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RANE
Rotary Mixer with Dual USB for DJ Sharing
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Control, sound, reliability and durability distinguish Rane's new techno house club mixer for high-end audio systems. The Rane MP2015 Rotary Mixer combines powerful and unique features, silky-smooth feel and rugged design. The controls have an intuitive and comfortable layout while the custom rotary potentiometers have exceptional feel, rated for a million cycles. The back-lit push switches are the same found on recording studio consoles. Durability extends to the control labels that will never wear off after decades of use.
This mixer is an audiophile's dream, meant to be appreciated on the highest-grade home stereo or mega-club loudspeaker system. Specifications are better than most recording studio components. The very best A/D and D/A converters are used, with a dynamic range of 116 dB and THD+N at 0.0009%. All processing is 32-bit floating point at a selectable 44.1, 48 or 96 kHz sample rate.
The MP2015 allows performers to adjust Filters, EQs and the Isolator to suit their needs. Channel, Submix and Isolator Filters can be stacked for truly amazing isolation and manipulation of musical elements.
Features:
Hi-Res Sources
A world-class leader in performance, the MP2015 is designed for playback of High-Resolution Audio (HRA) 24-bit studio master quality sources; its sonic signature will satisfy the most stringent vinyl purists. And the dynamics are perfect for DJs preferring the uncompressed sound of WAV and FLAC files.
Sound Quality
Professional high-end sound quality begins and ends with the audio signal converters. The MP2015 uses premium performance Audio 4 Pro delta-sigma modulator converters by AKM that meet the highest sound quality standards of recording studios.
The balanced differential audio input converters deliver 116 dB dynamic range, utilizing a built-in modified FIR architecture that minimizes group delay, allowing excellent linear phase response. The 24-bit audio output converters have the same 116 dB dynamic range and sport AKMs proprietary 24-bit digital filter for better sound quality achieving low distortion characteristics and wide dynamic range. The differential outputs eliminate the need for AC coupling capacitors further increasing performance. Input and output converters support sample rates of 44.1 kHz, 48 kHz, or 96 kHz. Overall Digital/USB in to Line-out, or Line-in to Digital/USB out dynamic range is 116 dB (A-weighted), while Line-input to Line-output dynamic range is a remarkable 113 dB (A-weighted) with vanishingly low THD+N of 0.0009%.
Submix Channel
This unique input channel provides grouping any number of inputs for easy multi-source mixing. It allows one set of controls for all functions versus having to deal with multiple knobs and buttons on multiple channels. Plus this becomes another input simply by activating the SUB button found on the Session In section.
The Submix is a great innovation for multi-track DJs, combining 1 to 4 channels plus the Session Input into a Submix, thereby controlling multiple tracks with one set of EQ, Filter, and volume controls. This means turning one knob instead of trying to turn several channel knobs at once. Quickly assign or un-assign any Input to the Submix, which has its own meter, headphone Cue, and USB record output. This is also where an external effects unit can be mixed in, and assigned to the Submix or the Main Mix. The Submix can also be used as a 5th input channel from the Session Input. No other mixer on the market provides this ease of multi-track use.
Filters
Each of the four Input channels and the Submix channel feature a unique and exclusive three-position toggle selector-switch. Choose between LP (low-pass), HP (high-pass) or L-H (low-pass, high-pass combo). All have steep 24 dB/octave (4th-order) slopes and are sweepable.
Durability
The all steel chassis is fabricated in Seattle, WA, USA, using the same equipment and people who make Boeing airplanes. Rane uses heavy 0.048" (1.22 mm) thick cold-rolled steel, electroplated with an aluminum-zinc alloy that makes the chassis rugged and rust proof. The front panel is the same material but extra thick at 0.075" (1.905 mm) to accommodate those moments of DJ exuberance. All metal is finished with a baked-on polyester powder coating.
Studio-Quality Phono Preamps
The Phono-CD (or any line-level source) analog input stages feature gold RCA connectors and are true studio-quality preamplifiers providing EMI, RFI and transient overvoltage protection against ESD. The circuitry provides low noise, high gain-bandwidth, low harmonic distortion, fast slew rate and high output current.
Specifications:
ANALOG INPUTS
Analog Deck Inputs: 4, Phono-CD-S/PDIF switchable
• Analog Stereo RCA jacks: Phono (RIAA) or CD (line-level)
• Phono Response: RIAA +0.1/-0.2 dB, Gain: 31 dB at 1 kHz, Butterworth 3rd-order Infrasonic (rumble) and 2nd-order Low-pass Filters
• Max Phono Input: 126 mV
• Max Line Input: 4 Vrms, all unbalanced inputs
Analog Aux Input: Line Level, stereo unbalanced RCA jacks
Session Analog Input: Line Level, stereo unbalanced RCA jacks
S/PDIF
Deck Input S/PDIF RCA jacks: Input 16-bit or 24-bit PCM only
• Dynamic range of 128 dB with ultra low jitter and 16:1 SRC conversion range.
