front of the cabinet to only 3' away. This makes almost no difference on a blaring Leslie and the same applies here. A dial goes from 1 to 10 with almost no variation. Some..but then what's the point? The Neo nails this one. 3. The overdrive is another let-down. Crank it up and you'll just barely get a bluesy overdrive. Barely. It works better as a booster. 4. The volume dial goes from 1 to 10 yet I found it was still just a tad softer than the bypass signal even when maxed. The Overdrive control compensated for this. If you have a volume control there should ALWAYS be some "wiggle room". The HDLP's big plus are the four selectable types of Leslies: the 122, 147, 18V (aka Fender Vibratone) and the stationary PR40 which has its own tonal characteristic, much like a wah/modulation stuck in one position. It adds some nice subtle "colour". A plus is the Brake button which wasn't on the Neo. That required an additional foot switch bringing the total cost to almost $600! I A-B'd all three pedals and sadly the HDLP came in 3rd place. Neo won hands-down followed by the RT-20 (and for only $199). Sadly the only thing this pedal has going for it is the word "Leslie" on it. Definitely not worth the price tag. I returned it 2 days later.
Posted by Brian on Feb 7, 2014
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Warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.

Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.

How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?

Performance Guarantee - normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage.

Product Replacement - if your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.

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Loaners Available - a loaner product may be given while the product is being repaired.

Power Surge Protection - your product is covered even if damaged from a power surge.

Accessory Coverage - any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.

Commercial Use Coverage - music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
 

Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty.Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, woodwind pads, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Accidental or cosmetic damage is not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.

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Purchasing additional years of coverage

If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:

NEW products: 4% of selling price to double the warranty from 1 year to 2 years. 4% for each additional year.

USED products: 4% of selling price to increase the warranty from 3 months to 1 year. 4% for each additional year. Pricing for used electronic products is 4% of the original new selling price.

GUITARS: 4% of selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.

BAND and ORCHESTRAL instruments: $40 up to $2,000 selling price. BRASS and STRINGS: 2% of the selling price after $2,000. WOODWINDS: 4% of the selling price after $2,000.

Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.