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BOSS GT-1000 Guitar Effects Processor
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Your Price: $1,479.99 CDN
or from $123 CDN/mo
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Description
Delivering unmatched sound quality and musical expression, the GT-1000 ushers in a new era of performance in amp/effects processors for guitar and bass. This premium tone machine debuts the groundbreaking AIRD (Augmented Impulse Response Dynamics) technology, realized with decades of BOSS research and class-leading 32-bit/96 kHz processing. There's also a huge range of BOSS effects, complete with ultra-flexible routing options and deep real-time control. And with built-in Bluetooth, you can tweak settings wirelessly from your mobile device via a dedicated app. Packing immense power in a streamlined pro design, the GT-1000 is a game changer that brings new levels of creative expression to players everywhere.
Latest GT-1000 Update: Version 3.2 (January 2022)
The GT-1000 continues to evolve through ongoing firmware development that adds new features and functionality enhancements requested by users.
• Mastering FX - Eleven different Mastering FX allow you to shape the overall sound at the line output for different styles and playing situations.
• New Master Delay Types - Five delay algorithms from the historic BOSS/Roland library have been added: SDE-3000, DD-20 Standard and DD-20 Analog, and Warm and Glitch from the DD-8.
• More Onboard Speaker IRs for Recording - The speaker IR selection in Recording mode has been greatly expanded with the ability to use "Original" speaker types from different amplifiers.
• More Mic Types - A new RBN121 mic type and three mic blend types have been added to the Speaker Simulator block.
• EV-1-WL Support - Use the EV-1-WL Wireless MIDI Expression Pedal for cable-free effects control via Bluetooth.
Designed for Unparalleled Sound Quality
The GT-1000 brings you no-compromise audio performance backed by the latest BOSS technologies. It's the first-ever guitar multi-effects unit with 32-bit AD/DA, 32-bit floating-point processing, and 96 kHz sampling rate throughout, while the custom DSP engine packs over three times the power of previous generations. This immense processing muscle unlocks far greater sonic detail than ever before possible, making it easy to get the sounds you're after without endless parameter tweaks and microscopic EQ adjustments.
Highly Musical Guitar Amplifiers, Crafted with AIRD
The GT-1000 is loaded with immensely expressive guitar amplifiers, all meticulously crafted with AIRD. In contrast to traditional modeling methods, AIRD reproduces the complex internal component interactions of tube amps in every way, from guitar input to speaker output and everything in-between. The result is a complete interactive system that's a living, breathing instrument, just like your favourite high-end tube amp.
The GT-1000 features a wide range of BOSS original amplifiers suitable for all guitar styles, from super-clean to ultra-heavy. A number of amp types employ Multi-Dimensional Processing (MDP) technology for dynamic, nuanced tone that reaches beyond the capabilities of analog designs. Classic tube amps throughout history are included as well, from coveted vintage combos to modern high-gain heads. Two amps can be used at once in a single patch, so you're able to switch between two sounds, blend amps for complex tones, or achieve big, expansive sound in stereo setups.
Optimized Performance for Every Playing Application
AIRD enables the GT-1000 to flow smoothly into any setup with minimal adjustments. By choosing from the large selection of onboard AIRD Output Select types, you can perfectly tailor the GT-1000 for any destination, whether it's a guitar amp input, an amp effects return, an FRFR monitoring system, or house PA. In addition to the onboard options, there are two user locations for loading more types with the GT-1000 AIRD Output Select Library software.
AIRD is integrated into the GT-1000's amplifiers at every level, so you'll always experience their authentic sound and interactive response with any setup. Going further, you can apply different AIRD Output Select settings to the main and sub outputs to optimize the sound for two destinations at once. Independent ground-lift functions are also available to tackle hum issues when connecting external devices.
