PreSonus StudioLive 16.0.2 USB 16-Channel Digital Mixer

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SKU: # 514803
Model: #

2779200501

Your Price: $1,799.99 CDN

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In a footprint of less than 2 square feet, the compact 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it's so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.

You'll never run out of signal processors.

StudioLive 16.0.2 USB mixers provide plenty of DSP power, with no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander, and 3-band semi-parametric EQ on every channel and bus; a highpass filter on each channel; phase reverse for the channel mic preamps; a library of professionally crafted presets; and the ability to save and selectively recall processor settings. A stereo, 31-band graphic EQ sits on the main bus. To top it off, you get two 32-bit delay/reverb effects processors, each with its own dedicated mix bus and a library of useful effects presets.

Superior sound.

Connect a StudioLive 16.0.2 USB mixer and you'll instantly hear details and clarity you'd expect to find only in a much more expensive console. StudioLive mixers operate at up to 48 kHz for high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you'll catch every high and low with great accuracy and no audible distortion. And our XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.

Integrated, multiplatform software for flexible control and one-click recording.

Like all PreSonus StudioLive mixers, the StudioLive 16.0.2 USB is tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, Android, and iPad. Control individual monitor mixes onstage with QMix-UC for iPhone/iPod touch and Android. Automate virtual soundchecks and record shows with Capture for Mac and Windows. Edit, sweeten, and digitally release your recordings with Studio One Artist. StudioLive 16.0.2 USB mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.

Add excitement to performances with MIDI control.

Being able to control the StudioLive 16.0.2 USB from an iPad, iPhone, iPod touch, or Android device is cool - unless your hands are busy playing your instrument. That's why the StudioLive 16.0.2 USB offers MIDI In and Out. Use a MIDI footpedal or DAW to recall scenes using MIDI Program Changes, control the main output volume and effects level, mute effects between songs, switch from lots of reverb to a little bit of delay, and change the mix for a solo. You can even automate these features with a DAW! It's a great way to make your performances more exciting and varied, even if you don't have a separate soundperson.

FEATURES

8 mono and 4 stereo channel inputs with 60 mm precision faders (12 faders)

4 auxiliary buses (pre/post-fader send)

2 Internal FX buses

Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ, compressor, limiter, downward expander on all channels and busses

One 31-band stereo graphic EQ (on main outputs only)

18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)
• Compatible with most audio software via ASIO, Windows Audio, Core Audio

2 stereo 32-bit digital effects processors with customizable reverb and delay presets

Scene store and recall

Settings can be copied among channels and buses and saved as user presets.

Software bundle includes:
• PreSonus Studio One Artist digital audio workstation for Mac and Windows
• PreSonus Capture live-recording software for Mac and Windows
• PreSonus UC Surface mixer-control software for Mac, Windows, Android, and iPad
• Free downloadable PreSonus QMix-UC software for iPhone/iPod touch and Android provides wireless remote control of aux mixes

Lockout mode protects your settings from meddlers and accidents

MIDI Control Mode provides control over:
• Scene and FX Preset recall
• Main Volume, FXA, and FXB output levels
• FXA and FXB assign/unassign to Mains

COMPUTER SYSTEM REQUIREMENTS:

Mac
- Mac OS X 10.8.5 64-bit or later
- Intel Core 2 Duo processor (Intel Core i3 or faster recommended)
- 4 GB RAM (8 GB or more recommended)

Windows
- Windows 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
- Intel Core 2 Duo (Intel Core i3 or faster recommended)
- 4 GB RAM (8 GB or more recommended)

Mac and Windows Systems
- USB 2.0 port
- Internet connection
- Internal or external 7200 RPM storage drive highly recommended
- 30 GB hard disk space
- Monitor with 1366x768 resolution

iOS
- iOS 9.3 or later
- iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2

Android
- Android 5.0 (Lollipop) or later
- Android smartphone (QMix-UC)
- Android tablet (8-inch) with 1024x768 resolution (UC Surface)

TECHNICAL SPECIFICATIONS:

Microphone Preamp
Type: XLR Female, Balanced
Frequency Response to Direct Output (at unity gain): 20 Hz-20 kHz, 0 / -0.5 dBu
Frequency Response to Main Output (at unity gain): 20 Hz-20 kHz, +/-0.5 dBu
Input Impedance (Balanced): 1 kΩ
THD to Direct Output (1 kHz at unity gain): < 0.005%, +4 dBu, 20 Hz20 kHz, unity gain, unwtd
THD to Main Output (1 kHz at unity gain): 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
EIN to Direct Output: +125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): -102 dB
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): -95 dB
Common Mode Rejection Ratio (1 kHz at unity gain): +65 dB
Gain Control Range ( 1 dB): -16 dB to +67 dB
Maximum Input Level (unity gain): +16 dBu
Phantom Power (+/- 2 VDC): +48 VDC

