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RANE 2-Channel Rotary Tabletop DJ Mixer
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The Rane MP2014 is a 2-deck rotary tabletop DJ mixer with 2 USB ports, powerful filters, and audiophile sound designed for high-end, hi-res audio systems - whether club or studio, personal or downtown. The MP2014 represents the perfect marriage of a high-quality rotary control surface, with state-of-the-art digital signal processing and dual 16-channel USB sound cards. An essential assortment of analog and digital I/O supports mixing vinyl, CDs and USB streaming audio in any combination.
Featuring exceptional phono preamps, three-way swept-filters and a three-band, steep 24dB/octave main mix Isolator - with adjustable crossover points - the MP2014 provides the same quality, aesthetics, and high-resolution audio as the MP2015 in an elegant and portable design.
Coming Soon! Pre-order now for first shipments estimated to arrive in April 2016.
Features:
• 2-deck mixing, with additional USB aux / session input
• 2 aux line inputs, with 1 on each channel
• 3 stereo playback and 5 stereo record channels on each USB port
• FX loop assign switch on Mic input
• High-resolution filters that switch between HP, LP, and Dual
• Durable steel chassis
• Studio quality phono preamps
• External FX loop
• High resolution isolator with adjustable crossover
• Texas Instruments 32-bit floating point digital signal processor running at 44.1 kHz, 48 kHz or 96 kHz.
• Included high-performance ASIO driver runs most Windows DAW and DJ software
• MIDI end points are class compliant with both OSx and Windows devices
• Each port supports 6 playback and 10 records channels. This lets most DAW programs simultaneously record two decks, the Session input and the Main mix.
SOUND QUALITY
A world-class leader in performance, this mixer is designed for playback of High-Resolution Audio (HRA) 24-bit studio master quality sources. Its sonic signature has no equal, satisfying the most stringent vinyl purists. And the dynamics are perfect for DJs that appreciate the uncompressed sound of WAV and FLAC files.
Professional high-end sound quality begins and ends with the audio signal converters. The MP2015 uses premium performance Audio 4 Pro delta-sigma modulator converters by AKM [Asahi Kasei Microdevices Corporation] that meet the highest sound quality standards of recording studios. The balanced differential audio input converters deliver 116 dB dynamic range, utilizing a built-in modified FIR architecture that minimizes group delay, allowing excellent linear phase response. The 24-bit audio output converters have the same 116 dB dynamic range and sport AKMs proprietary 24-bit digital filter for better sound quality achieving low distortion characteristics and wide dynamic range. The differential outputs eliminate the need for AC coupling capacitors further increasing performance. Input and output converters support sample rates of 44.1 kHz, 48 kHz, or 96 kHz. Overall Digital/USB in to Line-out, or Line-in to Digital/USB out dynamic range is 116 dB (A-weighted), while Line-input to Line-output dynamic range is a remarkable 113 dB (A-weighted) with vanishingly low THD+N of 0.001%.
STUDIO QUALITY PREAMPS
The Phono-CD (or any line-level source) analog input stages feature gold RCA connectors and are true studio-quality preamplifiers. The circuitry provides low noise, high gain-bandwidth, low harmonic distortion, fast slew rate and high output current. The phono RIAA filter accuracy measures +0.1/-0.2 dB from perfect. Included are 18 Hz high-pass infrasonic (rumble) filters with steep 18 dB/octave slopes and ultrasonic filters beginning roll-off at 50 kHz at a 12 dB/octave rate. A zero-distortion relay selects between CD and Phono operation.
All analog source input stages have gold RCA connectors along with buffered circuitry that provides EMI, RFI, and transient overvoltage protection. All analog outputs have gold connectors along with line-driving circuitry with EMI, RFI, and ESD protection as well as on/off transient noise muting transistors.
The internal power supply accommodates line voltages from 100 to 240 VAC and either 60 Hz or 50Hz and is fitted with a detachable universal IEC-320-C13 power cord. This combined with international agency approvals allows the MP2014 worldwide usage.
SWEEP FILTERS
Each Input channel and the Session Input features a unique and exclusive three-position toggle selector switch. Choose between LP (low-pass), HP (high-pass) or L-H (low-pass, high-pass combo). All have steep 24 dB/octave (4th-order) slopes and are sweepable.
In the LP position, the Filter knob sweeps the low-pass corner frequency from 20 Hz to 20 kHz. The 12:00 middle position is 635 Hz.