Extraordinary Effects
The GT-1000 comes loaded with all types of effects, from BOSS classics and retro stompboxes to modern MDP effects and advanced algorithms from the BOSS 500 series. Multiple series and parallel routings are easy to set up via the intuitive interface. And with the clever Stompbox feature, you can adjust commonly used amp and effects settings across multiple patches at once. There are also two effects loops for patching in your favourite external effects and preamps.
Bass Multi-Effects Flagship
The GT-1000 takes bass processing to new heights with next-generation sound quality and ultra-flexible performance features. Three AIRD bass preamps are provided for shaping your core tone, while eight different overdrive/distortion effects are available for additional colour and gain. There's an MDP bass compressor as well, plus chorus, flanger, touch wah, and many other effect types specially tuned for bass.
Intensive Performance Control
With its ten footswitches and expression pedal with toe switch, the GT-1000 gives you comprehensive creative control wherever you play. And you can go even deeper with external switches, pedals, MIDI, and USB. The onboard controls come with default assignments for preset selection and per-patch control targets, but you can easily reassign them to operate nearly any function. Manual and Pedalboard modes are also available to instantly reconfigure the footswitches for additional control in the heat of the moment.
USB Audio/MIDI and Wireless Editing via Bluetooth
The GT-1000 is equipped with onboard Bluetooth - a first for a pro-level amp/effects processor - allowing you to wirelessly manage sounds from the BOSS Tone Studio app for iOS and Android. Whether at home, in rehearsal, or on stage, you can comfortably tweak the GT-1000 from your mobile device without having to bend over and edit with the hardware. It's even possible to record a riff with the GT-1000's looper and adjust tones from the audience position!
There's also a multi-channel USB audio/MIDI interface for flexible computer recording and efficient re-amping. The dedicated Recording mode offers a variety of built-in speaker and mic types, and it's possible to import WAV-format speaker impulse responses with the GT-1000 IR Loader software. In addition, USB provides a connection for detailed patch editing and sound organization with the desktop version of BOSS Tone Studio.
Features
• Flagship amp/effects processor with uncompromising sound quality and unmatched expressiveness
• Industry-leading 32-bit AD/DA, 32-bit floating-point processing, and 96 kHz sampling rate throughout
• Next-generation BOSS DSP engine, custom designed specifically for music applications
• AIRD (Augmented Impulse Response Dynamics) technology realizes BOSS's acclaimed Tube Logic concept in a digital guitar processor, delivering natural feel and optimized integration with all types of external devices
• Highly expressive amplifiers, meticulously crafted with AIRD
• Massive selection of onboard BOSS effects, including MDP effects and algorithms directly ported from the 500 series
• Amps and effects can be routed in numerous series and parallel combinations
• Ultra-fast patch switching and delay carryover
• Innovative Stompbox feature greatly simplifies using common effects settings in many different patches
• Easy operation with large display and six user-assignable switching knobs
• Ten footswitches and integrated expression pedal with user-configurable assignments and LED colours
• High-resolution tuner with two display modes and mono or polyphonic operation
• 1/4-inch main outputs and XLR sub outputs with independent AIRD Output Select settings; loop for external stereo or mono effects
• Support for external control via footswitches, expression pedals, MIDI, and USB
• Built-in Bluetooth for wireless editing via BOSS Tone Studio app for iOS and Android mobile devices
