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Goliath 24/192 32 In/32 Out Thunderbolt Audio Interface
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REALISTIC VINTAGE FX
Goliath employs Antelope's powerful FPGA chip, a massive platform allowing you to process four zero latency mixers with custom effects. These include the stunning AuraVerb reverb and over 40 modern and vintage hardware EQ and compressor models.
Goliath comes with a growing arsenal of premium effects:
• EQUALIZER LEGENDS: VEQ-STU 089, VEQ-STU 169, VEQ-STU 900, VEQ HA32C, BAE 1023, BAE 1084, NEU-W492, NEU-W495, VEQ-4K Black, VEQ-4k Brown, VEQ-4K Pink, VEQ-4K Orange, BAE-1073, VEQ-HLF, VEQ 1A, VMEQ-5, LANG PEQ2, VEQ-55A, UK-69, NEU-PEV, INTEGRATED EQ
• VINTAGE COMPRESSORS: X160, Tube176, X903, Gyratec X, Grove Hill Liverpool, ANTELOPE FEEDFORWARD COMPRESSOR, FET-A76
• AURAVERB:New Reverb Leveraging Unique Algorithms and Proprietary FPGA Chip for "Smooth and Clear" Sound
• THE GUITAR CLASSICS: Cabinets: Darkface 65 2x12, Top30 2x12, Green 2x12, Vintage 4x12, Green 4x12, Caliper50 1x10, Clst 1x12, England4x12, Modern 4x12, Bluelux 1x12.
• GUITAR AMPS: Darkface 65 US, Top32 UK, Modern US, Plexi 59 UK, Rock 22.10 UK, Rock 75 UK, Marcus II US, Tweed, Deluxe US, Overange 120 UK, BurnSphere DE.
• MICS: California 121 Ribbon, Austria Gold 414, American 57, German FET87.
THE MOST POWERFUL AUDIO INTERFACE ON THE MARKET
Offering the biggest number of I/O's available on the market, Goliath is the result of Antelope's 20+ years of experience in digital audio, innovative clocking technologies and analog circuit design. Connectable via blazing-fast Thunderbolt, USB & 2 x MADI, Goliath houses a total of 36 analog ins and 32 analog outs, providing digital clarity and analog realism like no other audio interface out there.
Antelope's most powerful audio interface comes with an array of hardware-based audio effects, including vintage guitar amps & cabs, AuraVerb reverb, legendary EQ and compressor emulations, plus world-renowned Acoustically Focused Clocking technology.
THE SOUND YOU HAVE ALWAYS DREAMED OF
Flawless clocking and unique analog circuitry brings pro sound to a new level. Antelope's 4th generation of Acoustically Focused Clocking jitter management algorithms (AFC) is in charge of Goliath's flawless clocking. The audio interface features the oven-controlled crystal oscillator you know from Antelope's signature crystal-based master clocks.
For optimum detail and sound stage, Goliath can be additionally synced to the extremely accurate Rubidium Atomic Clock - 10MX, and it can also be used as a master clock for two other devices via Word Clock Outs on BNC.
PROCESS MULTIPLE ZERO LATENCY MIXES
Get crazy creative with Goliath's custom hardware-based effects. Antelope's new RealModel technology recreates not only the true sound of classic analog gear, but its behavior and feel as well. Stacks of effects can be combined in custom FX Chains and saved as Presets.
All of Antelope's guitar amp and cab simulations were developed in a partnership with guitar software leaders Overloud Audio Tools, so guitar players will just love Goliath.
64 CHANNELS VIA THUNDERBOLT
Can be routed to a vast selection of digital and Analog I/O options, including MADI, AES, ADAT, and S/PDIF. Goliath offers 36 Analog Inputs and 32 Analog Outputs with pristine AD/DA converters. These include 4 superb Instrument DI's, 2 transformer Reamp Outs, 2 Headphone Outs with integrated Talkback on the front, 16-Channels of Class-A Mic Preamps, 2 sets of Stereo Inserts and a pair of mastering grade Monitor Outs on the back.
The DB25 connectors feature 24 Outputs (1-8 can be level controlled for Surround Sound Mixing) and 16 additional Line Inputs, making Goliath an attractive solution for Hardware Inserts and Summing.
