RME Babyface Pro 24-Channel 192kHz Professional USB 2.0 Audio Interface

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Features:
• Housing machined from a block of aluminium
• Intuitive and efficient user interface
• Mic stand thread on the bottom for free positioning
• All settings can be changed in real-time
• Buffer sizes/latencies from 48 up to 8192 samples selectable
• 4 channels 96 kHz/24 bit Record/Playback via ADAT optical (S/MUX)
• Clock modes slave and master
• Automatic and intelligent master/slave clock control
• Unsurpassed Bitclock PLL (audio synchronization) in ADAT mode
• SteadyClock: Jitter-immune, super-stable digital clock
• DDS technology for free setting of the sample rate
• SyncAlign guarantees sample aligned and never swapping channels
• SyncCheck tests and reports the synchronization status of input signals
• TotalMix for latency-free submixes and perfect ASIO Direct Monitoring
• TotalMix: 288 channel mixer with 46 bit internal resolution
• TotalMix FX: 3-band EQ, Low Cut, Reverb, Echo
• 1 x MIDI I/O, 16 channels high-speed MIDI
• 2 digitally controlled microphone inputs in reference quality
• 2 balanced line outputs, level +19 dBu
• 1 x headphone output with separate driver stages for high and low impedance phones
• DIGICheck DSP: Level meter in hardware, peak- and RMS calculation
Connectivity
• 12 Input and 12 Output channels
• 4 x Analog Inputs (Mic, Line, Instrument)
• 4 x Analog Outputs (2 x XLR, 2 x Phones)
• 1 x ADAT I/O or 1 x SPDIF I/O optical
• 1 x MIDI I/O
• 1 x USB 2.0 (USB 3 compatible)
• Digital Gain control on all inputs
• Separate outputs for high and low impedance headphones
Technical Specifications:
Analog
AD, Microphone/Line 1-2
• Input: XLR, electronically balanced
• Input impedance balanced: 2 kOhm, 5.2 kOhm with PAD
• Input impedance unbalanced: 1 kOhm, 2.6 kOhm with PAD
• Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
• Frequency response @ 44.1 kHz, -0.1 dB: 18 Hz 20.8 kHz
• Frequency response @ 96 kHz, -0.5 dB: 7 Hz 45.8 kHz
• Frequency response @ 192 kHz, -1 dB: 5 Hz 92 kHz
• With PAD active : -0.1 dB 8 Hz, -0.5 dB < 4 Hz, -1 dB < 3 Hz
• THD: < -110 dB, < 0.00032 %
• THD+N: < -104 dB, < 0.00063 %
• THD @ 30 dB Gain: < -107 dB, < 0.0004 %
• THD+N @ 30 dB Gain: < -100 dB, < 0.001 %
• Channel separation: > 110 dB
• Gain range: -11 dB up to +65 dB
• Maximum input level XLR, Gain 0 dB: +8 dBu, PAD +19 dBu
• Maximum input level XLR, Gain 65 dB: -57 dBu, PAD -46 dBu
AD, Line/Instrument In 3-4
As Microphone/Line 1-2, but:
• Input: 6.3 mm TS jack, unbalanced
• Input impedance: 470 kOhm
• Signal to Noise ratio (SNR): 114 dB RMS unweighted, 117 dBA
• Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz 20.8 kHz
• Frequency response @ 96 kHz, -0.5 dB: < 3 Hz 45.8 kHz
• Frequency response @ 192 kHz, -1 dB: < 2 Hz 92 kHz
• Maximum input level @+4 dBu, Gain 0 dB: +13 dBu
• Maximum input level @-10 dBV, Gain 9 dB: -5 dBu
DA, Line Out 1-2
• Dynamic range (DR): 115 dB RMS unweighted, 118 dBA
• Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz 20.8 kHz
• Frequency response @ 96 kHz, -0.5 dB: 0 Hz 45 kHz
• Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
• THD: - 106 dB, 0.0005 %
• THD+N: -102 dB, 0.0008 %
• Channel separation: > 110 dB
• Output: XLR balanced
• Output impedance: 300 Ohm balanced, 150 Ohm unbalanced
• Output level @ 0 dBFS: Balanced +19 dBu, unbalanced +13 dBu
• DC @ 0 dBFS: 6.35mm 4.8 V, 3.5mm 2.4 V, XLR bal. 9.6 V
DA, Phones 3/4
As DA Line Out, but:
• Output: 6.3 mm TRS jack, unbalanced
• Output impedance: 10 Ohm