• USB audio/MIDI interface for computer-based recording and editing
• 16 locations for loading WAV-format speaker impulse responses
• Dedicated mode for bass guitar applications
Specifications
Sampling Frequency: 96 kHz
AD Conversion: 32 bits + AF method
*AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA Conversion: 32 bits
Effects: 116 types
Patches: 250 (User) + 250 (Preset)
Phrase Loop: 38 sec. (MONO); 19 sec. (STEREO)
Tuner Internal Detection: +/-0.1 cent
Nominal Input Level: -10 dBu
Maximum Input Level:
• INPUT: +18 dBu
• RETURN1: +8 dBu
• RETURN2: +8 dBu
Input Impedance: 1 M ohm
Nominal Output Level
• MAIN OUTPUT (L/MONO, R), PHONES, SEND1, SEND2: -10 dBu
• SUB OUTPUT (L, R): +4 dBu
Output Impedance
• MAIN OUTPUT (L/MONO, R): 1 k ohm
• SUB OUTPUT (L, R): 600 ohms
• PHONES: 20 ohms
• SEND1: 1 k ohm
• SEND2: 1 k ohm
Recommended Load Impedance
• MAIN OUTPUT (L/MONO, R): 10 k ohms or greater
• SUB OUTPUT (L, R): 600 ohms or greater
• PHONES: 44 ohms or greater
• SEND1: 10 k ohms or greater
• SEND2: 10 k ohms or greater
Controls
• DOWN switch, UP switch CTL1--3 switches, 1--5 switches, POWER switch
• EFFECT button, MENU button, EXIT button, WRITE button, PAGE button
• 1--6 knobs, OUTPUT LEVEL knob
• Expression pedal
Display: Graphic LCD (512 x 160 dots, backlit LCD)
Connectors
• INPUT jack, MAIN OUTPUT (L/MONO, R) jacks, SEND1 jack, RETURN1 jack, SEND2 jack, RETURN2 jack: 1/4-inch phone type
• SUB OUTPUT (L, R) connectors: XLR type
• PHONES jack: Stereo 1/4-inch phone type
• CTL4, 5/EXP2 jack, CTL6, 7/EXP3 jack, AMP CTL1, 2 jack: 1/4-inch TRS phone type
• USB COMPUTER port: USB B type
• DC IN jack
• MIDI (IN, OUT) connectors
Power Supply: AC adaptor
Current Draw: 1.2 A
Accessories: AC Adaptor, Owner's manual, Leaflet "USING THE UNIT SAFELY"
Size and Weight
Dimensions (W x D x H): 462 x 248 x 70 mm (18-3/16 x 9-13/16 x 2-13/16 inches
Maximum height: 95 mm (3-3/4 inches)
Weight: 3.6 kg (7 lbs 15 oz)
Latest GT-1000 Update: Version 3.2 (January 2022)
The GT-1000 continues to evolve through ongoing firmware development that adds new features and functionality enhancements requested by users.
• Mastering FX - Eleven different Mastering FX allow you to shape the overall sound at the line output for different styles and playing situations.
• New Master Delay Types - Five delay algorithms from the historic BOSS/Roland library have been added: SDE-3000, DD-20 Standard and DD-20 Analog, and Warm and Glitch from the DD-8.
• More Onboard Speaker IRs for Recording - The speaker IR selection in Recording mode has been greatly expanded with the ability to use "Original" speaker types from different amplifiers.
• More Mic Types - A new RBN121 mic type and three mic blend types have been added to the Speaker Simulator block.
• EV-1-WL Support - Use the EV-1-WL Wireless MIDI Expression Pedal for cable-free effects control via Bluetooth.
Designed for Unparalleled Sound Quality
The GT-1000 brings you no-compromise audio performance backed by the latest BOSS technologies. It's the first-ever guitar multi-effects unit with 32-bit AD/DA, 32-bit floating-point processing, and 96 kHz sampling rate throughout, while the custom DSP engine packs over three times the power of previous generations. This immense processing muscle unlocks far greater sonic detail than ever before possible, making it easy to get the sounds you're after without endless parameter tweaks and microscopic EQ adjustments.
Highly Musical Guitar Amplifiers, Crafted with AIRD
The GT-1000 is loaded with immensely expressive guitar amplifiers, all meticulously crafted with AIRD. In contrast to traditional modeling methods, AIRD reproduces the complex internal component interactions of tube amps in every way, from guitar input to speaker output and everything in-between. The result is a complete interactive system that's a living, breathing instrument, just like your favourite high-end tube amp.
