Opens in a new window
Cranborne Audio Brick Lane MC4 4-Channel Modal PWM Dynamics Processor
Additional Photos:
Your Price: $3,899.00 CDN
or from $180 CDN/mo
Description
An Evolution of Modal PWM Compression
Brick Lane MC4 is a 2u 19-Inch rack, 4-channel Modal PWM dynamics processor - an evolution of Cranborne Audio's Brick Lane 500 Modal PWM Compressor.
Brick Lane MC4 utilises the same unique and revolutionary Modal PWM compression concept found in Brick Lane 500 that transcends traditional dynamics control methodologies through its revolutionary Modal PWM Compression architecture. Control your dynamics whilst tracking, enhance your sources, stems and mixes, or get that last bit out of your analogue mastering chain - all with the feel, familiarity, and control of various vintage analogue compressors. However, the concept is taken even further with Brick Lane MC4.
Modal PWM Compression with more
Whether being used for Mono, Stereo, or Mid-Side processing, or using a combination of Series, Dual-Band, and De-esser modes available - Brick Lane MC4 features 4 channels of dynamics processing. Each dynamics channel contains an enhanced Noise Gate with Analogue Lookahead technology and a Brick Lane compressor - a Modal PWM compressor with 6 harmonically-enriched analogue saturation styles.
Mono, Stereo, Mid/Side Operation
Brick Lane MC4 is designed to adapt seamlessly to a wide range of professional workflows. Each of its four dynamics channels can be configured for independent mono processing, linked stereo operation, or Mid/Side processing, allowing Brick Lane MC4 to function equally well as a tracking tool, a mix-bus processor, or a mastering dynamics unit.
Stereo linking ensures coherent gain reduction across paired channels, preserving image stability when processing stereo sources or buses. Mid/Side mode provides precise control over the centre and edges of a mix, enabling targeted dynamic shaping of vocals, bass, ambience, and width without compromising mono compatibility.
This flexible routing architecture allows Brick Lane MC4 to move effortlessly between corrective control, creative enhancement, and final polish.
Series Mode - creating Dynamics chains
Brick Lane MC4's Series mode allows two dynamics channels to be routed in series within a single signal path, enabling sequential dynamics processing without external patching. Each stage operates independently, with its own dynamics settings and Modal PWM saturation characteristics.
By dividing gain reduction across two stages, Series mode enables more controlled and predictable dynamics behaviour than a single processor operating aggressively. Transients can be shaped in the first stage while overall level control or tonal density is applied in the second, reducing audible artefacts and improving consistency.
This approach reflects established studio practice while offering the precision, stability, and repeatability required in modern analogue workflows. Series mode is suited to sources that benefit from layered control, including vocals, bass, drums, and programme material.
Dual-Band Mode - powerful Multi-band Analogue Compression
Brick Lane MC4's Dual-Band mode splits a source into low- and high-frequency bands, with each band processed by its own Modal PWM dynamics channel before being recombined.
The dual-band architecture is specifically optimised to minimise the unwanted artefacts and phase interaction that can be present in traditional analogue multi-band compressors. Rather than applying broad, complex multi-band processing, Brick Lane MC4 focuses on a carefully controlled two-band structure, reducing crossover complexity while preserving the coherence and integrity of the original signal.
By isolating low-frequency energy from mid and high-frequency content, Dual-Band mode provides greater control over dynamics without compromising tonal balance. Low-end behaviour can be managed without affecting clarity or transient definition, while high-frequency dynamics can be shaped without altering weight or impact. This enables more precise treatment of complex sources while maintaining a natural, unified sound.
Dual-Band mode is particularly well suited to material where additional control is required without sacrificing transparency, including drums, bass-heavy sources, full mixes, and mastering applications.
Advanced De-Essing with Analogue Lookahead
Brick Lane MC4 includes a dedicated De-Esser mode built around analogue lookahead dynamics control, allowing sibilance and high-frequency transients to be managed with precision and "intuition" that is difficult to achieve using conventional analogue designs.
