Baerenreiter Verlag

Composer: Georg Friedrich Handel
Editor: Siegbert Rampe
Format: Book, Urtext Edition
Instrumentation: Organ

• Scholarly-critical edition based on the Urtext of the Halle Handel Edition (HHA)
• First single-volume edition of Handel's organ works
• Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA

In terms of layout and musical text, this scholarly-critical performing edition of George Frideric Handel's Complete Organ Works is based on the complete edition volumes of the composer's keyboard music edited by Terence Best as part of the Halle Handel Edition (HHA).
The HHA Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel works for which it can be solidly argued that they were composed for the organ. The centre piece is a set of twelve handwritten fugues deriving directly from his immediate surroundings and published here, for the first time, as a unified cycle. Secondly, this edition presents plausible alternative readings from various sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary.

A detailed Foreword contains a description of the sources, followed by comments on the individual works. In addition this edition includes contemporary organ dispositions and a Critical Commentary.

Contents:

• Preface
• Specifications
• Fuga I in C minor HWV 610
• Fuga II in G minor HWV 605
• Fuga III in B-flat major HWV 607
• Fuga IV in F minor HWV 433/2
• Fuga V in E minor HWV 429/1
• Fuga VI in G major HWV 606
• Fuga VII in D minor HWV 428/2
• Fuga VIII in A minor HWV 609
• Fuga IX in B minor HWV 608
• Fuga X in F-sharp minor HWV 431/3
• Fuga XI in F major HWV 427/4
• Fuga XII in F major HWV 611
• Fuga in E major HWV 612
• O the pleasure of the plains in G major HWV 474
• Jesu meine Freude in G minor HWV 480
• Critical Commentary