Even more Analog I/O Channels can be added by connecting Antelope's Orion32 or Orion32+ via MADI for a total of 64 Channels of Analog I/O simultaneously.
TOUCH & CONTROL
Reinvent your studio experience with Goliath's advanced control options. All Goliath functions are accessible via its intuitive, high-resolution touch screen. All features of the audio interface can be also accessed via the OS X and Windows compatible Software Control Panel. Just like all new breed Antelope Audio devices, the Goliath follows a networking control concept. This means you can now access all Goliath features from multiple computers in the same network.
Key Product Features:
• Free Integrated FPGA-based AFX modeling legendary vintage gear
64 channels I/O simultaneous streaming, multiple mixers and FX processing
• 36 analog inputs; 32 analog outputs
• 16 Class-A Mic Pres, Hi-Z, Mic & Line ins
• AES, MADI, ADAT, S/PDIF I/O
• Cutting-edge monitor output DACs with 129dB dynamic range
• Flawless 4th Generation 64-bit clocking and unique analog circuitry
• Network Control from multiple PCs
• Intuitive, high-resolution touch screen
• Thunderbolt and USB connectivity
Specifications:
• Analog Inputs: 16 x Line inputs on two D-SUB 25, +20 dBu max, 11.2 kOhms, 16 x Mic / Line universal inputs on XLR combos on the rear (first 4 can be used for instruments also), 4 x Instrument (HiZ) inputs on TRS 1/4 jacks on front
• Analog Inserts: 2 x Inserts on TRS 1/4 jacks (dedicated to rear universal inputs 1, 2)
• Analog Outputs: 24 x Line outs on three D-SUB 25, +20dBu, 56 Ohms, 1 x Monitor out on 2x TRS 1/4 jacks, 2 x Stereo Headphone outs on TRS, 2 x ReAmp outs on TRS
• D/A Monitor Converter: Dynamic Range: 129 dB, THD + N: -108 dB
• D/A Converter: Dynamic Range: 120 dB, THD + N: -107 dB
• A/D Converter: Dynamic Range: 120 dB, THD + N: -110 dB
• Mic Preamp: Gain: 0, 10 - 65 dB, THD + N: -108 dB
• Digital Inputs: 2 x Fiber Optic MADI (up to 64CH each), 2 x ADAT (up to 16CH), 8 x AES/EBU on D-SUB 25 (16CH), 1 x S/PDIF
• Digital Outputs: 2 x Fiber Optic MADI (up to 64CH each), 2 x ADAT (up to 16CH), 8 x AES/EBU on D-SUB 25 (16CH), 1 x S/PDIF
• USB I/O: USB 2.0 Hi-Speed; Data stream up to 480 Mbits/192kHz, 32 channels I/O, Type B
• Thunderbolt I/O: 1 x Thunderbolt, 64 channels I/O
• Word Clock Input: 1 x Input @ 75 Ohms 3Vpp on BNC 32 - 192kHz
• Word Clock Outputs: 2 x Outputs @ 75 Ohms 3Vpp on BNC 32 - 192kHz
• Atomic Clock Input: 1 x 10M Input @ 75 Ohms 1Vpp on BNC
• Clocking System: 4th Generation Acoustically Focused Clocking, 64-bit DDS, Oven Controlled Crystal Oscillator
• Clocking Stability0: +/-0.02 ppm, oven controlled at 64.5 degrees C / 148.1 degrees F
• Clock Aging: less than 1 ppm per year
• Clock Calibration: +/-0.001 ppm
• Sample Rates: 32, 44.1, 48, 88.2, 96, 176.4, 192 (kHz)
• Operating Temperature: 0-50C / 32-122F
• Weight: 6.8 kg/ 15 lbs (approx)
• Dimensions (Approx.): Width: 48 3mm / 19 in, Height: 81 mm / 3.2 in, Depth: 279 mm / 11 in
• AC Universal input: ~95-245 V
• Power Consumption: 40 Watts Max
• In the box: Goliath - Thunderbolt and USB AD/DA Interface, Owner's Manual, Warranty Card, 1 AEC Power cable, 1 USB cable
Goliath employs Antelope's powerful FPGA chip, a massive platform allowing you to process four zero latency mixers with custom effects. These include the stunning AuraVerb reverb and over 40 modern and vintage hardware EQ and compressor models.