By detecting problematic high-frequency content before gain reduction is applied, the dynamics engine responds predictably and smoothly, avoiding the overshoot, distortion, and pumping commonly associated with fast de-essing. This enables consistent attenuation of sibilance without dulling transients or altering the overall tonal balance of the source.
De-Esser mode operates within the Brick Lane Modal PWM architecture, maintaining low distortion and accurate control even during aggressive reduction. The result is natural, controlled high-frequency dynamics suitable for vocals, dialogue, acoustic instruments, and programme material, whether tracking, mixing, or mastering.
Fully Digitally-Controlled with USB and Network options
Brick Lane MC4 takes control to a whole new level allowing all controls of the unit to be controlled remotely via USB or an Ethernet network. Our control plugin seamlessly integrates with the Brick Lane MC4 hardware via the USB or NET ports, allowing for convenient real-time control and recall from within your DAW. It also facilitates the independent saving and loading of presets.
Mid/Side Processing
Especially valuable for mastering, mixing, and sound design applications, Brick Lane MC4 allows for Mid/Side processing, allowing you to apply dynamics processing to the separate mid (center) and side (stereo width) components of your stereo signal. No additional hardware is needed, Brick Lane MC4 takes care of all the necessary encoding and decoding.
Inserts for Outboard Hardware
Brick Lane MC4 features bypassable TRS insert points on all four dynamics channels, allowing external analogue hardware to be integrated directly into the signal path. Each insert point is user-selectable within the processing chain, enabling precise placement relative to the dynamics engine and associated processing stages.
This flexibility allows a wide range of advanced workflows, including inserting external equalisation, saturation, or other analogue processors either before or after dynamics processing. In Mid/Side operation, the insert points may be positioned between M/S encoding and decoding, enabling external hardware to be applied independently to the Mid or Side components of a signal.
By providing fully integrated insert routing without the need for external patching or additional routing hardware, Brick Lane MC4 enables complex analogue signal chains while maintaining a clean, repeatable workflow.
External Sidechain Inputs
Brick Lane MC4 provides four assignable external sidechain inputs alongside a flexible internal sidechain routing system, allowing each dynamics channel to independently select its control signal source.
Each compressor can derive its sidechain from its own input signal, from another compressor's input or sidechain, or from any of the four external sidechain inputs. This enables a wide range of dynamics control strategies, from conventional keyed compression and ducking to more complex inter-channel dynamics relationships.
This routing flexibility allows dynamics behaviour to be decoupled from the audio signal path when required, enabling precise control without altering the processed audio. In stereo, Mid/Side, Series, or Dual-Band configurations, sidechain sources can be reassigned to suit the specific processing objective.
By offering both internal and external sidechain selection on a per-channel basis, Brick Lane MC4 supports advanced dynamics workflows while remaining intuitive and repeatable in professional analogue environments.
Modal PWM Compression Architecture
Each channel of Brick Lane MC4 is built around Cranborne Audio's Modal PWM compression architecture, a digitally controlled analogue dynamics system that enables multiple, fundamentally different compression behaviours within a single signal path.
Modal PWM compression operates by modulating the dynamics control law, time constants, and harmonic behaviour of the analogue gain stage rather than simply changing ratios or thresholds. This allows Brick Lane MC4 to deliver a wide range of compression responses while maintaining low distortion, fast response, and precise control.
Compression Modes
- VELVET: Vintage Vari-Mu-style musicality with Tube-inspired harmonic compression. This compression style offers smooth, organic dynamic control with vintage tonal warmth and character.
- FLOAT: Transparent Opto-inspired dynamics with moderate transparency and gentle, wavelike compression ballistics.
- SMASH: FET-Style transient dominance with aggressive dynamic reduction, and explosive punch and sonic impact.
- TAME: Precision transient management with ultra-fast, transparent control and surgical dynamic precision.
- GLUE: Glue together all the elements of your mix with this on your master bus for gentle bus-style compression.