The GT-1000 features a wide range of BOSS original amplifiers suitable for all guitar styles, from super-clean to ultra-heavy. A number of amp types employ Multi-Dimensional Processing (MDP) technology for dynamic, nuanced tone that reaches beyond the capabilities of analog designs. Classic tube amps throughout history are included as well, from coveted vintage combos to modern high-gain heads. Two amps can be used at once in a single patch, so you're able to switch between two sounds, blend amps for complex tones, or achieve big, expansive sound in stereo setups.
Optimized Performance for Every Playing Application
AIRD enables the GT-1000 to flow smoothly into any setup with minimal adjustments. By choosing from the large selection of onboard AIRD Output Select types, you can perfectly tailor the GT-1000 for any destination, whether it's a guitar amp input, an amp effects return, an FRFR monitoring system, or house PA. In addition to the onboard options, there are two user locations for loading more types with the GT-1000 AIRD Output Select Library software.
AIRD is integrated into the GT-1000's amplifiers at every level, so you'll always experience their authentic sound and interactive response with any setup. Going further, you can apply different AIRD Output Select settings to the main and sub outputs to optimize the sound for two destinations at once. Independent ground-lift functions are also available to tackle hum issues when connecting external devices.
Extraordinary Effects
The GT-1000 comes loaded with all types of effects, from BOSS classics and retro stompboxes to modern MDP effects and advanced algorithms from the BOSS 500 series. Multiple series and parallel routings are easy to set up via the intuitive interface. And with the clever Stompbox feature, you can adjust commonly used amp and effects settings across multiple patches at once. There are also two effects loops for patching in your favourite external effects and preamps.
Bass Multi-Effects Flagship
The GT-1000 takes bass processing to new heights with next-generation sound quality and ultra-flexible performance features. Three AIRD bass preamps are provided for shaping your core tone, while eight different overdrive/distortion effects are available for additional colour and gain. There's an MDP bass compressor as well, plus chorus, flanger, touch wah, and many other effect types specially tuned for bass.
Intensive Performance Control
With its ten footswitches and expression pedal with toe switch, the GT-1000 gives you comprehensive creative control wherever you play. And you can go even deeper with external switches, pedals, MIDI, and USB. The onboard controls come with default assignments for preset selection and per-patch control targets, but you can easily reassign them to operate nearly any function. Manual and Pedalboard modes are also available to instantly reconfigure the footswitches for additional control in the heat of the moment.
USB Audio/MIDI and Wireless Editing via Bluetooth
The GT-1000 is equipped with onboard Bluetooth - a first for a pro-level amp/effects processor - allowing you to wirelessly manage sounds from the BOSS Tone Studio app for iOS and Android. Whether at home, in rehearsal, or on stage, you can comfortably tweak the GT-1000 from your mobile device without having to bend over and edit with the hardware. It's even possible to record a riff with the GT-1000's looper and adjust tones from the audience position!
There's also a multi-channel USB audio/MIDI interface for flexible computer recording and efficient re-amping. The dedicated Recording mode offers a variety of built-in speaker and mic types, and it's possible to import WAV-format speaker impulse responses with the GT-1000 IR Loader software. In addition, USB provides a connection for detailed patch editing and sound organization with the desktop version of BOSS Tone Studio.