Goliath comes with a growing arsenal of premium effects:
• EQUALIZER LEGENDS: VEQ-STU 089, VEQ-STU 169, VEQ-STU 900, VEQ HA32C, BAE 1023, BAE 1084, NEU-W492, NEU-W495, VEQ-4K Black, VEQ-4k Brown, VEQ-4K Pink, VEQ-4K Orange, BAE-1073, VEQ-HLF, VEQ 1A, VMEQ-5, LANG PEQ2, VEQ-55A, UK-69, NEU-PEV, INTEGRATED EQ
• VINTAGE COMPRESSORS: X160, Tube176, X903, Gyratec X, Grove Hill Liverpool, ANTELOPE FEEDFORWARD COMPRESSOR, FET-A76
• AURAVERB:New Reverb Leveraging Unique Algorithms and Proprietary FPGA Chip for "Smooth and Clear" Sound
• THE GUITAR CLASSICS: Cabinets: Darkface 65 2x12, Top30 2x12, Green 2x12, Vintage 4x12, Green 4x12, Caliper50 1x10, Clst 1x12, England4x12, Modern 4x12, Bluelux 1x12.
• GUITAR AMPS: Darkface 65 US, Top32 UK, Modern US, Plexi 59 UK, Rock 22.10 UK, Rock 75 UK, Marcus II US, Tweed, Deluxe US, Overange 120 UK, BurnSphere DE.
• MICS: California 121 Ribbon, Austria Gold 414, American 57, German FET87.
THE MOST POWERFUL AUDIO INTERFACE ON THE MARKET
Offering the biggest number of I/O's available on the market, Goliath is the result of Antelope's 20+ years of experience in digital audio, innovative clocking technologies and analog circuit design. Connectable via blazing-fast Thunderbolt, USB & 2 x MADI, Goliath houses a total of 36 analog ins and 32 analog outs, providing digital clarity and analog realism like no other audio interface out there.
Antelope's most powerful audio interface comes with an array of hardware-based audio effects, including vintage guitar amps & cabs, AuraVerb reverb, legendary EQ and compressor emulations, plus world-renowned Acoustically Focused Clocking technology.
THE SOUND YOU HAVE ALWAYS DREAMED OF
Flawless clocking and unique analog circuitry brings pro sound to a new level. Antelope's 4th generation of Acoustically Focused Clocking jitter management algorithms (AFC) is in charge of Goliath's flawless clocking. The audio interface features the oven-controlled crystal oscillator you know from Antelope's signature crystal-based master clocks.
For optimum detail and sound stage, Goliath can be additionally synced to the extremely accurate Rubidium Atomic Clock - 10MX, and it can also be used as a master clock for two other devices via Word Clock Outs on BNC.
PROCESS MULTIPLE ZERO LATENCY MIXES
Get crazy creative with Goliath's custom hardware-based effects. Antelope's new RealModel technology recreates not only the true sound of classic analog gear, but its behavior and feel as well. Stacks of effects can be combined in custom FX Chains and saved as Presets.
All of Antelope's guitar amp and cab simulations were developed in a partnership with guitar software leaders Overloud Audio Tools, so guitar players will just love Goliath.
64 CHANNELS VIA THUNDERBOLT
Can be routed to a vast selection of digital and Analog I/O options, including MADI, AES, ADAT, and S/PDIF. Goliath offers 36 Analog Inputs and 32 Analog Outputs with pristine AD/DA converters. These include 4 superb Instrument DI's, 2 transformer Reamp Outs, 2 Headphone Outs with integrated Talkback on the front, 16-Channels of Class-A Mic Preamps, 2 sets of Stereo Inserts and a pair of mastering grade Monitor Outs on the back.
The DB25 connectors feature 24 Outputs (1-8 can be level controlled for Surround Sound Mixing) and 16 additional Line Inputs, making Goliath an attractive solution for Hardware Inserts and Summing.
Even more Analog I/O Channels can be added by connecting Antelope's Orion32 or Orion32+ via MADI for a total of 64 Channels of Analog I/O simultaneously.
