Opens in a new window
PreSonus 32 Channel Rackmounted Studiolive AI Mixer
Photos additionnelles :
Vidéos :
YouTube Video
Ce produit n'est plus disponible.
Complétez votre achat
Description
StudioLive RM Series: Touch-Software-Controlled, Rack-Mounted, Active Integration Digital Mixers
Like all StudioLive Active Integration mixers, the RM series delivers unrivaled sound quality, XMAX Class A solid-state preamps, amazing DSP performance, direct Wi-Fi and wired LAN communication, fast and intuitive workflow, an onboard FireWire S800 interface (compatible with Thunderbolt via adapter), and a tightly integrated software suite for Mac, Windows, and iOS, creating a streamlined working environment for both live and studio use.
FEATURES
Complete recallable touch control.
PreSonus UC Surface control software for Mac, Windows, and iPad was carefully designed for intuitive and quick performance in a live mixing environment but also serves well in the studio.
The power of Active Integration.
StudioLive RM-series mixers are based on Active Integration (AI), a complete, networked, tightly integrated hardware/software ecosystem in which every touch point in the system interacts to enhance the user experience and solve practical problems in ways not previously possible.
Actively integrated software.
PreSonus StudioLive RM-series mixers are tightly integrated with a suite of free, state-of-the-art software that helps you mix and record better and have more fun doing it. No other mixer near this price class offers comparable software.
Wi-Fi and wired networking.
PreSonus StudioLive RM-series digital mixers Active Integration technology includes powerful real-time, direct, wired and Wi-Fi remote control over a variety of features, using free Mac, Windows, and iOS software.
A gigantic console in a few rack spaces.
Unlike an analog console, with massive outboard racks of expensive signal processors, the StudioLive AI Mixer gets all its processing power to fit in three (RM16AI) or four (RM32AI) rack spaces under software control.
Tons of Effects - Light on Price.
Two 32-bit stereo effects engines on dedicated buses, loaded with reverbs so rich and detailed that you feel like you're there. Two more with delay effects that you can really use. Use all four without compromising other resources.
Dedicated I/O.
View the front of a StudioLive RM-series rack-mount mixer, and you'll see a straightforward jackfield with XLR channel inputs, XLR mix outputs, and other important connections.
The sound is pure PreSonus.
Getting a great-sounding mix depends in part on how good the mixers components are and how well the algorithms perform. That's especially true with RM Series analog (but digitally recallable) XMAX mic preamps.
Complete store and recall instantly.
With UC Surface, its very quick and easy to save all of your StudioLive RM settings for quick setup and recall.
TECHNICAL SPECIFICATIONS
Microphone Preamp:
Input Type: XLR Female, balanced, locking
Frequency Response to Direct Output (at unity gain): 20-40 kHz, 0.5 dBu
Frequency Response to Main Output (at unity gain): 20-20 kHz, 0.5 dBu
Input Impedance: 1 kΩ
THD to Main Output (1 kHz at unity gain): 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): 94 dB
Common Mode Rejection Ratio (1 kHz at unity gain): 65 dB
Gain Control Range (1 dB): 0 dB to +65 dB
Maximum Input Level (unity gain): +22 dBu
Phantom Power (2 VDC): 48 VDC, switchable per channel
Tape Inputs
Type: RCA Female, unbalanced (stereo pair)
Maximum Input Level: +12 dBu
Main Outputs
Type: XLR Male, balanced
Rated Output Level: +24 dBu
Output Impedance: 100Ω
Mix Outputs
Type: XLR Male, balanced
Rated Output Level: +24 dBu
Output Impedance: 100Ω
Headphone Output
Type: 1/4 TRS Female, active stereo
Maximum Output: 120 mW/ch. @ 60Ω load
Frequency Response: 20 Hz 20 kHz ( 0.5 dB)
THD+N: 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
S/N Ratio: 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd
System Crosstalk
Input to Output: -90 dB (Ref = +4 dBu 20 Hz-20 kHz, unwtd)
Adjacent Channels: -87 dB (Ref = +4 dBu 20 Hz-20 kHz, unwtd)
Noise Gate / Expander
Threshold Range: -84 dB to 0 dB
Attack Time: 0.02s to 500 ms / 0.5 ms