Features
• Flagship amp/effects processor with uncompromising sound quality and unmatched expressiveness
• Industry-leading 32-bit AD/DA, 32-bit floating-point processing, and 96 kHz sampling rate throughout
• Next-generation BOSS DSP engine, custom designed specifically for music applications
• AIRD (Augmented Impulse Response Dynamics) technology realizes BOSS's acclaimed Tube Logic concept in a digital guitar processor, delivering natural feel and optimized integration with all types of external devices
• Highly expressive amplifiers, meticulously crafted with AIRD
• Massive selection of onboard BOSS effects, including MDP effects and algorithms directly ported from the 500 series
• Amps and effects can be routed in numerous series and parallel combinations
• Ultra-fast patch switching and delay carryover
• Innovative Stompbox feature greatly simplifies using common effects settings in many different patches
• Easy operation with large display and six user-assignable switching knobs
• Ten footswitches and integrated expression pedal with user-configurable assignments and LED colours
• High-resolution tuner with two display modes and mono or polyphonic operation
• 1/4-inch main outputs and XLR sub outputs with independent AIRD Output Select settings; loop for external stereo or mono effects
• Support for external control via footswitches, expression pedals, MIDI, and USB
• Built-in Bluetooth for wireless editing via BOSS Tone Studio app for iOS and Android mobile devices
• USB audio/MIDI interface for computer-based recording and editing
• 16 locations for loading WAV-format speaker impulse responses
• Dedicated mode for bass guitar applications
Specifications
Sampling Frequency: 96 kHz
AD Conversion: 32 bits + AF method
*AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA Conversion: 32 bits
Effects: 116 types
Patches: 250 (User) + 250 (Preset)
Phrase Loop: 38 sec. (MONO); 19 sec. (STEREO)
Tuner Internal Detection: +/-0.1 cent
Nominal Input Level: -10 dBu
Maximum Input Level:
• INPUT: +18 dBu
• RETURN1: +8 dBu
• RETURN2: +8 dBu
Input Impedance: 1 M ohm
Nominal Output Level
• MAIN OUTPUT (L/MONO, R), PHONES, SEND1, SEND2: -10 dBu
• SUB OUTPUT (L, R): +4 dBu
Output Impedance
• MAIN OUTPUT (L/MONO, R): 1 k ohm
• SUB OUTPUT (L, R): 600 ohms
• PHONES: 20 ohms
• SEND1: 1 k ohm
• SEND2: 1 k ohm
Recommended Load Impedance
• MAIN OUTPUT (L/MONO, R): 10 k ohms or greater
• SUB OUTPUT (L, R): 600 ohms or greater
• PHONES: 44 ohms or greater
• SEND1: 10 k ohms or greater
• SEND2: 10 k ohms or greater
Controls
• DOWN switch, UP switch CTL1--3 switches, 1--5 switches, POWER switch
• EFFECT button, MENU button, EXIT button, WRITE button, PAGE button
• 1--6 knobs, OUTPUT LEVEL knob
• Expression pedal
Display: Graphic LCD (512 x 160 dots, backlit LCD)
Connectors
• INPUT jack, MAIN OUTPUT (L/MONO, R) jacks, SEND1 jack, RETURN1 jack, SEND2 jack, RETURN2 jack: 1/4-inch phone type
• SUB OUTPUT (L, R) connectors: XLR type
• PHONES jack: Stereo 1/4-inch phone type
• CTL4, 5/EXP2 jack, CTL6, 7/EXP3 jack, AMP CTL1, 2 jack: 1/4-inch TRS phone type
• USB COMPUTER port: USB B type
• DC IN jack
• MIDI (IN, OUT) connectors
Power Supply: AC adaptor
Current Draw: 1.2 A
Accessories: AC Adaptor, Owner's manual, Leaflet "USING THE UNIT SAFELY"
Size and Weight
Dimensions (W x D x H): 462 x 248 x 70 mm (18-3/16 x 9-13/16 x 2-13/16 inches
Maximum height: 95 mm (3-3/4 inches)
Weight: 3.6 kg (7 lbs 15 oz)
Media
Youtube video product demo
Youtube video product demo
Q & A
There are currently no questions for this product.
Reviews
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4.5/ 5 20 Reviews
5 StarsOverall disappointing
1 of 1 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I've tried it
Closest Store Orleans, Ontario
I bought this as an upgrade to my GT-100 that was my debut into the digital modeling world. Overall, the GT-1000 has the same type of operating system and configuration workflows, has similar kinds of amp models and effects, and it has more of this MDP (the X- amps). In my opinion, the GT-1000 is not really substantially any better than the GT-100 and if anything I find it sounds slightly worse. It feels like the editing / workflows for creating patches and operating the unit in a live setting took a step back.