In the HP position, the Filter knob sweeps the high-pass corner frequency from 20 Hz to 20 kHz. The 12:00 middle position is 635 Hz.
In the L-H position, the Filter knob sweeps either the LP or HP filter depending upon rotation direction from center. The 12:00 middle position bypasses both filters giving a flat unaffected response. Rotating the knob from fully counterclockwise to center sweeps the LP filter from 20 Hz to 18 kHz. Rotating the knob from center to fully clockwise sweeps the HP filter from 35 Hz to 20 kHz.
The single Resonance (Q) knob controls the shape of the filters. The range is from flat (Q=0.707) to max peaking (Q=12).
These filters are high-resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.
ISOLATOR EQ SECTION
The proprietary three-band output Isolator is a steep 24 dB/octave (4th-order) phase-compensated Linkwitz-Riley design with continuously adjustable low-mid and mid-high crossover points. Like the Tone Controls, these filters are extremely accurate, high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.
Adjustable crossovers allow the artist to match the Isolator to the music being played. Low-mid crossover is adjustable from 80 Hz to 640 Hz. Mid-high crossover is adjustable from 1 kHz to 8 kHz.
These give you amazing control of the powerful lows, mountainous mids, and silky-sweet highs in your main mix.
TONE CONTROLS
The input channels have exceptional three-band tone controls characterized by being 12 dB/octave (2nd-order) Linkwitz-Riley, full-cut filters (kill) with selectable crossover points of 150 Hz/6.0 kHz or 300 Hz/3.0 kHz. The crossover points are selected in the user control panel when connected to a computer via one of the USB ports.
Like the Sweep Filters, the Tone Control filters are extremely accurate, high-resolution, fast, and artifact free, with all filter coefficients accurately calculated for the selected sample rate.
The MP2014 is a no-compromise music-mixing machine!
Technical Specifications:
ANALOG INPUTS
• Two Analog Deck Inputs: Each is Phono-CD switchable
- Analog Stereo RCA jacks: Phono (RIAA) or CD (line-level)
- Phono Response: RIAA +0.1/-0.2 dB, Gain: 31 dB at 1 kHz, Butterworth 3rd-order Infrasonic (rumble) and 2nd-order Low-pass Filters
- Max Phono Input: 126 mV
- Max Line Input: 4 Vrms, all unbalanced inputs
• Two Analog Aux Inputs: Line Level, Stereo unbalanced RCA jacks
• Session Analog Input: Line Level, Stereo unbalanced RCA jacks
S/PDIF
• Session S/PDIF Input / Output: RCA jacks (Dynamic range of 128 dB)
- Input 16-bit or 24-bit PCM only, Sample Rate 16 kHz to 144 kHz
- Dynamic range of 128 dB with ultra-low jitter and 16:1 SRC conversion range
ADCs: 24-bit @ 44.1, 48, or 96 kHz
DACs: 24-bit @ 44.1, 48, or 96 kHz
DYNAMIC RANGE
• Digital/USB Input to Line Output: 116 dB A-weighted
• Line Input to Digital/USB Output: 116 dB A-weighted
• Line Input to Line Output: 113 dB A-weighted
Digital Signal Processing: 32-bit floating point
USB AUDIO
• Five stereo record, three stereo playback, each port, 24-bit PCM @ 44.1, 48, or 96 kHz
- Class Compliant: No driver needed for Mac OS X
- ASIO driver provided for Windows 7 and higher
FlexFX: Stereo unbalanced 1/4" TS (tip-sleeve) jacks, Send and Return.
Mic Input: Balanced 1/4" TRS & XLR combo jack with Mic-Line level switch.
LINE OUTPUTS
• Main is on balanced XLR jacks
• Booth is on balanced 1/4" TRS jacks
• Session is an unbalanced RCA line-level or S/PDIF digital RCA jacks
• FlexFX Loop Send is unbalanced RCA jacks
- Frequency Response: 20 Hz to 20 kHz 0.25 dB
- Unbalanced jacks (Session & FX Send): Max 4 Vrms
- Balanced jacks (Main & Booth): Max 8 Vrms
THD+N: 0.001%
Internal Universal Power Supply: 100 to 240 VAC, Max 20 W, 50 Hz to 60 Hz
Dimensions (H x W x D): 35.56 x 27.94 x 10.95 cm (14˝ x 11˝ x 4.31˝) with knobs
Weight: 4.7 kg (10.4 lb)
Featuring exceptional phono preamps, three-way swept-filters and a three-band, steep 24dB/octave main mix Isolator - with adjustable crossover points - the MP2014 provides the same quality, aesthetics, and high-resolution audio as the MP2015 in an elegant and portable design.