- POLISH: Ultimate mastering-style limiting with the cleanest, fastest analogue limiter with Cranborne Audio's "Analogue-Lookahead" technology.
Modal Control and Harmonic Behaviour
The Stress control operates within the Modal PWM architecture to introduce dynamics-focused analogue harmonic saturation. The STRESS behaviour is defined by the selected compression mode.
Rather than applying a single, static saturation circuit, Brick Lane MC4 implements six distinct multi-band analogue saturation circuits, each specifically designed to operate in tandem with its corresponding Modal PWM compression behaviour. These saturation circuits are dynamically linked to the gain-reduction process, allowing harmonic content to evolve with signal level, envelope, and compression activity. This integrated approach recreates the characteristic non-linearities and programme-dependent behaviour found in classic analogue compressors, where tone, dynamics, and saturation are inherently connected rather than treated as separate processes.
By tailoring the saturation topology to each compression mode, Brick Lane MC4 delivers mode-appropriate harmonic behaviour - ranging from subtle density and warmth to more assertive dynamic coloration - while maintaining control, consistency, and signal integrity across a wide range of operating conditions.
ENIGMA - Advanced Compression Control
ENIGMA provides access to deep compression parameters that are normally fixed in analogue compressor designs, allowing the dynamic response of Brick Lane MC4 to be precisely tailored to the desired result.
Through ENIGMA, users can directly adjust parameters such as compression knee, attack and release weighting, detector behaviour, high-frequency emphasis, and more. These controls allow the compressor's response to be shaped beyond basic threshold and ratio settings, making it possible to fine-tune how transients are captured, how gain reduction develops, and how the compressor reacts to different frequency content.
For example, hardening the compression knee and adjusting attack weighting can produce a more immediate, percussive response, while altering high-frequency emphasis and detector behaviour can introduce the softer, programme-dependent response commonly associated with vintage compressors. These adjustments enable the same compression mode to be adapted for markedly different sources and musical objectives.
ENIGMA operates entirely within the analogue Modal PWM compression system, ensuring that changes to behaviour remain predictable, repeatable, and musically relevant. This level of control allows Brick Lane MC4 to be configured with a degree of precision rarely available in analogue dynamics processors.
- Max Input Level: +24 dBu (0.003% THD)
- Max Output Level: +26.5dBu (0.003% THD)
- Frequency Response: +0.5dB, 2 Hz - 80 kHz
- Noise Floor: -100dBu (unweighted)
- Dynamic Range: 118dB
- Input Impedance: Line = 43 kOhms
- Output Impedance: Line = 150 Ohms
- PSU Type: Internal Mains
- Operating Temperature: +1 to 35 degrees Celsius
- Storage Conditions: -20 to 50 degrees Celsius
Compressor
- Compressor Element: Pulse Width Modulation
- Switching Frequency: 250kHz
- Harmonics (Stress Control): 20% THD depending on conditions
- Sidechain Detection HPF: Selectable - 60Hz, 100Hz, 200Hz, OFF
- Minimum attack time (standard): 6 nanoseconds (2 microseconds processing delay)
- Minimum attack time (POLISH mode with Analogue Lookahead enabled): 6 nanoseconds, 0 nanoseconds processing delay @ 20kHz
1/4" TRS Inserts
- Type: Balanced, dedicated send & return, normalled
- Config: Post M/S encoding & Carnaby, pre M/S decoding
- Max Input Level (return): +26.0dBu (0.003% THD+N)
- Max Output Level (send): +26.0dBu (0.003% THD+N)
Mid/Side
- Type: Encoder/decoder
- Matrix: Sum-difference matrix
Brick Lane MC4 is a 2u 19-Inch rack, 4-channel Modal PWM dynamics processor - an evolution of Cranborne Audio's Brick Lane 500 Modal PWM Compressor.