Sounds/Amps
Effects wise, it’s got everything you could want - delays, reverbs, tera echo, rotarys, chorus distortion/drive pedals etc.
Amps: lot’s of different flavors - the MDP amps - X-Modded, X-HighGain, X-Optima, X-Titan are very clear and crisp high gain amps. I do find across all amp models there is a certain tonal characteristic of the sound which I find irritating.
Tech / Capabilities
Signal chain is fairly customizable, you can move various blocks to any position. Some of these blocks are fixed effects, like delay, reverb, distortion pedal blocks, amp blocks. You have multiple places in which to split the signal and have switch channels, and you have up to 4 FX blocks that you can select from a wide variety of different effects, including additional distortions. I’m not sure why there are so many delay blocks and only one reverb block.
You can set different output types in the same patch - so e.g.; you could have 1/4 outs set to an Amp type, and the XLR as line for FOH or IEM system.
There are 2 fx loops, 2 ports to do additional switches / exp pedals, USB, midi.
Product/Workflow
Here’s where this all falls over for me. Navigating the menu system in order to make edits to patches is so annoying - you are constantly multiple menus deep to do assigns, and so if you are tuning a few patches together, you are constantly navigating around and the workflow is brutal.
Then - the unit has 10 switches - but - 2 of these are used to navigate banks - now you can reassign them, but then you lose the ability to move to different banks - unless of course you add additional switch controllers - and you can’t assign bank switching even to a knob.
When it comes to memory/manual mode, I want for example to have a patch that is configured a certain way, and have CTL switches to flip on and off different fx, but then also be able to quickly go into manual mode to have more options that might be for specific cases - so basically like how Headrush/Helix have “rigs” with the ability to go to that rig as a floor board and have scenes etc.
But the thing is - you have 1-5 patch selection on the bottom, and BANK UP, BANK DOWN, CTL 1, 2, 3 on the top - so bank switches are spoken for, I need at least 1 CTL to go into manual mode, and that leaves me with only 2 free CTL switches from memory mode to toggle fx / “scene-like” patch combos. Then if I go in Manual mode, I only really get 5 options because the CTLs are already set to the same thing as in Memory mode, and I can’t override Bank switches in Manual mode only - so it greatly limits what would otherwise be possible with this device.
Vs GT-100
Coming from the GT-100, the Manual mode switch is done with pressing both Bank switches at the same time. This means that for the above workflow (which assumes a hierarchy of Bank -> Patch -> Stomp) is entirely possible, and I can basically have limitless pedalboard combos and maximize the use of switches.
The icing on the cake, is the GT-1000 is a lot smaller than the 100, and I would say too small. If you are wearing shoes playing a show, the likelihood you will hit the wrong switch is just a little bit too high. The 100 had it on the money using this nice big switches - I would’ve taken a larger board with more of those than smaller with smaller switches.
So overall, I find the operation aspect of this product is poorly thought through and seems like it was more so designed to “demo” the processing capabilities of it than it was to maximize optionality across a wide variety of performers, or performers doing a wide variety of sounds. I went back and forth between the GT-100 and GT-1000 with similarly configured patches and I have to say I think the GT-100 sounds better and more like a guitar in an amp. GT-100 is easier to program, easier to navigate the menus (even though the menu system is basically the same idea), and looks cooler.
I was really looking forward to this being "like GT-100 but way better" but I unfortunately I did not find that to be the case.
