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Inspired by Mesa Boogie's longstanding relationship with John Petrucci and more than 30 years of collaboration, they are proud to introduce a MESA first; The JP-2C. Their first unlimited-build Signature Amplifier.
Simplicity in Design
Much like a race car or fighter jet, the JP-2C strips down to bare essentials to get the job done effectively, in the simplest way. It's a purpose-built, no compromise rendering that aims at one single goal; deliver the most aggressive, purest sounding IIC+ EVER in a versatile package that delivers the goods to meet John's recording and stage needs. All Things Heavy! But more specifically; the highest headroom Clean sound possible, a Crunch rhythm that has Lead Channel gain available, but is tight, grinding and articulate, and the ultimate Boogie Lead Channel with access to even more saturation and the ability to track any technique and speed while also reaching to the stratosphere for single note solos.
In that spirit, unlike other MESA amplifiers, the JP-2C foregoes the concept of multiple voicing Modes derived from other MESA circuits and instead dedicates each of the three Channels exclusively to circuit voicings of the MARK IIC+, including the new SHRED Mode, which further enhances the top end harmonic layering of the original IIC+ Lead Circuit.
FEATURE OVERVIEW
60 OR 100 Watts The heart of the original MARK IIC+
A long-time MESA feature, directly off the classic MARK IIC+ and at the heart of this amplifier is the 60/100 Power Switch. One of the very first "modern amp" features MESA pioneered in the late '60s, this switch puts the center two power tubes in Standby Mode and allows you to operate at a reduced power setting. This is great for smaller venues, rehearsals, increasing power tube life by swapping and also imparts a slightly brighter, snappier response that some find desirable. It also allows more power tube saturation at lower volume levels for those who may find that preferable. Either way, the 60/100 switch adds versatility and options to the already impressive arsenal here in the JP-2C.
Pull Shift - Modified to pull gain & pull presence
In addition to the VOLUME 1 and LEAD MASTER control deletions from the original circuit, the PULL SHIFT feature layout of the original IIC+ has been modified to both simplify and enhance both high gain Channels 2 and 3. All PULL SHIFTS that were possible in the original IIC+ LEAD Mode are internally set to their optimized settings based upon the historical polling of savvy MARK IIC+ aficionados, artists and the MESA Design Team.
In addition to these changes to the original circuit, we have added two new PULL SHIFT options on the JP-2C. A PULL GAIN on the GAIN control and a PULL PRES (shift) on the PRESENCE control.
PULL GAIN increases the setting of the internally set VOLUME 1 control by approximately one number setting's worthin other words, just a little bit. This means that it is added to the already preset amount of gain/drive that is in place when the pot is NOT pulled out. In both Channels this PULL GAIN feature allows a little boost of gain for specific musical styles.
The PULL PRES feature located on the PRESENCE controls allows two very different Presence frequencies to be selected. When PULLED, the time-honored frequency we have used for 45 years appears, which allows control over a much higher range of top end than that of the TREBLE control. When left PUSHED-IN, the PRESENCE control operates on a lower frequency that is still above the TREBLE, but adds "increased cut and focus" lower than the traditional PRESENCE that, at times, can sound more cohesive for high gain Crunch rhythm sounds.
Graphic EQ x 2
The ONLY switch in each of the three Channels is the assignment switch for the two 5-Band Graphic Equalizers. This 3-position toggle allows assignment of either of the EQs to any of the three Channels, with the upper position engaging EQ 1 and the lower position employing EQ 2. The center position of the EQ switch allows you to either bypass or Footswitch the EQ on or off.
EQ Window & Feature control switches
The 10 EQ Sliders that make up the two separate 5-Band Graphic Equalizers are housed in the EQ Window section of the Front Panel. Along with them, this section contains control switches for four other Functions/Features. These are the Effects Loop, Reverb, Channel Select and the SHRED Voicing Mode. This convenient placement alongside the EQ Faders in this Window allows you to dial in your individual sounds and selections quickly and in one place, so that when storing the settings you have arrived at for a given sound under a Midi program number, there isn't the need for a lot of jumping around on the Front Panel.
Shred - A new voice in high gain
The JP-2C incorporates a new voicing feature in the high gain Channels not present in the original MARK IIC+ LEAD Mode that further enhances the harmonic layering of the top end. This 3-position switch located to the lower right of the EQ 2 window affects only Channel's 2 and 3 and adds an additional layer of upper harmonic content in the high gain Modes. It is especially beneficial for high gain Crunch Rhythm sounds as it lends aggression and three-dimensionality to the sound, adding a harmonic haze that rides atop the fat, grinding wall of gain.
