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Zoom G3Xn - Multieffet pour guitare
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Description
Si vous êtes guitariste, vous savez à quel point il est important d’avoir la liberté et la flexibilité de créer votre propre son. Le processeur multi-effets Zoom G3Xn supprime tous les obstacles à votre créativité.
Le G3Xn est un processeur multi-effets défiant tous les genres, qui vous apporte la polyvalence dont vous avez besoin pour expérimenter avec de nouveaux sons et styles de jeu. Sa pédale d’expression intégrée, sa fonction Looper de 80 secondes, ses émulateurs d’amplis/baffles fidèles et sa sélection étendue d’effets et de sonorités en font le complément essentiel de tout pédalier. Avec le G3Xn, il n’a jamais été aussi facile de s’affranchir de toutes les limites pour obtenir un son remarquable.
70 effets numériques intégrés de haute qualité (68 effets, une pédale de fonction Looper et une pédale de rythme), incluant distorsion, saturation, égalisation, compression, délai, réverbération, flanger, phaser et chorus
5 nouveaux émulateurs d’ampli et 5 émulateurs de baffle
75 sonorités d’usine à conception personnalisée
Logiciel ZOOM Guitar Lab gratuit pour Mac/Windows, permettant de télécharger des effets et sonorités supplémentaires
Jusqu’à 7 effets utilisables simultanément, enchaînés dans n’importe quel ordre
3 commutateurs de type pédale d’effet permettant d’activer et de désactiver instantanément les effets
Interface utilisateur intuitive
3 écrans d’édition indépendants
Fonction de sauvegarde automatique de tous les paramètres de sonorités
Accordeur chromatique intégré avec pédale à commutateur dédiée prenant en charge tous les accordages standard pour la guitare, y compris les accordages ouverts et diminués
Plage de diapason d’accordeur de 435 à 445 Hz
Fonction Looper stéréo/mono permettant l’enregistrement de jusqu’à 80 secondes de phrase
68 motifs rythmiques intégrés utilisables conjointement avec la fonction Looper
Fonction Tap Tempo avec pédale à commutateur dédiée
Prise d’entrée acceptant un câble guitare standard
Prise d’entrée stéréo auxiliaire pour le branchement de téléphones intelligents et lecteurs de musique
Deux prises de sortie pour le raccordement à des amplis de guitare et des systèmes de sonorisation mono ou stéréo
Sortie stéréo pour casque d’écoute
Adaptateur c.a. fourni
Le G3Xn est un processeur multi-effets défiant tous les genres, qui vous apporte la polyvalence dont vous avez besoin pour expérimenter avec de nouveaux sons et styles de jeu. Sa pédale d’expression intégrée, sa fonction Looper de 80 secondes, ses émulateurs d’amplis/baffles fidèles et sa sélection étendue d’effets et de sonorités en font le complément essentiel de tout pédalier. Avec le G3Xn, il n’a jamais été aussi facile de s’affranchir de toutes les limites pour obtenir un son remarquable.
70 effets numériques intégrés de haute qualité (68 effets, une pédale de fonction Looper et une pédale de rythme), incluant distorsion, saturation, égalisation, compression, délai, réverbération, flanger, phaser et chorus
5 nouveaux émulateurs d’ampli et 5 émulateurs de baffle
75 sonorités d’usine à conception personnalisée
Logiciel ZOOM Guitar Lab gratuit pour Mac/Windows, permettant de télécharger des effets et sonorités supplémentaires
Jusqu’à 7 effets utilisables simultanément, enchaînés dans n’importe quel ordre
3 commutateurs de type pédale d’effet permettant d’activer et de désactiver instantanément les effets
Interface utilisateur intuitive
3 écrans d’édition indépendants
Fonction de sauvegarde automatique de tous les paramètres de sonorités
Accordeur chromatique intégré avec pédale à commutateur dédiée prenant en charge tous les accordages standard pour la guitare, y compris les accordages ouverts et diminués
Plage de diapason d’accordeur de 435 à 445 Hz
Fonction Looper stéréo/mono permettant l’enregistrement de jusqu’à 80 secondes de phrase
68 motifs rythmiques intégrés utilisables conjointement avec la fonction Looper
Fonction Tap Tempo avec pédale à commutateur dédiée
Prise d’entrée acceptant un câble guitare standard
Prise d’entrée stéréo auxiliaire pour le branchement de téléphones intelligents et lecteurs de musique
Deux prises de sortie pour le raccordement à des amplis de guitare et des systèmes de sonorisation mono ou stéréo
Sortie stéréo pour casque d’écoute
Adaptateur c.a. fourni
Q et R
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Avis
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4.9/ 5 4 Avis
5 ÉtoilesMulti-FX for daays
4 personnes sur 4 ont trouvé cet avis pertinent
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Relation au produit I own it
Succursale Moncton, New Brunswick
Want to make some space on your board? This does it all. Your one-stop-shop. Build like a tank without tanking your bank. Fits in my backpack. Super easy! Barely an inconvenience. Overall good sounds at a large variety.
Posted by Jay on Mar 3, 2022
Zoom pedal
1 personne sur 1 ont trouvé cet avis pertinent
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Relation au produit I own it
Succursale Calgary Chinook, Alberta
I own the bass version, because for the price it was what I needed. Comp/EQ/Bass boost. This is the same idea. Got it on the used rack for half the price. Got home and played with it. More complicated then my bass one. Was getting frustrated actually. Connect to my Mac, factory reset, update driver and voilà. Exactly what I was looking for. Took me 20 minutes to get the tone I was looking for. It is worth every penny. Will be playing with the loop very soon. Look, I miss the tube screamer, but for the price, it does it very well and with a computer, very easy.