Release Time: 0.05s to 2s
Expander Attenuation Range: 2:1 (fixed)
Noise Gate Attenuation Range: -84 to 0 dB
Key Filter: 2nd-order, resonant bypass; Q=0.7
Key Listen: Off, 40 Hz to 16 kHz
Compressor
Threshold Range: -56 dB to 0 dB
Ratio: 1:1 to 14:1
Attack Time: 0.2 ms to 150 ms
Release Time: 40 ms to 1,000 ms
Auto Attack and Release: Attack = 10 ms, Release = 150 ms
Curve Types: hard and soft knee
Limiter
Threshold: -56 dB to 0 dB / -28 dBFS
Ratio: ∞:1
Attack: 20 ms
Hold: 10 ms
Release: 20 ms
Parametric EQ
Type: 2nd-order shelving filter
Low (Lowpass or Bandpass): 36 to 465 Hz, 15 dB
Low Mid (Bandpass): 90 Hz to 1.2 kHz, 15 dB
High Mid (Bandpass): 380 Hz to 5 kHz, 15 dB
High (Highpass or Bandpass): 1.4 kHz to 18 kHz, 15 dB
Q (sweepable for each band): 0.1 to 4 / Low Q= 0.55, Hi Q=2.0
Graphic EQ
31-Band 1/3-Octave Controls: Center frequencies (Hz): 20, 25, 32, 40, 50, 63, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1k, 1.3k, 1.6k, 2k, 2.5k, 3.2k, 4k, 5k, 6.4k, 8k, 10k, 13k, 16k, 20k. Each band has a constant Q.
Gain/Attenuation: 15 dB
Digital Audio
ADC Dynamic Range: 118 dB (A-wtd, 48 kHz)
DAC Dynamic Range: 118 dB (A-wtd, 48 kHz)
FireWire: S800, 800 Mb/s
S/PDIF Output: RCA Female
Internal Processing: 32-bit, floating point
Sampling Rate: 44.1, 48, 88.2, 96 kHz
A/D/A Bit Depth: 24
Reference Level for 0 dBFS: +18 dBu
Clock
Type: JetPLL
Jitter: 60 dB (1 ns in, 1 ps out)
Power/Environmental
Connector: IEC
Input-Voltage Range: 90 to 240 VAC
Power Requirements (continuous): 200W
Recommended Ambient Operating Temperature: 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit
Physical
Rackspaces: 4U
Height: 7 (17.78 cm)
Width: 19 (48.26 cm)
Depth: 10.5 (26.67 cm)
Weight: 22 lbs. (9.98 kg)
Like all StudioLive Active Integration mixers, the RM series delivers unrivaled sound quality, XMAX Class A solid-state preamps, amazing DSP performance, direct Wi-Fi and wired LAN communication, fast and intuitive workflow, an onboard FireWire S800 interface (compatible with Thunderbolt via adapter), and a tightly integrated software suite for Mac, Windows, and iOS, creating a streamlined working environment for both live and studio use.
FEATURES
Complete recallable touch control.
PreSonus UC Surface control software for Mac, Windows, and iPad was carefully designed for intuitive and quick performance in a live mixing environment but also serves well in the studio.
The power of Active Integration.
StudioLive RM-series mixers are based on Active Integration (AI), a complete, networked, tightly integrated hardware/software ecosystem in which every touch point in the system interacts to enhance the user experience and solve practical problems in ways not previously possible.
Actively integrated software.
PreSonus StudioLive RM-series mixers are tightly integrated with a suite of free, state-of-the-art software that helps you mix and record better and have more fun doing it. No other mixer near this price class offers comparable software.
Wi-Fi and wired networking.
PreSonus StudioLive RM-series digital mixers Active Integration technology includes powerful real-time, direct, wired and Wi-Fi remote control over a variety of features, using free Mac, Windows, and iOS software.
A gigantic console in a few rack spaces.
Unlike an analog console, with massive outboard racks of expensive signal processors, the StudioLive AI Mixer gets all its processing power to fit in three (RM16AI) or four (RM32AI) rack spaces under software control.
Tons of Effects - Light on Price.
Two 32-bit stereo effects engines on dedicated buses, loaded with reverbs so rich and detailed that you feel like you're there. Two more with delay effects that you can really use. Use all four without compromising other resources.
Dedicated I/O.
View the front of a StudioLive RM-series rack-mount mixer, and you'll see a straightforward jackfield with XLR channel inputs, XLR mix outputs, and other important connections.
The sound is pure PreSonus.
Getting a great-sounding mix depends in part on how good the mixers components are and how well the algorithms perform. That's especially true with RM Series analog (but digitally recallable) XMAX mic preamps.