TOUCH & CONTROL
Reinvent your studio experience with Goliath's advanced control options. All Goliath functions are accessible via its intuitive, high-resolution touch screen. All features of the audio interface can be also accessed via the OS X and Windows compatible Software Control Panel. Just like all new breed Antelope Audio devices, the Goliath follows a networking control concept. This means you can now access all Goliath features from multiple computers in the same network.
Key Product Features:
• Free Integrated FPGA-based AFX modeling legendary vintage gear
64 channels I/O simultaneous streaming, multiple mixers and FX processing
• 36 analog inputs; 32 analog outputs
• 16 Class-A Mic Pres, Hi-Z, Mic & Line ins
• AES, MADI, ADAT, S/PDIF I/O
• Cutting-edge monitor output DACs with 129dB dynamic range
• Flawless 4th Generation 64-bit clocking and unique analog circuitry
• Network Control from multiple PCs
• Intuitive, high-resolution touch screen
• Thunderbolt and USB connectivity
Specifications:
• Analog Inputs: 16 x Line inputs on two D-SUB 25, +20 dBu max, 11.2 kOhms, 16 x Mic / Line universal inputs on XLR combos on the rear (first 4 can be used for instruments also), 4 x Instrument (HiZ) inputs on TRS 1/4 jacks on front
• Analog Inserts: 2 x Inserts on TRS 1/4 jacks (dedicated to rear universal inputs 1, 2)
• Analog Outputs: 24 x Line outs on three D-SUB 25, +20dBu, 56 Ohms, 1 x Monitor out on 2x TRS 1/4 jacks, 2 x Stereo Headphone outs on TRS, 2 x ReAmp outs on TRS
• D/A Monitor Converter: Dynamic Range: 129 dB, THD + N: -108 dB
• D/A Converter: Dynamic Range: 120 dB, THD + N: -107 dB
• A/D Converter: Dynamic Range: 120 dB, THD + N: -110 dB
• Mic Preamp: Gain: 0, 10 - 65 dB, THD + N: -108 dB
• Digital Inputs: 2 x Fiber Optic MADI (up to 64CH each), 2 x ADAT (up to 16CH), 8 x AES/EBU on D-SUB 25 (16CH), 1 x S/PDIF
• Digital Outputs: 2 x Fiber Optic MADI (up to 64CH each), 2 x ADAT (up to 16CH), 8 x AES/EBU on D-SUB 25 (16CH), 1 x S/PDIF
• USB I/O: USB 2.0 Hi-Speed; Data stream up to 480 Mbits/192kHz, 32 channels I/O, Type B
• Thunderbolt I/O: 1 x Thunderbolt, 64 channels I/O
• Word Clock Input: 1 x Input @ 75 Ohms 3Vpp on BNC 32 - 192kHz
• Word Clock Outputs: 2 x Outputs @ 75 Ohms 3Vpp on BNC 32 - 192kHz
• Atomic Clock Input: 1 x 10M Input @ 75 Ohms 1Vpp on BNC
• Clocking System: 4th Generation Acoustically Focused Clocking, 64-bit DDS, Oven Controlled Crystal Oscillator
• Clocking Stability0: +/-0.02 ppm, oven controlled at 64.5 degrees C / 148.1 degrees F
• Clock Aging: less than 1 ppm per year
• Clock Calibration: +/-0.001 ppm
• Sample Rates: 32, 44.1, 48, 88.2, 96, 176.4, 192 (kHz)
• Operating Temperature: 0-50C / 32-122F
• Weight: 6.8 kg/ 15 lbs (approx)
• Dimensions (Approx.): Width: 48 3mm / 19 in, Height: 81 mm / 3.2 in, Depth: 279 mm / 11 in
• AC Universal input: ~95-245 V
• Power Consumption: 40 Watts Max
• In the box: Goliath - Thunderbolt and USB AD/DA Interface, Owner's Manual, Warranty Card, 1 AEC Power cable, 1 USB cable
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Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
- No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
- Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
- Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
- Loaners Available: A loaner product may be given while the product is being repaired.
- Power Surge Protection: Your product is covered even if damaged from a power surge.
- Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
- Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
- USED products: 4% of the current new selling price to increase the warranty from 3 months to 1 year. 4% for each additional year.
- GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
- BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
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Reserve in Store
| Product | SKU | Qty |
|---|---|---|
| Goliath 24/192 32 In/32 Out Thunderbolt Audio Interface | 486500 |
