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Mackie 1402-VLZ3 - 14 Channel Compact Mixer
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Just slightly larger than our 1202-VLZ3, the Mackie 1402-VLZ3 offers everything its little brother has, plus two additional mic/line channels, faders instead of knobs and a few extra Master Section features. Ideal for home and project studios, the 1402-VLZ3 is equally at home on the road, on the stage or in the recording studio. With its new look, ergonomic carry handle and upgraded electronics, the new 1402-VLZ3 just might redefine the term "perfection".
While keeping all the features and functionality of its predecessor, the new Mackie 1402-VLZ3 offers even greater headroom. We could have stopped right then and there, but we're obsessed with perfection. So we redesigned the Mix Bus, tweaked the EQs and created a mixer with a highly intuitive, musical feel.
VASTLY SUPERIOR XDR2 MIC PREAMPS
Our new XDR2 (Extended Dynamic Range), second-generation mic preamps are better than ever. These new pre's offer incredibly low noise, with individual mic pre THD below 0.0007% and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1402-VLZ3 can handle inputs ranging from a whisper to a scream and can even handle hot line-level signals up to +22db, without any added coloration. You simply won't find preamps this good on any other mixer in this price range.
EQUALIZATION
We invested tremendous resources optimizing the center frequencies of our 3-band Active EQ's. By selecting 80Hz, 2.5kHz and 12kHz for the Lows, Mids and Highs, respectively, we created an even more musical EQ than on previous VLZ's. With up to 15dB boost/cut capability per band, VLZ3's Active EQ provides more tone-sculpting latitude than any other mixer in its class.
PROFESSIONAL FEATURES
The Mackie 1402-VLZ3 is packed with premium features on every mic channel: 75Hz Low-Cut filters, two Aux Sends, inserts, phantom power, constant-loudness Pan controls and Pre Fader Solo. And since you can never have too many output options, we provided a Control Room/Phones source matrix, Master Aux section with EFX to Monitor, tape outputs, a high-volume headphone amplifier and balanced XLR and TRS outputs.
NEED EVEN MORE FLEXIBILITY?
Greg Mackie's mind was working overtime when he originally came up with this: instead of sending muted signals into the vacuum of space, why not do something useful with them? So, when you press the mute button on the 1402-VLZ3, the signal is indeed muted, but it also appears at the ALT 3-4 output jacks and ALT 3-4 stereo bus. This is an ideal way to create additional Aux Sends and mixes for cry rooms, green rooms or assistive listening, etc. And with a press of a button, the ALT 3-4 mix can be assigned to the Main output, which means ALT 3-4 can act very much like a "mixer within a mixer." For instance, you could assign the backup vocals to the ALT 3-4 bus and then use the CTL ROOM/SUBMIX fader to add them back into the main mix. Now one fader controls the level of those channels as a single unit.
1402-VLZ3 VERSUS 1202-VLZ3
At 12.9" x 14" x 3.2", the 1402-VLZ3 is just slightly larger than the 1202. It features two more mic/line channels and, for those of you who prefer sliding to twisting, 60mm, long-wearing, log-taper faders versus the 1202's rotary pots. And that's just the obvious stuff. Under the hood the 1402-VLZ3 has an assignable Solo AFL/PFL switch, independent Left and Right Main output faders and a Level Set LED.
BUILT MACKIE TOUGH
All VLZ3 mixers are built tough-as-a-tank. Our legendary solid-steel chassis can take the kind of abuse that would turn our competitors' flimsy boxes into twisted chunks of debris. Instead of cheap, unsealed potentiometers, we use co-moulded pots, which offer substantial strain and impact relief. By design, our control knobs ride just above the surface of the chassis, so if something falls onto the mixer, the impact is transferred from the knobs to the chassis, not to the potentiometers or circuit board. Finally, we use thick, horizontally mounted fiberglass PC boards to eliminate the potential for damage and brace them with a shock-absorbing support structure. They've survived earthquakes, hurricanes and typhoons, so Mackie mixers can certainly handle whatever you throw at them.
VERSATILITY
You'll find Mackie mixers everywhere you go, from video post-production facilities to major artist tour buses, to duty as field mixers for news departments of all the major networks. Drummers and keyboardists use them to send submixes to front-of-house and monitor consoles. VLZ3 compact mixers are the ideal choice for any situation requiring superior audio mixing, especially where space and/or budget constraints are an issue.
New, ultra-low noise VLZ3 design with highest possible headroom
6, studio-grade XDR2 Extended Dynamic Range mic preamps with:
oUltra-wide 60dB gain range
o130dB dynamic range
o+22dBu line input handling
oExtended low frequency response
oDistortion under 0.0007% (20Hz - 20kHz)
oPhantom power for studio condenser mics
12, high-headroom line inputs
Advanced DC pulse transformer RF rejection
2 Aux sends, level, pan and PFL solo on each channel
2 stereo Aux returns + EFX to Monitor
3-Band Active EQ (80Hz, 2.5kHz, 12kHz)
18dB/oct. 75Hz Lo-Cut filter on Mic input channels
ALT 3/4 stereo bus for added versatility
Control Room/Phones source matrix
Rack-mountable design using optional rack ears
Sealed rotary controls to resist dust and grime
New Multi-Voltage power supply for worldwide use
Rugged steel chassis
While keeping all the features and functionality of its predecessor, the new Mackie 1402-VLZ3 offers even greater headroom. We could have stopped right then and there, but we're obsessed with perfection. So we redesigned the Mix Bus, tweaked the EQs and created a mixer with a highly intuitive, musical feel.