Brick Lane MC4 utilises the same unique and revolutionary Modal PWM compression concept found in Brick Lane 500 that transcends traditional dynamics control methodologies through its revolutionary Modal PWM Compression architecture. Control your dynamics whilst tracking, enhance your sources, stems and mixes, or get that last bit out of your analogue mastering chain - all with the feel, familiarity, and control of various vintage analogue compressors. However, the concept is taken even further with Brick Lane MC4.
Modal PWM Compression with more
Whether being used for Mono, Stereo, or Mid-Side processing, or using a combination of Series, Dual-Band, and De-esser modes available - Brick Lane MC4 features 4 channels of dynamics processing. Each dynamics channel contains an enhanced Noise Gate with Analogue Lookahead technology and a Brick Lane compressor - a Modal PWM compressor with 6 harmonically-enriched analogue saturation styles.
Mono, Stereo, Mid/Side Operation
Brick Lane MC4 is designed to adapt seamlessly to a wide range of professional workflows. Each of its four dynamics channels can be configured for independent mono processing, linked stereo operation, or Mid/Side processing, allowing Brick Lane MC4 to function equally well as a tracking tool, a mix-bus processor, or a mastering dynamics unit.
Stereo linking ensures coherent gain reduction across paired channels, preserving image stability when processing stereo sources or buses. Mid/Side mode provides precise control over the centre and edges of a mix, enabling targeted dynamic shaping of vocals, bass, ambience, and width without compromising mono compatibility.
This flexible routing architecture allows Brick Lane MC4 to move effortlessly between corrective control, creative enhancement, and final polish.
Series Mode - creating Dynamics chains
Brick Lane MC4's Series mode allows two dynamics channels to be routed in series within a single signal path, enabling sequential dynamics processing without external patching. Each stage operates independently, with its own dynamics settings and Modal PWM saturation characteristics.
By dividing gain reduction across two stages, Series mode enables more controlled and predictable dynamics behaviour than a single processor operating aggressively. Transients can be shaped in the first stage while overall level control or tonal density is applied in the second, reducing audible artefacts and improving consistency.
This approach reflects established studio practice while offering the precision, stability, and repeatability required in modern analogue workflows. Series mode is suited to sources that benefit from layered control, including vocals, bass, drums, and programme material.
Dual-Band Mode - powerful Multi-band Analogue Compression
Brick Lane MC4's Dual-Band mode splits a source into low- and high-frequency bands, with each band processed by its own Modal PWM dynamics channel before being recombined.
The dual-band architecture is specifically optimised to minimise the unwanted artefacts and phase interaction that can be present in traditional analogue multi-band compressors. Rather than applying broad, complex multi-band processing, Brick Lane MC4 focuses on a carefully controlled two-band structure, reducing crossover complexity while preserving the coherence and integrity of the original signal.
By isolating low-frequency energy from mid and high-frequency content, Dual-Band mode provides greater control over dynamics without compromising tonal balance. Low-end behaviour can be managed without affecting clarity or transient definition, while high-frequency dynamics can be shaped without altering weight or impact. This enables more precise treatment of complex sources while maintaining a natural, unified sound.
Dual-Band mode is particularly well suited to material where additional control is required without sacrificing transparency, including drums, bass-heavy sources, full mixes, and mastering applications.
Advanced De-Essing with Analogue Lookahead
Brick Lane MC4 includes a dedicated De-Esser mode built around analogue lookahead dynamics control, allowing sibilance and high-frequency transients to be managed with precision and "intuition" that is difficult to achieve using conventional analogue designs.
By detecting problematic high-frequency content before gain reduction is applied, the dynamics engine responds predictably and smoothly, avoiding the overshoot, distortion, and pumping commonly associated with fast de-essing. This enables consistent attenuation of sibilance without dulling transients or altering the overall tonal balance of the source.
De-Esser mode operates within the Brick Lane Modal PWM architecture, maintaining low distortion and accurate control even during aggressive reduction. The result is natural, controlled high-frequency dynamics suitable for vocals, dialogue, acoustic instruments, and programme material, whether tracking, mixing, or mastering.