• Output level at 0 dBFS, 1 kOhm load: +13 dBu
• Max power @ 0.1% THD: 50 mW
User's Guide Babyface Pro RME 75
• Output: 3.5 mm TRS jack, unbalanced
• Output impedance: 2 Ohm
• Output level at 0 dBFS, 1 kOhm load: +7 dBu
• Max power @ 0.1% THD: 70 mW
MIDI
• 1 x MIDI I/O via breakout cable with 2 x 5-pin DIN jacks
• Galvanically isolated by optocoupled input
• Hi-speed mode: Jitter and response time typically below 1 ms
• Separate 128 byte FIFOs for input and output
Digital
• Clocks: Internal, ADAT In, SPDIF In
• Low Jitter Design: < 1 ns in PLL mode, all inputs
• Internal clock: 800 ps Jitter, Random Spread Spectrum
• Jitter suppression of external clocks: > 50 dB (2.4 kHz)
• Effective clock jitter influence on AD and DA conversion: near zero
• PLL ensures zero dropout, even at more than 100 ns jitter
• Digital Bitclock PLL for trouble-free varispeed ADAT operation
• Supported sample rates: 28 kHz up to 200 kHz
Digital Inputs
ADAT Optical
• 1 x TOSLINK
• Standard: 8 channels 24 bit, up to 48 kHz
• Double Speed (S/MUX): 4 channels 24 bit 96 kHz
• Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz
• Bitclock PLL ensures perfect synchronisation even in varispeed operation
• Lock Range: 31.5 kHz 50 kHz
• Jitter when synced to input signal: < 1 ns
• Jitter suppression: > 50 dB (2.4 kHz)
SPDIF optical
• 1 x optical, according to IEC 60958
• Accepts Consumer and Professional format
• Lock Range: 27 kHz 200 kHz
• Jitter when synced to input signal: < 1 ns
• Jitter suppression: > 50 dB (2.4 kHz)
Digital Outputs
ADAT optical
• 1 x TOSLINK
• Standard: 8 channels 24 bit, up to 48 kHz
• Double Speed (S/MUX): 4 channels 24 bit 96 kHz
• Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz
SPDIF optical
• 1 x optical, according to IEC 60958
• Format Consumer (SPDIF) according to IEC 60958
• Sample rate 28 kHz up to 200 kHz
General
• Power supply: USB bus power or external power supply
• Typical power consumption: 2.9 Watts
• Max. power consumption: 4.6 Watts
• Current at 5 V bus power operation: 600 mA (2.9 Watts)
• Current at 12 V external power: 240 mA (2.9 Watts)
• Dimensions (WxHxD): 108 x 35 x 181 mm (4.25" x 1.4" x 7.1")
• Weight: 680 g ( 1.5 lbs)
• Temperature range: +5deg up to +50deg Celsius (41deg F up to 122degF)
• Relative humidity: < 75%, non condensing
System Requirements:
• Windows XP SP2 or up, Intel Mac OS X (10.6 or up)
• 1 USB 2.0 port or USB 3 port
• Computer with at least Pentium Core 2 Duo CPU
Includes:
• Babyface Pro
• Cable USB 2.0 with right angle B plug, length 39 (1m)
• MIDI breakout cable
• Carrying box
• Manual
• RME Driver CD
Q & A
Reviews
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Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
- No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
- Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
- Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
- Loaners Available: A loaner product may be given while the product is being repaired.
- Power Surge Protection: Your product is covered even if damaged from a power surge.
- Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
- Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: Starting at 4% of the current new selling price to double the warranty from 1 year to 2 years. Starting at 4% for each additional year.
- USED products: Starting at 4% of the current new selling price to increase the warranty from 3 months to 1 year. Starting at 4% for each additional year.
- GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
- BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.