Complete store and recall instantly.
With UC Surface, its very quick and easy to save all of your StudioLive RM settings for quick setup and recall.
TECHNICAL SPECIFICATIONS
Microphone Preamp:
Input Type: XLR Female, balanced, locking
Frequency Response to Direct Output (at unity gain): 20-40 kHz, 0.5 dBu
Frequency Response to Main Output (at unity gain): 20-20 kHz, 0.5 dBu
Input Impedance: 1 kΩ
THD to Main Output (1 kHz at unity gain): 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): 94 dB
Common Mode Rejection Ratio (1 kHz at unity gain): 65 dB
Gain Control Range (1 dB): 0 dB to +65 dB
Maximum Input Level (unity gain): +22 dBu
Phantom Power (2 VDC): 48 VDC, switchable per channel
Tape Inputs
Type: RCA Female, unbalanced (stereo pair)
Maximum Input Level: +12 dBu
Main Outputs
Type: XLR Male, balanced
Rated Output Level: +24 dBu
Output Impedance: 100Ω
Mix Outputs
Type: XLR Male, balanced
Rated Output Level: +24 dBu
Output Impedance: 100Ω
Headphone Output
Type: 1/4 TRS Female, active stereo
Maximum Output: 120 mW/ch. @ 60Ω load
Frequency Response: 20 Hz 20 kHz ( 0.5 dB)
THD+N: 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
S/N Ratio: 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd
System Crosstalk
Input to Output: -90 dB (Ref = +4 dBu 20 Hz-20 kHz, unwtd)
Adjacent Channels: -87 dB (Ref = +4 dBu 20 Hz-20 kHz, unwtd)
Noise Gate / Expander
Threshold Range: -84 dB to 0 dB
Attack Time: 0.02s to 500 ms / 0.5 ms
Release Time: 0.05s to 2s
Expander Attenuation Range: 2:1 (fixed)
Noise Gate Attenuation Range: -84 to 0 dB
Key Filter: 2nd-order, resonant bypass; Q=0.7
Key Listen: Off, 40 Hz to 16 kHz
Compressor
Threshold Range: -56 dB to 0 dB
Ratio: 1:1 to 14:1
Attack Time: 0.2 ms to 150 ms
Release Time: 40 ms to 1,000 ms
Auto Attack and Release: Attack = 10 ms, Release = 150 ms
Curve Types: hard and soft knee
Limiter
Threshold: -56 dB to 0 dB / -28 dBFS
Ratio: ∞:1
Attack: 20 ms
Hold: 10 ms
Release: 20 ms
Parametric EQ
Type: 2nd-order shelving filter
Low (Lowpass or Bandpass): 36 to 465 Hz, 15 dB
Low Mid (Bandpass): 90 Hz to 1.2 kHz, 15 dB
High Mid (Bandpass): 380 Hz to 5 kHz, 15 dB
High (Highpass or Bandpass): 1.4 kHz to 18 kHz, 15 dB
Q (sweepable for each band): 0.1 to 4 / Low Q= 0.55, Hi Q=2.0
Graphic EQ
31-Band 1/3-Octave Controls: Center frequencies (Hz): 20, 25, 32, 40, 50, 63, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1k, 1.3k, 1.6k, 2k, 2.5k, 3.2k, 4k, 5k, 6.4k, 8k, 10k, 13k, 16k, 20k. Each band has a constant Q.
Gain/Attenuation: 15 dB
Digital Audio
ADC Dynamic Range: 118 dB (A-wtd, 48 kHz)
DAC Dynamic Range: 118 dB (A-wtd, 48 kHz)
FireWire: S800, 800 Mb/s
S/PDIF Output: RCA Female
Internal Processing: 32-bit, floating point
Sampling Rate: 44.1, 48, 88.2, 96 kHz
A/D/A Bit Depth: 24
Reference Level for 0 dBFS: +18 dBu
Clock
Type: JetPLL
Jitter: 60 dB (1 ns in, 1 ps out)
Power/Environmental
Connector: IEC
Input-Voltage Range: 90 to 240 VAC
Power Requirements (continuous): 200W
Recommended Ambient Operating Temperature: 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit
Physical
Rackspaces: 4U
Height: 7 (17.78 cm)
Width: 19 (48.26 cm)
Depth: 10.5 (26.67 cm)
Weight: 22 lbs. (9.98 kg)
Media
Q et R
There are currently no questions for this product.