Fully Digitally-Controlled with USB and Network options
Brick Lane MC4 takes control to a whole new level allowing all controls of the unit to be controlled remotely via USB or an Ethernet network. Our control plugin seamlessly integrates with the Brick Lane MC4 hardware via the USB or NET ports, allowing for convenient real-time control and recall from within your DAW. It also facilitates the independent saving and loading of presets.
Mid/Side Processing
Especially valuable for mastering, mixing, and sound design applications, Brick Lane MC4 allows for Mid/Side processing, allowing you to apply dynamics processing to the separate mid (center) and side (stereo width) components of your stereo signal. No additional hardware is needed, Brick Lane MC4 takes care of all the necessary encoding and decoding.
Inserts for Outboard Hardware
Brick Lane MC4 features bypassable TRS insert points on all four dynamics channels, allowing external analogue hardware to be integrated directly into the signal path. Each insert point is user-selectable within the processing chain, enabling precise placement relative to the dynamics engine and associated processing stages.
This flexibility allows a wide range of advanced workflows, including inserting external equalisation, saturation, or other analogue processors either before or after dynamics processing. In Mid/Side operation, the insert points may be positioned between M/S encoding and decoding, enabling external hardware to be applied independently to the Mid or Side components of a signal.
By providing fully integrated insert routing without the need for external patching or additional routing hardware, Brick Lane MC4 enables complex analogue signal chains while maintaining a clean, repeatable workflow.
External Sidechain Inputs
Brick Lane MC4 provides four assignable external sidechain inputs alongside a flexible internal sidechain routing system, allowing each dynamics channel to independently select its control signal source.
Each compressor can derive its sidechain from its own input signal, from another compressor's input or sidechain, or from any of the four external sidechain inputs. This enables a wide range of dynamics control strategies, from conventional keyed compression and ducking to more complex inter-channel dynamics relationships.
This routing flexibility allows dynamics behaviour to be decoupled from the audio signal path when required, enabling precise control without altering the processed audio. In stereo, Mid/Side, Series, or Dual-Band configurations, sidechain sources can be reassigned to suit the specific processing objective.
By offering both internal and external sidechain selection on a per-channel basis, Brick Lane MC4 supports advanced dynamics workflows while remaining intuitive and repeatable in professional analogue environments.
Modal PWM Compression Architecture
Each channel of Brick Lane MC4 is built around Cranborne Audio's Modal PWM compression architecture, a digitally controlled analogue dynamics system that enables multiple, fundamentally different compression behaviours within a single signal path.
Modal PWM compression operates by modulating the dynamics control law, time constants, and harmonic behaviour of the analogue gain stage rather than simply changing ratios or thresholds. This allows Brick Lane MC4 to deliver a wide range of compression responses while maintaining low distortion, fast response, and precise control.
Compression Modes
- VELVET: Vintage Vari-Mu-style musicality with Tube-inspired harmonic compression. This compression style offers smooth, organic dynamic control with vintage tonal warmth and character.
- FLOAT: Transparent Opto-inspired dynamics with moderate transparency and gentle, wavelike compression ballistics.
- SMASH: FET-Style transient dominance with aggressive dynamic reduction, and explosive punch and sonic impact.
- TAME: Precision transient management with ultra-fast, transparent control and surgical dynamic precision.
- GLUE: Glue together all the elements of your mix with this on your master bus for gentle bus-style compression.
- POLISH: Ultimate mastering-style limiting with the cleanest, fastest analogue limiter with Cranborne Audio's "Analogue-Lookahead" technology.
Modal Control and Harmonic Behaviour
The Stress control operates within the Modal PWM architecture to introduce dynamics-focused analogue harmonic saturation. The STRESS behaviour is defined by the selected compression mode.