This new voicing Mode adds even more versatility to the already powerful array of sounds in the Encyclopedia of Heavy that is the JP-2C. And with the ability to run SHRED active on one or both high gain Channels, combined with your no-compromise EQ choices, you can now craft the ultimate Crunch rhythm and Lead sounds in the same amp and switch instantly between them. Freedom!
Reverb - Channel independent & Footswitchable
You'll find our classic, rich all-tube REVERB on the JP-2C but with greater control and performance flexibility than the original IIC+. It can be auto-set to "On" all the time or set to "Off" or "Footswitchable" (on/off) via the REVERB TOGGLE SWITCH located in the lower left corner of the EQ 1 Window. Each Channel also features its own REVERB blend control located on the left side of the rear panel.
FX Loop
The JP-2C features a fully buffered, tube FX Loop that can be auto-set to "ON" or is also MIDI switchable via the FX TOGGLE SWITCH located in the upper left corner of the EQ 1 Window.
CABCLONE D.I.
The popular CABCLONE D.I. Cabinet Simulator and Recording Interface are included for convenient direct live or recording applications without the need for mic-ing, although you can do that as well for a blend of live speaker and direct sounds. The full complement of Voicing options from the stand-alone CABCLONE has been included here; CLOSED BACK, OPEN BACK and VINTAGE. This greatly increases the versatility of this feature for different sound styles. Other features in addition to the balanced XLR Output include Speaker MUTE, an Instrument/Line LEVEL switch and GROUND/LIFT options.
Headphone Out
Since the JP-2C contains Mesa Boogie's CABCLONE D.I. Cabinet Simulator and Recording Interface, all the elements for a great HEADPHONE Output were available so this is also included. This Cabinet Simulated Stereo 1/4" output captures the entire sound of the amplifier - power section and all. This HEADPHONE Output makes for convenient and inspired practicing in environments where the sound of a speaker cabinet is not ideal or cannot be used.
FTSW and MIDI
Three DIN jacks, one 8-Pin for the MESA Foot Controller, and two standard 5-pin DIN jacks for MIDI IN and THRU/OUT are included for true connectivity and a number of ways to access the amazing sounds and pro features in the JP-2C. A STORE toggle switch allows simple one-touch writing and control of the JP-2C's Amp Channels, Graphic EQs, Shred, Reverb and FX Loop to any of 256 MIDI Program Numbers. Storing the settings of these features is as easy as selecting a MIDI Program number on the Foot Controller (or Computer) and toggling the STORE key. There is also a mini MIDI Channel Rotary Selector for syncing of the MIDI Channel used by your Controller of choice.
Specs
Amp Type: Tube
Rectifier Type: Silicon Diodes
Rectifier Tubes: n/a
Variac PowerSwitch: n/a
Preamp Tubes: 5x Mesa 12AX7
Power Amp Tubes: 4x Mesa 6L6
Maintenance Free Fixed Bias: Yes
Wattages Quick Reference:
60 or 100 Watts via 60/100 Watt Global Power Switch - See Power Amp Details for more information
Built In Power Amp Attenuation: n/a
Power Amp Details Class Wattage:
Class A/B Power with selectable, global 60/100 Power Switch - Provides two power options: Choose 2 power tubes, producing 60 Watt of small block-power or all 4 power tubes, producing 100 Watts of big-block horsepower and authority.