Line Inputs, Balanced
Type: 1/4" TRS Female, balanced mono
Frequency Response to Direct Outputs (at unity gain): 10 Hz-20 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs (at unity gain): 20 Hz-20 kHz, 0/-0.5 dBu
Input Impedance: 10 kΩ
THD to Direct Output (1 kHz at unity gain): < 0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
THD to Main Output (1 kHz at unity gain): < 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd): -105 dB
S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd): -95 dB
Gain Control Range (+/- 1 dB): -20 dB to +20 dB
Maximum Input level (unity gain): +22 dBu

Line Inputs, Unbalanced
Type: RCA Female, unbalanced (stereo pair)
Maximum Input Level: +22 dBu

Main Outputs
Type: XLR Male, balanced (stereo pair); 1/4" TRS Female, balanced (stereo pair)
Rated Output Level: +24 dBu
Output Impedance: 100Ω

Aux Outputs
Type: 1/4" TRS Female, balanced (mono)
Rated Output Level: +18 dBu
Output Impedance: 100Ω

Monitor Outputs
Type: 1/4" TRS Female, balanced (stereo pair)
Rated Output Level z: +18 dBu
Output Impedance: 100Ω

System Crosstalk
Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd): -90 dBu
Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd): -87 dBu

Noise Gate (Expander)
Threshold Range: -84 dB to 0 dB
Attack Time: Adaptive (0.2 - 2.5 ms)
Release Time: 70 ms
Expander Attenuation Range: 2:1

Compressor
Threshold Range: -56 dB to 0 dB
Ratio: 1:1 to 14:1
Response Time (Attack/Release): 0.2 ms / 1.0s ("Tight") to 180 ms / 1.0s ("Smooth")
Auto Attack and Release: Attack = 10 ms, Release = 150 ms
Curve Types: hard and soft knee

EQ
Type: 2nd-order shelving filter (Q = 0.55)
Low (Low-pass or Bandpass): 36 to 465 Hz, +/-15 dB
Mid: 260 Hz to 3.5 kHz, +/-15 dB
High (High-pass or Bandpass): 1.4 kHz to 18 kHz, +/-15 dB

Digital Audio
Host Interface: USB 2.0
ADC Dynamic Range (A-wtd, 48 kHz): 118 dB
DAC Dynamic Range (A-wtd, 48 kHz): 118 dB
Internal Processing: 32-bit, floating point
Sampling Rate: 44.1, 48 kHz
A/D/A Bit Depth: 24 bits
Reference Level for 0 dBFS: +18 dBu

Clock
Jitter: < 20 ps rms (20 Hz - 20 kHz)
Jitter Attenuation: > 60 dB (1 ns in ≈ 1 ps out)

Power
Connector: IEC
Input-Voltage Range: 100 to 240 VAC (factory configured)
Power Requirements (continuous): 100W

Physical
Dimensions (L x W x H max): 15.56 x 16 x 5.5 inches (397 x 406 x 140 mm)
Weight: 20 lbs. (9.1 kg)

Studiolive 16.0.2 excellent quality, well designed0 of 0 customers found this review helpful

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Product ExperienceI own it
Closest StoreMississauga, Ontario
I traded in presonus 1810c and zoom L12 for this unit. No regrets. Excellent sound quality on acoustic gtr and vocals. I really appreciate the no latency monitoring while recording voc/the bed tracks. The l12 had this too but studiolive is much quieter. The 4 stereo inputs are perfect to support 2 keyboard outputs and pod go stereo outputs. \nNOTE: this is not a DAW control surface \nONLY COMPLAINT: midi connections cannot be used for recording keyboard performance- control of mixer only. 1810C supported this no problem
Posted by Paul Grant on Aug 21, 2022
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Protect your investment with the Long & McQuade Performance Warranty

A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.

Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.

How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
  • Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
  • Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
  • No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
  • Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
  • Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
  • Loaners Available: A loaner product may be given while the product is being repaired.
  • Power Surge Protection: Your product is covered even if damaged from a power surge.
  • Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
  • Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
 

Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.

Purchasing additional years of coverage

Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.

If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:

  • NEW products: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
  • USED products: 4% of the current new selling price to increase the warranty from 3 months to 1 year. 4% for each additional year.
  • GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
  • BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.