Posted by JF on Aug 24, 2020
Amazing value, great amp modeling and effects, but presets are over the top
5 personnes sur 5 ont trouvé cet avis pertinent
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Évaluation globale
Relation au produit I own it
Succursale Saskatoon, Saskatchewan
I bought this to use as an effects unit to replace a bunch of pedals and still use the sound of my own amps. I'm using it primarily to replace a bunch of digital effects like delay, reverb, octaver, whammy, noise gate, etc., and it works fantastic for that, as expected.
However, what makes me so excited about this is the quality of the amp, cab, and analog effect modeling. The amp models actually respond dynamically the way real amps do. Using an overdrive or boost pedal (either modeled in the G3Xn itself, or using an external analog pedal) works just like it does into a real amp. The amp models respond to the use of your guitar volume knob like real amps, so you have an overdriven sound you can still clean it up with your guitar volume. This can pull off pure clean, edge-of-breakup, mild overdrive, medium gain, classic high gain, and modern metal high gain sounds. I've heard modelers do good pure clean and modern metal tones, but only the higher-end ones were able to do good pushed clean and medium gain tones. This can even pull off the super fuzzy, sludgy sounds that stoner rock bands use, which often involves stacking fuzz or overdrive pedals with power amp distortion (for this sound on the G3Xn, I like the EP Stomp into the ORG120 amp). This is the first budget modeler I've heard that can do it all.
So I can use this little unit with headphones for silent practice without losing the feel and tone I'm used to with my tube amps. There's really no difference as far as I can tell other than not having the feel of the air moving in the room (and the feedback effects that has on the guitar). And when I use this as an amp modeler into a power amp, I still get that. I'd be totally fine with using this live. The cabs are modeled using impulse responses (IRs) and also have an adjustable mic sim. The sound of the cabs vary widely, like real cabs do, and have basic EQ adjustments so you can fine tune your sound.
There are only two downsides to this thing, as far as I can tell. First, the presets seem to be aimed more at demonstrating what the unit is capable of, rather than generally useful settings. Many, especially the higher-gain ones, are way over the top in terms of gain (like a distortion pedal into a high gain amp), and modulation (often both reverb and delay plus other effects). These can be cool sounds for solos but have way too much going on for most playing. These preset patches are much more usable when the modulation is off by default, and when dirt pedals are set lower, even for metal.
The second downside is that you can only have one effect using the expression pedal per patch. Of course it makes sense to have only one expression pedal effect active at a time because there's only one expression pedal, but I would like to be able to switch between two in the same patch. For example, I might want to switch between volume and wah on the expression pedal in the same patch, or pedal pitch shift and oscillating delay. But this is a minor issue, and you can get around it by having two patches with a different expression pedal effect in each patch, and just switching between patches.
Overall, this pedal is an incredible value. I've been enjoying playing this through headphones just as much as I've enjoyed playing any of my tube amps out loud, and when I use it as an effects unit with a real amp it opens up a huge range of high quality effect options that wouldn't be possible to fit on any pedalboard.
Posted by Tyson on Oct 15, 2019
Zoom nailed it
4 personnes sur 5 ont trouvé cet avis pertinent
Caractéristiques
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Valeur
Évaluation globale
Relation au produit I own it
Succursale Toronto (Bloor St.), Ontario
After owning this pedal for a long enough to know it inside out I finally feel comfortable enough to write a reasonable review.
I was worried when I first ordered it if it would stand up to wear. Turns out it's a little tank. Heavy and sturdy. The Expression pedal is also of better feel and quality then I expected once you get used to it.
There are tons of effects built into this unit, each broken down into the typical families of effects such as gain, compressors, modulation, distortions, delays, filters, amp modelling (which is great by the way) . There is a software package which allows beautiful on screen editing, which is fast and intuitive. You can run up to 7 effects at once. Some of the effects take up 2 position slots like the more sophisticated delays and many of the amp models as examples. You go between two modes to see the presets in banks of 3's, or in edit mode you edit the presets and change the order of things any way you want. one of the handiest things is a dedicated preset volume knob near the top of the unit. it goes from 0 to 120. Say you have an amp that is just screaming loud, way too loud. you use this dedicated knob to reign it down to a non ear splitting volume. You can nicely balance 3 guitar tones within a bank as an example using this feature. Everything is editable on the floor inside the unit. I was able to create one man band type presets complete with drums, looper, and simple amp like a fender deluxe as an example. I can't go into all the details in the scope of a review like this.
One little annoying thing I should mention is that if you leave the preset you loose any loops you have created. But for the price hey don't split hairs.
I found the amount of the effects and the quality of the effects to be amazing for the price. They always seem to are working away at adding more too.
The actually have a delay that models a Strymon now as an example. Other well known names are all in the arsenal. I put it through Logic pro the other night using a ping floyd creation of mine and it sounds awesome in stereo.
I bought it because I wanted the small size otherwise I might have gone for the big brother which has four dedicated editing units instead of three. All around great pedal I feel.
Posted by Bill on May 2, 2019
Disponible dans Le Grand Bazar L&M
Sale Price: $285.00
Store Location: Alberta, Edmonton Whyte, 10832 82 Avenue NW, T6E 2B3
Email: [email protected]
Phone: (780) 439-0007
Reserve in Store
| Product | SKU | Qty |
|---|---|---|
| G3Xn - Multieffet pour guitare | 497130 |