Posted by Alex Pilon on May 20, 2025
Change Of Heart
4 of 5 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I've tried it
Closest Store Windsor, Ontario
For live use this pedalboard used in 4 cable method does very well for medium to high gain and clean sounds. Not to crazy about the rectifier model, but you can use it with an amp. The best thing to do is to shut the Speaker Sim off unless you go front of house. I recenly gave the Gt1000 Core and GX100 a second try and for me the GT1000 is best. If you buy the core and add expression pedals you might as well opt for the GT1000. Hopefully Boss continues to work on updates. Maybe a color screen down the road
Posted by UNBIASED on Apr 9, 2022
Great as an effects unit too!
8 of 8 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I own it
Closest Store Kanata, Ontario
Although amp modeling has come to the forefront with this Boss model it also excels as an effects unit.
I am not using the amp modeling. I had a GT-1000 then sold it because I personally could not bond with the high-gain tones.
Now I have another one I am using with an amp using the four cable method. Unlike it's little brother, the MS-3 (which I also had), the GT-1000 does not greatly affect your tone. My high-gain amp retains the immediacy, character and bite it has without the GT-1000.
The flexibility of the effects in this unit is amazing. And the ability to control almost any parameter of any effect from switches and expression pedals is amazing.
The GT-1000 is also a great MIDI controller. There are four PATCH MIDI slots to send MIDI messages on patch selection and sixteen assigns within each patch. The assigns allow you to control effects or send MIDI CC or PC messages.
For example I have an external switch (Boss FS-7) where one of the switches is my "solo" mode. It turns on the internal compressor, sends a MIDI CC to my amp to toggle between the two master volumes and sends another MIDI CC to my amp, via a MIDI translation device, to switch amp channels.
Also unlike previous Boss effects you don't need to switch between patch mode and stompbox mode. Since you can assign anything to any switch you can set things up the way you want. I have the bottom row of five switches set up to select the five patches within the current bank and the top row of five switches set up to turn on/off individual effects within the patch. The other half of the earlier mentioned FS-7 engages the tuner and I have a second FS-7 to offload the bank up/down function, freeing up the onboard switches.
I was originally going to try to get a used Axe FX Ultra. The I discovered that the Axe FX units all use 24-bit 48KHz digital conversion where the GT-1000 uses 32-bit 96KHz conversion.
And last but not least, the GT-1000 has the very low latency of 0.5ms, beating it's more expensive competitors. The means the feel of your playing is not affected.
If you are looking for a powerful, transparent effects unit this is a great option.
Posted by Steve Phillips on Feb 28, 2021
Fourth Try of the GT1000
4 of 13 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I've tried it
Closest Store Windsor, Ontario
I have tried everything I could to get a decent sound with every amp model and distortion /overdrive pedal and not one of them sounded good through FRFR or an analogue amp. I have researched all the advice and nothing works. The only amp I ever had any success with this was the Fender Princeton which is a pristine clean amp. Does not play well with Black Spirit 200 clean channel or through FX return. Sounds a bit better through headrush monitors but not usable live.
Posted by UNBIASED on Oct 8, 2020
UNBIASED
1 of 11 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I've tried it
Closest Store Windsor, Ontario
How well an amp modeler or Multi effects cleans up with string separation on low to middle gain amp models is an indication of how good the pedal Board is. Anyone in this business can produce a metal sound that by and large will satisfy most. I am going to rent a V3.0 for a month to have another look at it. But the last time, with Headrush Monitors it was not a pleasing experience. I have been playing in bands for over 40 years and not one of the major digital multi effects have been a substitute for the real thing, All of them have terrible renditions of distortion and overdrive pedals. Boss has good modulation, delay and reverb effects. The question is , is it worth spending 1500.00 taxes in to get them. We will soon see. So you should listen and try it yourself. It is a personalized evaluation depending on the range of music I will let you know soon
Posted by UNBIASED on Jul 20, 2020
The Beast
6 of 6 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I own it
Closest Store Edmonton North, Alberta
I have tried most modelers on the market and like this one the most. It has a fairly steep learning curve but the software is the best of the bunch. It is also the stablest to program with a computer.