VASTLY SUPERIOR XDR2 MIC PREAMPS
Our new XDR2 (Extended Dynamic Range), second-generation mic preamps are better than ever. These new pre's offer incredibly low noise, with individual mic pre THD below 0.0007% and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1402-VLZ3 can handle inputs ranging from a whisper to a scream and can even handle hot line-level signals up to +22db, without any added coloration. You simply won't find preamps this good on any other mixer in this price range.
EQUALIZATION
We invested tremendous resources optimizing the center frequencies of our 3-band Active EQ's. By selecting 80Hz, 2.5kHz and 12kHz for the Lows, Mids and Highs, respectively, we created an even more musical EQ than on previous VLZ's. With up to 15dB boost/cut capability per band, VLZ3's Active EQ provides more tone-sculpting latitude than any other mixer in its class.
PROFESSIONAL FEATURES
The Mackie 1402-VLZ3 is packed with premium features on every mic channel: 75Hz Low-Cut filters, two Aux Sends, inserts, phantom power, constant-loudness Pan controls and Pre Fader Solo. And since you can never have too many output options, we provided a Control Room/Phones source matrix, Master Aux section with EFX to Monitor, tape outputs, a high-volume headphone amplifier and balanced XLR and TRS outputs.
NEED EVEN MORE FLEXIBILITY?
Greg Mackie's mind was working overtime when he originally came up with this: instead of sending muted signals into the vacuum of space, why not do something useful with them? So, when you press the mute button on the 1402-VLZ3, the signal is indeed muted, but it also appears at the ALT 3-4 output jacks and ALT 3-4 stereo bus. This is an ideal way to create additional Aux Sends and mixes for cry rooms, green rooms or assistive listening, etc. And with a press of a button, the ALT 3-4 mix can be assigned to the Main output, which means ALT 3-4 can act very much like a "mixer within a mixer." For instance, you could assign the backup vocals to the ALT 3-4 bus and then use the CTL ROOM/SUBMIX fader to add them back into the main mix. Now one fader controls the level of those channels as a single unit.
1402-VLZ3 VERSUS 1202-VLZ3
At 12.9" x 14" x 3.2", the 1402-VLZ3 is just slightly larger than the 1202. It features two more mic/line channels and, for those of you who prefer sliding to twisting, 60mm, long-wearing, log-taper faders versus the 1202's rotary pots. And that's just the obvious stuff. Under the hood the 1402-VLZ3 has an assignable Solo AFL/PFL switch, independent Left and Right Main output faders and a Level Set LED.
BUILT MACKIE TOUGH
All VLZ3 mixers are built tough-as-a-tank. Our legendary solid-steel chassis can take the kind of abuse that would turn our competitors' flimsy boxes into twisted chunks of debris. Instead of cheap, unsealed potentiometers, we use co-moulded pots, which offer substantial strain and impact relief. By design, our control knobs ride just above the surface of the chassis, so if something falls onto the mixer, the impact is transferred from the knobs to the chassis, not to the potentiometers or circuit board. Finally, we use thick, horizontally mounted fiberglass PC boards to eliminate the potential for damage and brace them with a shock-absorbing support structure. They've survived earthquakes, hurricanes and typhoons, so Mackie mixers can certainly handle whatever you throw at them.
VERSATILITY
You'll find Mackie mixers everywhere you go, from video post-production facilities to major artist tour buses, to duty as field mixers for news departments of all the major networks. Drummers and keyboardists use them to send submixes to front-of-house and monitor consoles. VLZ3 compact mixers are the ideal choice for any situation requiring superior audio mixing, especially where space and/or budget constraints are an issue.
New, ultra-low noise VLZ3 design with highest possible headroom
6, studio-grade XDR2 Extended Dynamic Range mic preamps with:
oUltra-wide 60dB gain range
o130dB dynamic range
o+22dBu line input handling
oExtended low frequency response
oDistortion under 0.0007% (20Hz - 20kHz)
oPhantom power for studio condenser mics
12, high-headroom line inputs
Advanced DC pulse transformer RF rejection
2 Aux sends, level, pan and PFL solo on each channel
2 stereo Aux returns + EFX to Monitor
3-Band Active EQ (80Hz, 2.5kHz, 12kHz)
18dB/oct. 75Hz Lo-Cut filter on Mic input channels
ALT 3/4 stereo bus for added versatility
Control Room/Phones source matrix
Rack-mountable design using optional rack ears
Sealed rotary controls to resist dust and grime
New Multi-Voltage power supply for worldwide use
Rugged steel chassis
Q et R
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The Right Tools
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Succursale Waterloo, Ontario
I picked one of these up used during the February sale, and it is absolutely perfect for my drum setup. The only feature I would add would be on board effects, but those are usually not great anyway, and the mixer does have an effects loop which gets you 90% of the way there.