Number Of Style Modes: Five
Number Of Style Modes Per Channel: One on Channel 1, Two on Channels 2 & 3
Channel Controls:
Channel 1 Features: Independent Gain, Treble, Mid/Boost (patent applied for; doubles as a standard Midrange Tone Control from 1 to 5 AND a Variable Gain Boost Control from 5 to 10, providing precise levels of sweet harmonic overdrive), Bass, Presence, Reverb (rear panel), Assignment Switch for Dual 5-Band Graphic EQs (EQ 1 or EQ 2 - On, Off or Footswitchable) & Master Controls Channel 2 & 3 Features: Shred Mode (Assignment Switch in lower right corner of EQ section - MIDI Switchable), Independent Gain w/Pull Gain Boost, Treble, Middle, Bass, Presence w/Pull Frequency Shift, Reverb (rear panel), Assignment Switch for Dual 5-Band Graphic EQs (EQ 1 or EQ 2 - On, Off or Footswitchable) & Master Controls
Graphic EQ and/or Contour: TWO Selectable 5-Band Graphic EQs (Footswitchable, Channel Assignable or Off)
Reverb Effects Bypass Options:
Footswitchable, All-Tube, Long-Tank Spring Reverb with Independent Channel Controls
Effects Loop Bypass Options:
Fully Buffered Series Tube FX Loop (MIDI Switchable)
Global Output Level Control: n/a
Global Solo Level Control: n/a
True Bypass Options: n/a
External Switching Jack Options And/or Midi:
MIDI Switchable/Programmable via Control Change and Program Change messages, with 256 Preset Location (MIDI IN, MIDI Thru/Out, MIDI Channel & Store Switches) Controls Channels 1, 2, 3, EQ 1, EQ 2, Shred, Reverb & FX Loop
Speaker Outputs:
One 16 Ohm, One 8 Ohm and Two 4 Ohm
Cabinet Simulation Direct Live recording Output:
Built-in MESA CabClone Cab Simulator with Internal Amp Load & Headphone Output - Featuring Closed Back, Open Back & Vintage Cabinet Simulations, Speaker On/Off, Ground Lift and +4/-10 Output Level Switches
Internal Amp Load For SpeakerLess Performance: Yes (see Cabinet Simulation for more information)
Headphone Output: Yes (see Cabinet Simulation for more information)
Slave Output: Yes
Included Accessories: 3x3 - 6 Button Footswitch (Bottom Row: Ch. 1, Ch. 2 & Ch. 3 - Top Row: Reverb, Graphic EQ 1 & Graphic EQ 2), Fitted Slip Cover
Weight: 40 lbs. /
Dimensions (H x W x D): 9 1/4" x 18 3/4" x 10 7/8" / 23.5cm x 47.63cm x 27.6cm
Simplicity in Design
Much like a race car or fighter jet, the JP-2C strips down to bare essentials to get the job done effectively, in the simplest way. It's a purpose-built, no compromise rendering that aims at one single goal; deliver the most aggressive, purest sounding IIC+ EVER in a versatile package that delivers the goods to meet John's recording and stage needs. All Things Heavy! But more specifically; the highest headroom Clean sound possible, a Crunch rhythm that has Lead Channel gain available, but is tight, grinding and articulate, and the ultimate Boogie Lead Channel with access to even more saturation and the ability to track any technique and speed while also reaching to the stratosphere for single note solos.
In that spirit, unlike other MESA amplifiers, the JP-2C foregoes the concept of multiple voicing Modes derived from other MESA circuits and instead dedicates each of the three Channels exclusively to circuit voicings of the MARK IIC+, including the new SHRED Mode, which further enhances the top end harmonic layering of the original IIC+ Lead Circuit.
FEATURE OVERVIEW
60 OR 100 Watts The heart of the original MARK IIC+
A long-time MESA feature, directly off the classic MARK IIC+ and at the heart of this amplifier is the 60/100 Power Switch. One of the very first "modern amp" features MESA pioneered in the late '60s, this switch puts the center two power tubes in Standby Mode and allows you to operate at a reduced power setting. This is great for smaller venues, rehearsals, increasing power tube life by swapping and also imparts a slightly brighter, snappier response that some find desirable. It also allows more power tube saturation at lower volume levels for those who may find that preferable. Either way, the 60/100 switch adds versatility and options to the already impressive arsenal here in the JP-2C.
Pull Shift - Modified to pull gain & pull presence
In addition to the VOLUME 1 and LEAD MASTER control deletions from the original circuit, the PULL SHIFT feature layout of the original IIC+ has been modified to both simplify and enhance both high gain Channels 2 and 3. All PULL SHIFTS that were possible in the original IIC+ LEAD Mode are internally set to their optimized settings based upon the historical polling of savvy MARK IIC+ aficionados, artists and the MESA Design Team.
In addition to these changes to the original circuit, we have added two new PULL SHIFT options on the JP-2C. A PULL GAIN on the GAIN control and a PULL PRES (shift) on the PRESENCE control.
PULL GAIN increases the setting of the internally set VOLUME 1 control by approximately one number setting's worthin other words, just a little bit. This means that it is added to the already preset amount of gain/drive that is in place when the pot is NOT pulled out. In both Channels this PULL GAIN feature allows a little boost of gain for specific musical styles.
