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Carus Verlag Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score

UGS: # 512588   |   Modèle: # 40.086/03   |    Product Reviews0 Avis  Écrire une critique

Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score

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Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
Requiem in C minor - Cherubini/Hochstein - Piano/Vocal Score
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  • Composition/conception : CHERUBINI, LUIGI
  • Instrumentation : SATB ACCOMP
  • Numéro de modèle : 40.086/03
Missa pro defunctis

Composer: Luigi Cherubini
Editor: Wolfgang Hochstein
Piano Reduction: Paul Horn
Format: Book
Version: Piano/Vocal Score

Cherubini's Requiem in C minor for mixed choir (without vocal soloists) and orchestra, which is presented here in a critical new edition, is among the most significant contributions to this genre in the 19th century. It was composed in Paris in 1816 and within a short time it became well known. Musicians such as Beethoven, Schumann, and Brahms held it in high esteem because of its superior compositional construction, orchestration, mastery of form and the balance in proportion between text and music.
Duration: 46:00

Media


Introitus et Kyrie

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Graduale

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Tractus

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Sequentia

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Offertorium

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Sanctus et Benedictus

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Pie Jesu

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Agnus Dei et Communio

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Domine Jesu Christe

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Quam olim Abrahae & Hostias

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Q et R


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