Merging Horus Networked Audio Interface

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SKU: # 506414
Model: #

IOC-HORUS

Your Price: $7,595.00 CDN

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The Horus Networked Audio Interface is the culmination of over 2 decades of making sure that Merging is the "Swiss Army Knife" of the media industry. It is a comprehensive audio router and format converter, a new benchmark in transparent Analogue to Digital conversion, one of the most pristine microphone pre-amplifiers available anywhere in the world and, very importantly, an input and output connection node to RAVENNA IP Audio Networks.

Horus is the primary new IO interface for Merging's audio software (Ovation4 and Pyramix8) and all Merging users can take full advantage of connection to the Horus unit, over RAVENNA Networks, using the MassCore Audio Engine. But, to stay true to the "Swiss Army Knife" ideology, Merging Technologies wants to provide the same opportunities to use this revolutionary new interface regardless of your choice of tool. So, Merging has also been designing a ASIO and CoreAudio driver which will allow for connection into the RAVENNA network, and the Horus interface, which means no matter what DAW or NLE you work with every day, Horus now provide you with the ultimate front end.

Features:
• Up to 182 inputs @1FS
• Up to 202 outputs @1FS
• Works from 44.1kHz to 192kHz (Premium up to DXD/DSD256)
• Signal routing from any input to any combination of outputs
• Works as MADI/AES AD/DA for "standard" operation
• Works in Ravenna mode to deliver all I/O through a network
• Front panel touch screen for local access
• Browser-based remote access using any web enabled device
• Dual redundant power supply option
• Modular design for analog and additional Digital I/O
• Near-zero latency from in to out
• AD8(P) Analogue to Digital Converter module with Mic/Line Input
• 8 x exceptionally transparent, Swiss designed pre-amplifiers
• Remote/Local switch to Line Level on a per channel basis
• Completely remote accessible for all parameter changes
• Phantom Power/Phase/Low Cut switchable per channel
• Better than 120dB dynamic range
• DA8(P) Digital to Analogue Converter module
• Auto-mute circuitry for "no-pop" power cycling
• Digitally controlled trims for line up procedures
• Dynamic range of 127dB (typ.)
• Easy to set dip switches for international operating levels

Specifications:
Mic Pre-Amp + ADC:
• Mic Pre Max Input (Pad On / Pad Off): +23 dBu / +13 dBu
• Input Impedance (Differential): 1.75 kohm
• Dynamic Range (A-weighted, typ) , ref +13 dBu: 122 dB
• Gain Range (software controlled): -10 dB to +60 dB
• Gain Step/Precision: 0.5 dB / +/-0.2 dB
• THD+N Pre + A/D (20 Hz-20 kHz) @ -2 dBFS(AD8/AD8P): 0.0016 % / 0.001 %
• Interchannel Crosstalk @ 1kHz, typ.: -125 dB
• EIN @ >40 dB Gain (150Ω Source Impedance, A-weighted, typ): -128 dBu
• Common Mode Rejection Rate @ 1kHz, typ.: 75 dB
• Phantom Power (Software Switchable Per Channel): +48V
• Phase Reverse (Software Switchable Per Channel): YES
• Low Cut filter (Software Switchable Per Channel): -12 dB/octave, 80 Hz

Line Input:
• Max Line Input for 0 dBFS: +24 dBu
• Input Impedance (Differential): 6.5 kohms
• Dynamic Range (A-weighted, typ), ref +24 dBu: 122 dB
• THD+N Line+A/D (20 Hz-20 kHz) @ -10 dBFS, typ: -106 dB (0.0005%)
• Interchannel Crosstalk @ 1kHz, typ.: -125 dB
• Sensitivity Range for 0 dBFS (software controlled): +4 dBu to +24 dBu
• Gain Step/Precision: 0.5 dB / +/-0.2 dB
• Common Mode Rejection Rate @ 1kHz, typ.: 75 dB
• Connector Pinout: DB-25 (Tascam Ana.)
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A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.

Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.

How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
  • Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
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Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, woodwind pads, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.

Purchasing additional years of coverage

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