Session S/PDIF Input / Output: RCA jacks (Dynamic range of 128 dB)
• Input 16-bit or 24-bit PCM only, sample Rate 16 kHz to 144 kHz
ADCs
24-bit @ 44.1, 48, or 96 kHz
DACs
24-bit @ 44.1, 48, or 96 kHz
DYNAMIC RANGE
• Digital/USB Input to Line Output: 116 dB A-weighted
• Line Input to Digital/USB Output: 116 dB A-weighted
• Line Input to Line Output: 113 dB A-weighted
DIGITAL SIGNAL PROCESSING
• 32-bit floating point
USB AUDIO
Seven stereo record, Five stereo playback, Each Port: 32-bit floating point @ 44.1 kHz, 48 kHz or 96 kHz
• Class-compliant, no driver needed for Mac OSX.
• ASIO driver provided for Windows.
FlexFX
Stereo unbalanced 1/4" TS (tip-sleeve) jacks, Send and Return.
MIC INPUT
• Balanced 1/4" TRS & XLR combo jack with Mic / Line switch and +48V Phantom Power switch.
LINE OUTPUTS
• Main is on balanced XLR jacks
• Booth is on balanced TRS 1/4" jacks
• Session is on unbalanced RCA line level or S/PDIF digital RCA jacks
• FlexFX Loop Send is unbalanced RCA jacks.
• Frequency Response: 20 Hz to 20 kHz 0.25 dB
• Unbalanced jacks (Session & FlexFX): Max 4 Vrms
• Balanced jacks (Main & Booth): Max 8 Vrms
THD+N: 0.0009%
INTERNAL UNIVERSAL POWER SUPPLY
• 100 to 240 VAC, Max 20 W, 50 Hz to 60 Hz.
UNIT SIZE
• Dimensions: (H x W x D) 35.5 cm x 33.3 cm x 8.3 cm (14 x 13.1 x 4.3 inches) - includes knobs
• Weight: 5.7 kg (12.6 lb.)
Includes:
• MP2015 Mixer
• 1 USB cable
• 1 control panel install disc
• IEC C5 line cord
• MP2015 Mixer Manual
This mixer is an audiophile's dream, meant to be appreciated on the highest-grade home stereo or mega-club loudspeaker system. Specifications are better than most recording studio components. The very best A/D and D/A converters are used, with a dynamic range of 116 dB and THD+N at 0.0009%. All processing is 32-bit floating point at a selectable 44.1, 48 or 96 kHz sample rate.
The MP2015 allows performers to adjust Filters, EQs and the Isolator to suit their needs. Channel, Submix and Isolator Filters can be stacked for truly amazing isolation and manipulation of musical elements.
Features:
Hi-Res Sources
A world-class leader in performance, the MP2015 is designed for playback of High-Resolution Audio (HRA) 24-bit studio master quality sources; its sonic signature will satisfy the most stringent vinyl purists. And the dynamics are perfect for DJs preferring the uncompressed sound of WAV and FLAC files.
Sound Quality
Professional high-end sound quality begins and ends with the audio signal converters. The MP2015 uses premium performance Audio 4 Pro delta-sigma modulator converters by AKM that meet the highest sound quality standards of recording studios.
The balanced differential audio input converters deliver 116 dB dynamic range, utilizing a built-in modified FIR architecture that minimizes group delay, allowing excellent linear phase response. The 24-bit audio output converters have the same 116 dB dynamic range and sport AKMs proprietary 24-bit digital filter for better sound quality achieving low distortion characteristics and wide dynamic range. The differential outputs eliminate the need for AC coupling capacitors further increasing performance. Input and output converters support sample rates of 44.1 kHz, 48 kHz, or 96 kHz. Overall Digital/USB in to Line-out, or Line-in to Digital/USB out dynamic range is 116 dB (A-weighted), while Line-input to Line-output dynamic range is a remarkable 113 dB (A-weighted) with vanishingly low THD+N of 0.0009%.
Submix Channel
This unique input channel provides grouping any number of inputs for easy multi-source mixing. It allows one set of controls for all functions versus having to deal with multiple knobs and buttons on multiple channels. Plus this becomes another input simply by activating the SUB button found on the Session In section.
The Submix is a great innovation for multi-track DJs, combining 1 to 4 channels plus the Session Input into a Submix, thereby controlling multiple tracks with one set of EQ, Filter, and volume controls. This means turning one knob instead of trying to turn several channel knobs at once. Quickly assign or un-assign any Input to the Submix, which has its own meter, headphone Cue, and USB record output. This is also where an external effects unit can be mixed in, and assigned to the Submix or the Main Mix. The Submix can also be used as a 5th input channel from the Session Input. No other mixer on the market provides this ease of multi-track use.
Filters
Each of the four Input channels and the Submix channel feature a unique and exclusive three-position toggle selector-switch. Choose between LP (low-pass), HP (high-pass) or L-H (low-pass, high-pass combo). All have steep 24 dB/octave (4th-order) slopes and are sweepable.