The PULL PRES feature located on the PRESENCE controls allows two very different Presence frequencies to be selected. When PULLED, the time-honored frequency we have used for 45 years appears, which allows control over a much higher range of top end than that of the TREBLE control. When left PUSHED-IN, the PRESENCE control operates on a lower frequency that is still above the TREBLE, but adds "increased cut and focus" lower than the traditional PRESENCE that, at times, can sound more cohesive for high gain Crunch rhythm sounds.
Graphic EQ x 2
The ONLY switch in each of the three Channels is the assignment switch for the two 5-Band Graphic Equalizers. This 3-position toggle allows assignment of either of the EQs to any of the three Channels, with the upper position engaging EQ 1 and the lower position employing EQ 2. The center position of the EQ switch allows you to either bypass or Footswitch the EQ on or off.
EQ Window & Feature control switches
The 10 EQ Sliders that make up the two separate 5-Band Graphic Equalizers are housed in the EQ Window section of the Front Panel. Along with them, this section contains control switches for four other Functions/Features. These are the Effects Loop, Reverb, Channel Select and the SHRED Voicing Mode. This convenient placement alongside the EQ Faders in this Window allows you to dial in your individual sounds and selections quickly and in one place, so that when storing the settings you have arrived at for a given sound under a Midi program number, there isn't the need for a lot of jumping around on the Front Panel.
Shred - A new voice in high gain
The JP-2C incorporates a new voicing feature in the high gain Channels not present in the original MARK IIC+ LEAD Mode that further enhances the harmonic layering of the top end. This 3-position switch located to the lower right of the EQ 2 window affects only Channel's 2 and 3 and adds an additional layer of upper harmonic content in the high gain Modes. It is especially beneficial for high gain Crunch Rhythm sounds as it lends aggression and three-dimensionality to the sound, adding a harmonic haze that rides atop the fat, grinding wall of gain.
This new voicing Mode adds even more versatility to the already powerful array of sounds in the Encyclopedia of Heavy that is the JP-2C. And with the ability to run SHRED active on one or both high gain Channels, combined with your no-compromise EQ choices, you can now craft the ultimate Crunch rhythm and Lead sounds in the same amp and switch instantly between them. Freedom!
Reverb - Channel independent & Footswitchable
You'll find our classic, rich all-tube REVERB on the JP-2C but with greater control and performance flexibility than the original IIC+. It can be auto-set to "On" all the time or set to "Off" or "Footswitchable" (on/off) via the REVERB TOGGLE SWITCH located in the lower left corner of the EQ 1 Window. Each Channel also features its own REVERB blend control located on the left side of the rear panel.
FX Loop
The JP-2C features a fully buffered, tube FX Loop that can be auto-set to "ON" or is also MIDI switchable via the FX TOGGLE SWITCH located in the upper left corner of the EQ 1 Window.
CABCLONE D.I.
The popular CABCLONE D.I. Cabinet Simulator and Recording Interface are included for convenient direct live or recording applications without the need for mic-ing, although you can do that as well for a blend of live speaker and direct sounds. The full complement of Voicing options from the stand-alone CABCLONE has been included here; CLOSED BACK, OPEN BACK and VINTAGE. This greatly increases the versatility of this feature for different sound styles. Other features in addition to the balanced XLR Output include Speaker MUTE, an Instrument/Line LEVEL switch and GROUND/LIFT options.
Headphone Out
Since the JP-2C contains Mesa Boogie's CABCLONE D.I. Cabinet Simulator and Recording Interface, all the elements for a great HEADPHONE Output were available so this is also included. This Cabinet Simulated Stereo 1/4" output captures the entire sound of the amplifier - power section and all. This HEADPHONE Output makes for convenient and inspired practicing in environments where the sound of a speaker cabinet is not ideal or cannot be used.
FTSW and MIDI
Three DIN jacks, one 8-Pin for the MESA Foot Controller, and two standard 5-pin DIN jacks for MIDI IN and THRU/OUT are included for true connectivity and a number of ways to access the amazing sounds and pro features in the JP-2C. A STORE toggle switch allows simple one-touch writing and control of the JP-2C's Amp Channels, Graphic EQs, Shred, Reverb and FX Loop to any of 256 MIDI Program Numbers. Storing the settings of these features is as easy as selecting a MIDI Program number on the Foot Controller (or Computer) and toggling the STORE key. There is also a mini MIDI Channel Rotary Selector for syncing of the MIDI Channel used by your Controller of choice.