Rather than applying a single, static saturation circuit, Brick Lane MC4 implements six distinct multi-band analogue saturation circuits, each specifically designed to operate in tandem with its corresponding Modal PWM compression behaviour. These saturation circuits are dynamically linked to the gain-reduction process, allowing harmonic content to evolve with signal level, envelope, and compression activity. This integrated approach recreates the characteristic non-linearities and programme-dependent behaviour found in classic analogue compressors, where tone, dynamics, and saturation are inherently connected rather than treated as separate processes.
By tailoring the saturation topology to each compression mode, Brick Lane MC4 delivers mode-appropriate harmonic behaviour - ranging from subtle density and warmth to more assertive dynamic coloration - while maintaining control, consistency, and signal integrity across a wide range of operating conditions.
ENIGMA - Advanced Compression Control
ENIGMA provides access to deep compression parameters that are normally fixed in analogue compressor designs, allowing the dynamic response of Brick Lane MC4 to be precisely tailored to the desired result.
Through ENIGMA, users can directly adjust parameters such as compression knee, attack and release weighting, detector behaviour, high-frequency emphasis, and more. These controls allow the compressor's response to be shaped beyond basic threshold and ratio settings, making it possible to fine-tune how transients are captured, how gain reduction develops, and how the compressor reacts to different frequency content.
For example, hardening the compression knee and adjusting attack weighting can produce a more immediate, percussive response, while altering high-frequency emphasis and detector behaviour can introduce the softer, programme-dependent response commonly associated with vintage compressors. These adjustments enable the same compression mode to be adapted for markedly different sources and musical objectives.
ENIGMA operates entirely within the analogue Modal PWM compression system, ensuring that changes to behaviour remain predictable, repeatable, and musically relevant. This level of control allows Brick Lane MC4 to be configured with a degree of precision rarely available in analogue dynamics processors.
Specifications
- Test Signal Path: APx555 (Line Out) - Input - Line Output - APx555 (Line In)- Max Input Level: +24 dBu (0.003% THD)
- Max Output Level: +26.5dBu (0.003% THD)
- Frequency Response: +0.5dB, 2 Hz - 80 kHz
- Noise Floor: -100dBu (unweighted)
- Dynamic Range: 118dB
- Input Impedance: Line = 43 kOhms
- Output Impedance: Line = 150 Ohms
- PSU Type: Internal Mains
- Operating Temperature: +1 to 35 degrees Celsius
- Storage Conditions: -20 to 50 degrees Celsius
Compressor
- Compressor Element: Pulse Width Modulation
- Switching Frequency: 250kHz
- Harmonics (Stress Control): 20% THD depending on conditions
- Sidechain Detection HPF: Selectable - 60Hz, 100Hz, 200Hz, OFF
- Minimum attack time (standard): 6 nanoseconds (2 microseconds processing delay)
- Minimum attack time (POLISH mode with Analogue Lookahead enabled): 6 nanoseconds, 0 nanoseconds processing delay @ 20kHz
1/4" TRS Inserts
- Type: Balanced, dedicated send & return, normalled
- Config: Post M/S encoding & Carnaby, pre M/S decoding
- Max Input Level (return): +26.0dBu (0.003% THD+N)
- Max Output Level (send): +26.0dBu (0.003% THD+N)
Mid/Side
- Type: Encoder/decoder
- Matrix: Sum-difference matrix
Q & A
There are currently no questions for this product.
Reviews
There are currently no reviews for this product. Be the first to write one!
Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
- No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
- Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
- Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
- Loaners Available: A loaner product may be given while the product is being repaired.
- Power Surge Protection: Your product is covered even if damaged from a power surge.
- Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
- Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: Starting at 4% of the current new selling price to double the warranty from 1 year to 2 years. Starting at 4% for each additional year.
- USED products: Starting at 4% of the current new selling price to increase the warranty from 3 months to 1 year. Starting at 4% for each additional year.
- GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
- BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
Reserve in Store
| Product | SKU | Qty |
|---|---|---|
| Brick Lane MC4 4-Channel Modal PWM Dynamics Processor | 835863 |