Avis
Il n'y a actuellement aucun commentaire sur ce produit.
Protégez votre investissement avec la Garantie de fiabilité Long & McQuade.
Une bonne garantie est souvent un facteur décisif au moment d’un achat. Étant donné qu’une réparation peut être très dispendieuse, les manufacturiers n’offrent en général qu’une protection limitée d’un an couvrant seulement les défauts de fabrication. Lors d’une acquisition aussi importante que celle d’un instrument de musique ou d’une pièce d’équipement, vous voudrez avoir l’assurance que votre achat sera protégé de façon adéquate.
C’est pourquoi Long & McQuade offre une année GRATUITE de sa Garantie de fiabilité sur la plupart de ses produits. Cette couverture, qui bonifie celle du fabricant, vous procurera la tranquillité d’esprit que vous recherchez.
En quoi la garantie Long & McQuade se distingue-t-elle de celles des autres fabricants?
- Fiabilité assurée : l’usure normale de certaines pièces est couverte. Le produit fonctionnera aussi bien qu’au premier jour pour toute la durée de la protection. Pour les instruments d’orchestre, nos techniciens et techniciennes évalueront la nécessité d’effectuer un nettoyage en profondeur, un remplacement de tampons ou un nettoyage à ultrasons. Ces services ne sont pas offerts systématiquement dans le cadre de la Garantie de fiabilité.
- Possibilité de remplacement : si votre produit est irréparable ou coûte trop cher à remettre en état, nous l’échangerons contre un modèle identique ou équivalent, sans frais supplémentaires. Si ce n’est pas possible, nous vous accorderons un remboursement complet.
- Politique anticitron : si votre article présente un problème récurrent, nous le remplacerons.
- Accessibilité : vous pouvez vous prévaloir de votre garantie dans n’importe quelle succursale Long & McQuade.
- Réglage de guitare : une mise au point gratuite est incluse à l’achat de toute guitare neuve ou d’occasion.
- Prêt de matériel : un produit de rechange peut être mis à votre disposition pendant la réparation de votre article.
- Survoltage couvert : l’appareil est garanti même s’il est endommagé par une surtension.
- Assurance-accessoires : tous les accessoires fournis avec le produit (pédale, étui, etc.) sont couverts.
- Usage commercial approuvé : l’équipement acheté pour une utilisation intensive bénéficie aussi de cette protection.
Long & McQuade se réserve le droit de limiter l’achat d’années additionnelles. Les produits d’occasion sont protégés par la Garantie de fiabilité pour une durée de trois mois. Certains articles (logiciels, cymbales, etc.) sont couverts uniquement par la garantie du fabricant. Les biens non durables (cordes, anches, baguettes, piles, tubes, etc.) sont exclus, tout comme les dommages accidentels, la détérioration esthétique et les problèmes causés par l’humidité ou la température. Les haut-parleurs endommagés par un usage excessif ne sont généralement pas couverts. Notre garantie ne compense pas la perte de jouissance. A partir de juin 2018, la garantie de performance n'est plus transférable. Valide seulement au Canada.
Achat d’années additionnelles de garantie
Certains fabricants offrent une garantie de plus d’un an, mais qui est en général limitée et moins avantageuse que la nôtre. Lorsque c’est le cas, la prolongation de notre protection vous sera tout de même profitable, du fait qu’elle est plus complète et pratique.
Vous pouvez acheter des années supplémentaires de notre protection si vous souhaitez en profiter plus longtemps. Les tarifs sont les suivants :
- Produits NEUFS : à partir de 4 % du prix actuel de l’article à l’état neuf par année supplémentaire.
- Produits D’OCCASION : à partir de 4 % du prix actuel de l’article à l’état neuf pour passer initialement de trois mois à un an. À partir de 4 % pour chaque année de plus.
- Guitares : 4 % du prix actuel de l’article à l’état neuf pour passer d’un an à deux. 4 % pour chaque année de plus. Tarif maximum de 45 $. Une mise au point gratuite supplémentaire n’est pas incluse avec l’achat d’années de couverture additionnelles.
- Instruments d’orchestre : 4 % du prix actuel de l’article à l’état neuf pour passer d’un an à deux. 4 % pour chaque année de plus.
Reserve in Store
| Product | SKU | Qty |
|---|---|---|
| 32 Channel Rackmounted Studiolive AI Mixer | 426616 |