Specs
Amp Type: Tube
Rectifier Type: Silicon Diodes
Rectifier Tubes: n/a
Variac PowerSwitch: n/a
Preamp Tubes: 5x Mesa 12AX7
Power Amp Tubes: 4x Mesa 6L6
Maintenance Free Fixed Bias: Yes
Wattages Quick Reference:
60 or 100 Watts via 60/100 Watt Global Power Switch - See Power Amp Details for more information
Built In Power Amp Attenuation: n/a
Power Amp Details Class Wattage:
Class A/B Power with selectable, global 60/100 Power Switch - Provides two power options: Choose 2 power tubes, producing 60 Watt of small block-power or all 4 power tubes, producing 100 Watts of big-block horsepower and authority.
Number Of Style Modes: Five
Number Of Style Modes Per Channel: One on Channel 1, Two on Channels 2 & 3
Channel Controls:
Channel 1 Features: Independent Gain, Treble, Mid/Boost (patent applied for; doubles as a standard Midrange Tone Control from 1 to 5 AND a Variable Gain Boost Control from 5 to 10, providing precise levels of sweet harmonic overdrive), Bass, Presence, Reverb (rear panel), Assignment Switch for Dual 5-Band Graphic EQs (EQ 1 or EQ 2 - On, Off or Footswitchable) & Master Controls Channel 2 & 3 Features: Shred Mode (Assignment Switch in lower right corner of EQ section - MIDI Switchable), Independent Gain w/Pull Gain Boost, Treble, Middle, Bass, Presence w/Pull Frequency Shift, Reverb (rear panel), Assignment Switch for Dual 5-Band Graphic EQs (EQ 1 or EQ 2 - On, Off or Footswitchable) & Master Controls
Graphic EQ and/or Contour: TWO Selectable 5-Band Graphic EQs (Footswitchable, Channel Assignable or Off)
Reverb Effects Bypass Options:
Footswitchable, All-Tube, Long-Tank Spring Reverb with Independent Channel Controls
Effects Loop Bypass Options:
Fully Buffered Series Tube FX Loop (MIDI Switchable)
Global Output Level Control: n/a
Global Solo Level Control: n/a
True Bypass Options: n/a
External Switching Jack Options And/or Midi:
MIDI Switchable/Programmable via Control Change and Program Change messages, with 256 Preset Location (MIDI IN, MIDI Thru/Out, MIDI Channel & Store Switches) Controls Channels 1, 2, 3, EQ 1, EQ 2, Shred, Reverb & FX Loop
Speaker Outputs:
One 16 Ohm, One 8 Ohm and Two 4 Ohm
Cabinet Simulation Direct Live recording Output:
Built-in MESA CabClone Cab Simulator with Internal Amp Load & Headphone Output - Featuring Closed Back, Open Back & Vintage Cabinet Simulations, Speaker On/Off, Ground Lift and +4/-10 Output Level Switches
Internal Amp Load For SpeakerLess Performance: Yes (see Cabinet Simulation for more information)
Headphone Output: Yes (see Cabinet Simulation for more information)
Slave Output: Yes
Included Accessories: 3x3 - 6 Button Footswitch (Bottom Row: Ch. 1, Ch. 2 & Ch. 3 - Top Row: Reverb, Graphic EQ 1 & Graphic EQ 2), Fitted Slip Cover
Weight: 40 lbs. /
Dimensions (H x W x D): 9 1/4" x 18 3/4" x 10 7/8" / 23.5cm x 47.63cm x 27.6cm
Q & A
There are currently no questions for this product.
Reviews
3.141.31.240
Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; [email protected])
Great leads, not so much cleans IMO 0 of 2 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I've tried it
Closest Store St. John's, Newfoundland and Labrador
Very versatile amp with great leads/crunch. Personal preference with the cleans and the amount of bells and whistles caused me to let it go though.
More modern sound and I am one for more warmth but still always looking for that lead punch.
I think you might find what you want with the EVH 5150 instead of this. Opinions might differ but that's just mine.
Posted by CRW on Sep 21, 2022
Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
- No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
- Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
- Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
- Loaners Available: A loaner product may be given while the product is being repaired.
- Power Surge Protection: Your product is covered even if damaged from a power surge.
- Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
- Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
- USED products: 4% of the current new selling price to increase the warranty from 3 months to 1 year. 4% for each additional year.
- GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
- BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
Great Additions
Reserve in Store
| Product | SKU | Qty |
|---|---|---|
| JP2C Head | 776485 |