It was a steal at what I paid for sure, but it's easily worth what they're charging if you need a good two bus mixer.
Also, this is the first mixer I've found that supports passing the aux (RCA) ins through to only one output. When playing to a backing track, this is immensely useful, and something I could not get the previous mixers I've had to do.
Posted by Jason Miller on Apr 2, 2013
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0 personne sur 0 ont trouvé cet avis pertinent
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Succursale Abbotsford, British Columbia
Posted by anonymous on Jan 15, 2010
Protégez votre investissement avec la Garantie de fiabilité Long & McQuade.
Une bonne garantie est souvent un facteur décisif au moment d’un achat. Étant donné qu’une réparation peut être très dispendieuse, les manufacturiers n’offrent en général qu’une protection limitée d’un an couvrant seulement les défauts de fabrication. Lors d’une acquisition aussi importante que celle d’un instrument de musique ou d’une pièce d’équipement, vous voudrez avoir l’assurance que votre achat sera protégé de façon adéquate.
C’est pourquoi Long & McQuade offre une année GRATUITE de sa Garantie de fiabilité sur la plupart de ses produits. Cette couverture, qui bonifie celle du fabricant, vous procurera la tranquillité d’esprit que vous recherchez.
En quoi la garantie Long & McQuade se distingue-t-elle de celles des autres fabricants?
- Fiabilité assurée : l’usure normale de certaines pièces est couverte. Le produit fonctionnera aussi bien qu’au premier jour pour toute la durée de la protection. Pour les instruments d’orchestre, nos techniciens et techniciennes évalueront la nécessité d’effectuer un nettoyage en profondeur, un remplacement de tampons ou un nettoyage à ultrasons. Ces services ne sont pas offerts systématiquement dans le cadre de la Garantie de fiabilité.
- Possibilité de remplacement : si votre produit est irréparable ou coûte trop cher à remettre en état, nous l’échangerons contre un modèle identique ou équivalent, sans frais supplémentaires. Si ce n’est pas possible, nous vous accorderons un remboursement complet.
- Politique anticitron : si votre article présente un problème récurrent, nous le remplacerons.
- Accessibilité : vous pouvez vous prévaloir de votre garantie dans n’importe quelle succursale Long & McQuade.
- Réglage de guitare : une mise au point gratuite est incluse à l’achat de toute guitare neuve ou d’occasion.
- Prêt de matériel : un produit de rechange peut être mis à votre disposition pendant la réparation de votre article.
- Survoltage couvert : l’appareil est garanti même s’il est endommagé par une surtension.
- Assurance-accessoires : tous les accessoires fournis avec le produit (pédale, étui, etc.) sont couverts.
- Usage commercial approuvé : l’équipement acheté pour une utilisation intensive bénéficie aussi de cette protection.
Long & McQuade se réserve le droit de limiter l’achat d’années additionnelles. Les produits d’occasion sont protégés par la Garantie de fiabilité pour une durée de trois mois. Certains articles (logiciels, cymbales, etc.) sont couverts uniquement par la garantie du fabricant. Les biens non durables (cordes, anches, baguettes, piles, tubes, etc.) sont exclus, tout comme les dommages accidentels, la détérioration esthétique et les problèmes causés par l’humidité ou la température. Les haut-parleurs endommagés par un usage excessif ne sont généralement pas couverts. Notre garantie ne compense pas la perte de jouissance. A partir de juin 2018, la garantie de performance n'est plus transférable. Valide seulement au Canada.
Achat d’années additionnelles de garantie
Certains fabricants offrent une garantie de plus d’un an, mais qui est en général limitée et moins avantageuse que la nôtre. Lorsque c’est le cas, la prolongation de notre protection vous sera tout de même profitable, du fait qu’elle est plus complète et pratique.
Vous pouvez acheter des années supplémentaires de notre protection si vous souhaitez en profiter plus longtemps. Les tarifs sont les suivants :
- Produits NEUFS : à partir de 4 % du prix actuel de l’article à l’état neuf par année supplémentaire.
- Produits D’OCCASION : à partir de 4 % du prix actuel de l’article à l’état neuf pour passer initialement de trois mois à un an. À partir de 4 % pour chaque année de plus.
- Guitares : 4 % du prix actuel de l’article à l’état neuf pour passer d’un an à deux. 4 % pour chaque année de plus. Tarif maximum de 45 $. Une mise au point gratuite supplémentaire n’est pas incluse avec l’achat d’années de couverture additionnelles.
- Instruments d’orchestre : 4 % du prix actuel de l’article à l’état neuf pour passer d’un an à deux. 4 % pour chaque année de plus.
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| Product | SKU | Qty |
|---|---|---|
| 1402-VLZ3 - 14 Channel Compact Mixer | 263740 |