Coming Soon! Pre-order now for first shipments estimated to arrive in April 2016.
Features:
• 2-deck mixing, with additional USB aux / session input
• 2 aux line inputs, with 1 on each channel
• 3 stereo playback and 5 stereo record channels on each USB port
• FX loop assign switch on Mic input
• High-resolution filters that switch between HP, LP, and Dual
• Durable steel chassis
• Studio quality phono preamps
• External FX loop
• High resolution isolator with adjustable crossover
• Texas Instruments 32-bit floating point digital signal processor running at 44.1 kHz, 48 kHz or 96 kHz.
• Included high-performance ASIO driver runs most Windows DAW and DJ software
• MIDI end points are class compliant with both OSx and Windows devices
• Each port supports 6 playback and 10 records channels. This lets most DAW programs simultaneously record two decks, the Session input and the Main mix.
SOUND QUALITY
A world-class leader in performance, this mixer is designed for playback of High-Resolution Audio (HRA) 24-bit studio master quality sources. Its sonic signature has no equal, satisfying the most stringent vinyl purists. And the dynamics are perfect for DJs that appreciate the uncompressed sound of WAV and FLAC files.
Professional high-end sound quality begins and ends with the audio signal converters. The MP2015 uses premium performance Audio 4 Pro delta-sigma modulator converters by AKM [Asahi Kasei Microdevices Corporation] that meet the highest sound quality standards of recording studios. The balanced differential audio input converters deliver 116 dB dynamic range, utilizing a built-in modified FIR architecture that minimizes group delay, allowing excellent linear phase response. The 24-bit audio output converters have the same 116 dB dynamic range and sport AKMs proprietary 24-bit digital filter for better sound quality achieving low distortion characteristics and wide dynamic range. The differential outputs eliminate the need for AC coupling capacitors further increasing performance. Input and output converters support sample rates of 44.1 kHz, 48 kHz, or 96 kHz. Overall Digital/USB in to Line-out, or Line-in to Digital/USB out dynamic range is 116 dB (A-weighted), while Line-input to Line-output dynamic range is a remarkable 113 dB (A-weighted) with vanishingly low THD+N of 0.001%.
STUDIO QUALITY PREAMPS
The Phono-CD (or any line-level source) analog input stages feature gold RCA connectors and are true studio-quality preamplifiers. The circuitry provides low noise, high gain-bandwidth, low harmonic distortion, fast slew rate and high output current. The phono RIAA filter accuracy measures +0.1/-0.2 dB from perfect. Included are 18 Hz high-pass infrasonic (rumble) filters with steep 18 dB/octave slopes and ultrasonic filters beginning roll-off at 50 kHz at a 12 dB/octave rate. A zero-distortion relay selects between CD and Phono operation.
All analog source input stages have gold RCA connectors along with buffered circuitry that provides EMI, RFI, and transient overvoltage protection. All analog outputs have gold connectors along with line-driving circuitry with EMI, RFI, and ESD protection as well as on/off transient noise muting transistors.
The internal power supply accommodates line voltages from 100 to 240 VAC and either 60 Hz or 50Hz and is fitted with a detachable universal IEC-320-C13 power cord. This combined with international agency approvals allows the MP2014 worldwide usage.
SWEEP FILTERS
Each Input channel and the Session Input features a unique and exclusive three-position toggle selector switch. Choose between LP (low-pass), HP (high-pass) or L-H (low-pass, high-pass combo). All have steep 24 dB/octave (4th-order) slopes and are sweepable.
In the LP position, the Filter knob sweeps the low-pass corner frequency from 20 Hz to 20 kHz. The 12:00 middle position is 635 Hz.
In the HP position, the Filter knob sweeps the high-pass corner frequency from 20 Hz to 20 kHz. The 12:00 middle position is 635 Hz.
In the L-H position, the Filter knob sweeps either the LP or HP filter depending upon rotation direction from center. The 12:00 middle position bypasses both filters giving a flat unaffected response. Rotating the knob from fully counterclockwise to center sweeps the LP filter from 20 Hz to 18 kHz. Rotating the knob from center to fully clockwise sweeps the HP filter from 35 Hz to 20 kHz.