Durability
The all steel chassis is fabricated in Seattle, WA, USA, using the same equipment and people who make Boeing airplanes. Rane uses heavy 0.048" (1.22 mm) thick cold-rolled steel, electroplated with an aluminum-zinc alloy that makes the chassis rugged and rust proof. The front panel is the same material but extra thick at 0.075" (1.905 mm) to accommodate those moments of DJ exuberance. All metal is finished with a baked-on polyester powder coating.
Studio-Quality Phono Preamps
The Phono-CD (or any line-level source) analog input stages feature gold RCA connectors and are true studio-quality preamplifiers providing EMI, RFI and transient overvoltage protection against ESD. The circuitry provides low noise, high gain-bandwidth, low harmonic distortion, fast slew rate and high output current.
Specifications:
ANALOG INPUTS
Analog Deck Inputs: 4, Phono-CD-S/PDIF switchable
• Analog Stereo RCA jacks: Phono (RIAA) or CD (line-level)
• Phono Response: RIAA +0.1/-0.2 dB, Gain: 31 dB at 1 kHz, Butterworth 3rd-order Infrasonic (rumble) and 2nd-order Low-pass Filters
• Max Phono Input: 126 mV
• Max Line Input: 4 Vrms, all unbalanced inputs
Analog Aux Input: Line Level, stereo unbalanced RCA jacks
Session Analog Input: Line Level, stereo unbalanced RCA jacks
S/PDIF
Deck Input S/PDIF RCA jacks: Input 16-bit or 24-bit PCM only
• Dynamic range of 128 dB with ultra low jitter and 16:1 SRC conversion range.
Session S/PDIF Input / Output: RCA jacks (Dynamic range of 128 dB)
• Input 16-bit or 24-bit PCM only, sample Rate 16 kHz to 144 kHz
ADCs
24-bit @ 44.1, 48, or 96 kHz
DACs
24-bit @ 44.1, 48, or 96 kHz
DYNAMIC RANGE
• Digital/USB Input to Line Output: 116 dB A-weighted
• Line Input to Digital/USB Output: 116 dB A-weighted
• Line Input to Line Output: 113 dB A-weighted
DIGITAL SIGNAL PROCESSING
• 32-bit floating point
USB AUDIO
Seven stereo record, Five stereo playback, Each Port: 32-bit floating point @ 44.1 kHz, 48 kHz or 96 kHz
• Class-compliant, no driver needed for Mac OSX.
• ASIO driver provided for Windows.
FlexFX
Stereo unbalanced 1/4" TS (tip-sleeve) jacks, Send and Return.
MIC INPUT
• Balanced 1/4" TRS & XLR combo jack with Mic / Line switch and +48V Phantom Power switch.
LINE OUTPUTS
• Main is on balanced XLR jacks
• Booth is on balanced TRS 1/4" jacks
• Session is on unbalanced RCA line level or S/PDIF digital RCA jacks
• FlexFX Loop Send is unbalanced RCA jacks.
• Frequency Response: 20 Hz to 20 kHz 0.25 dB
• Unbalanced jacks (Session & FlexFX): Max 4 Vrms
• Balanced jacks (Main & Booth): Max 8 Vrms
THD+N: 0.0009%
INTERNAL UNIVERSAL POWER SUPPLY
• 100 to 240 VAC, Max 20 W, 50 Hz to 60 Hz.
UNIT SIZE
• Dimensions: (H x W x D) 35.5 cm x 33.3 cm x 8.3 cm (14 x 13.1 x 4.3 inches) - includes knobs
• Weight: 5.7 kg (12.6 lb.)
Includes:
• MP2015 Mixer
• 1 USB cable
• 1 control panel install disc
• IEC C5 line cord
• MP2015 Mixer Manual
Q & A
There are currently no questions for this product.
Reviews
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Rane mp2015 5 of 5 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I own it
Closest Store Toronto (Bloor St.), Ontario
Ok well first off this mixer sounds better then amazing.... either digital or analog signals sound superb through this mixer. As a dvs system it really excels and is where the magic happens when playing digital media through Serato or Traktor . Hard pressed to find a better sounding digital dj mixer. The only draw back I found was that you need to purchase a lic. from Traktor or Serato to really use the mixer for what it is designed for which is just that. For the price and design purpose use of the mixer both sErato or Traktor should offer full software and not just lite version or demo's that expire after 30 days. Asides from that it's a killer beast in the studio.
Posted by Viny L Quaker on Oct 13, 2018
Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
- No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
- Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
- Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
- Loaners Available: A loaner product may be given while the product is being repaired.
- Power Surge Protection: Your product is covered even if damaged from a power surge.
- Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
- Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
- USED products: 4% of the current new selling price to increase the warranty from 3 months to 1 year. 4% for each additional year.
- GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
- BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
Great Additions
Reserve in Store
| Product | SKU | Qty |
|---|---|---|
| Rotary Mixer with Dual USB for DJ Sharing | 437210 |