The single Resonance (Q) knob controls the shape of the filters. The range is from flat (Q=0.707) to max peaking (Q=12).
These filters are high-resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.
ISOLATOR EQ SECTION
The proprietary three-band output Isolator is a steep 24 dB/octave (4th-order) phase-compensated Linkwitz-Riley design with continuously adjustable low-mid and mid-high crossover points. Like the Tone Controls, these filters are extremely accurate, high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.
Adjustable crossovers allow the artist to match the Isolator to the music being played. Low-mid crossover is adjustable from 80 Hz to 640 Hz. Mid-high crossover is adjustable from 1 kHz to 8 kHz.
These give you amazing control of the powerful lows, mountainous mids, and silky-sweet highs in your main mix.
TONE CONTROLS
The input channels have exceptional three-band tone controls characterized by being 12 dB/octave (2nd-order) Linkwitz-Riley, full-cut filters (kill) with selectable crossover points of 150 Hz/6.0 kHz or 300 Hz/3.0 kHz. The crossover points are selected in the user control panel when connected to a computer via one of the USB ports.
Like the Sweep Filters, the Tone Control filters are extremely accurate, high-resolution, fast, and artifact free, with all filter coefficients accurately calculated for the selected sample rate.
The MP2014 is a no-compromise music-mixing machine!
Technical Specifications:
ANALOG INPUTS
• Two Analog Deck Inputs: Each is Phono-CD switchable
- Analog Stereo RCA jacks: Phono (RIAA) or CD (line-level)
- Phono Response: RIAA +0.1/-0.2 dB, Gain: 31 dB at 1 kHz, Butterworth 3rd-order Infrasonic (rumble) and 2nd-order Low-pass Filters
- Max Phono Input: 126 mV
- Max Line Input: 4 Vrms, all unbalanced inputs
• Two Analog Aux Inputs: Line Level, Stereo unbalanced RCA jacks
• Session Analog Input: Line Level, Stereo unbalanced RCA jacks
S/PDIF
• Session S/PDIF Input / Output: RCA jacks (Dynamic range of 128 dB)
- Input 16-bit or 24-bit PCM only, Sample Rate 16 kHz to 144 kHz
- Dynamic range of 128 dB with ultra-low jitter and 16:1 SRC conversion range
ADCs: 24-bit @ 44.1, 48, or 96 kHz
DACs: 24-bit @ 44.1, 48, or 96 kHz
DYNAMIC RANGE
• Digital/USB Input to Line Output: 116 dB A-weighted
• Line Input to Digital/USB Output: 116 dB A-weighted
• Line Input to Line Output: 113 dB A-weighted
Digital Signal Processing: 32-bit floating point
USB AUDIO
• Five stereo record, three stereo playback, each port, 24-bit PCM @ 44.1, 48, or 96 kHz
- Class Compliant: No driver needed for Mac OS X
- ASIO driver provided for Windows 7 and higher
FlexFX: Stereo unbalanced 1/4" TS (tip-sleeve) jacks, Send and Return.
Mic Input: Balanced 1/4" TRS & XLR combo jack with Mic-Line level switch.
LINE OUTPUTS
• Main is on balanced XLR jacks
• Booth is on balanced 1/4" TRS jacks
• Session is an unbalanced RCA line-level or S/PDIF digital RCA jacks
• FlexFX Loop Send is unbalanced RCA jacks
- Frequency Response: 20 Hz to 20 kHz 0.25 dB
- Unbalanced jacks (Session & FX Send): Max 4 Vrms
- Balanced jacks (Main & Booth): Max 8 Vrms
THD+N: 0.001%
Internal Universal Power Supply: 100 to 240 VAC, Max 20 W, 50 Hz to 60 Hz
Dimensions (H x W x D): 35.56 x 27.94 x 10.95 cm (14˝ x 11˝ x 4.31˝) with knobs
Weight: 4.7 kg (10.4 lb)
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Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
- No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
- Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
- Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
- Loaners Available: A loaner product may be given while the product is being repaired.
- Power Surge Protection: Your product is covered even if damaged from a power surge.
- Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
- Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: Starting at 4% of the current new selling price to double the warranty from 1 year to 2 years. Starting at 4% for each additional year.
- USED products: Starting at 4% of the current new selling price to increase the warranty from 3 months to 1 year. Starting at 4% for each additional year.
- GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
- BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
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| Product | SKU | Qty |
|---|---|---|
| 2-Channel Rotary Tabletop DJ Mixer | 456023 |