I use it as a MIDI controller and it is awesome other than the fact that it does not transmit MIDI note messages. MIDI clock sync is superb. And patch MIDI is genius for changing external gear presets etc.
The delays and modulations are stellar. Echo heaven!
One piece of advice; when I first got it I was pretty disappointed with some of the presets and struggled to make good sounding presets myself....until I turned up the guitar input. Make sure you get out the manual and setup the input optimally.
I wish I would have bought this one when it first hit the market.
Posted by Clint on Jan 8, 2020
The last pedal I?ll ever need
3 of 3 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I've tried it
Closest Store Brampton, Ontario
This is the greatest multi-effects unit ever! It is amazing, even for an extremely picky player like me.
First of all, this pedal has amp simulation that is out of this world. The built in amp modelling is the best I’ve ever seen—the overdrive is high quality and super touch sensitive. The cleans are also good, so you can play just about any genre with this.
Second, the effects are amazing. I could create an entire virtual rig with this, and it will still sound like a traditional amp and pedalboard setup.
Third, the pedal can sound amazing through an amplifier and PA system. If I want to be loud, I could plug this into a clean pedal platform or a power amp, or if the stage is too small for an amp, I can just connect this straight to the mixer.
This is the last pedal I’ll ever need. It does everything for me.
Posted by Nate Rails on Nov 22, 2019
Plug into 32 inch computer monitor to edit
4 of 4 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I own it
Closest Store Sudbury, Ontario
If you complain about small screen on GT-1000 unit then plug into computer with a 32 inch monitor. You need one anyway. Put it on a desk and sit right in front of it. Use Boss Tone Studio. Very easy to edit, actually pleasurable. No squinting ever. I use a Sony high res TV plugged into a notebook computer. Use big monitor to learn fretboard progressions too. GT-1000 is updated to Version 3. Tone Studio is version 3 also. Weekly, look at Boss website for software updates. GT-1000 runs switchable parallel amps and effects internally. Other units can't do this. You don't get processor overload with Boss GT-1000. I showed this to an AX user and he had to agree GT-1000 is superior. So use a 32 inch monitor at home when editing and it will be easy on the eyes and nerves. The superior editing capabilities of Tone Studio becomes apparent with the GT-1000.
Posted by Gord Ahl on Oct 10, 2019
Wonderful sounds
4 of 4 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I own it
Closest Store Vaudreuil-Dorion, Quebec
I had the Headrush pedalboard. I loved their operating system that was very visual, but the sound quality left to be desired. The Boss GT-1000 delivered as far as sounds, amps, drives etc. The tone studio editor works great but the graphics are small (my only complaint).
Posted by JFB on May 15, 2019
Boss GT-1000 Version 3, now for guitar and bass. Have two.
3 of 3 customers found this review helpful
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Quality
Value
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Product Experience I own it
Closest Store Sudbury, Ontario
Bought second GT-1000. Can use my Stratocaster and Precision Bass. Can now use full manual mode. AIRD bass preamps, bass effects. New manual and pedalboard modes for direct access control. New types added to AIRD Output Select library. Assigned tuner to external expression pedal. Added bank up/down function to external Boss FS-7 Footswitch. Renamed patches on second GT-1000 unit. Renamed GT-1000 units from * to 1 and 2 when using Boss Tone Studio. Boss blows away the competition. Double the learning but 100 times the enjoyment.
Posted by Gord Ahl on Apr 29, 2019
The natural successor
2 of 2 customers found this review helpful
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Quality
Value
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Product Experience I own it
Closest Store Windsor, Ontario
I bought the GT-6, the GT-10 but the exceptional GT-1000 is a game changer. Whether you need lots of professionally crafted pre-set sounds or you're a sound shaping wizard there's nothing that compares with the quality and ingenuity of this guitar pedal. An obvious choice for pros but I'm convinced that beginners and intermediate musicians should experience this truly remarkable technological advancement. Worth ever penny.
Posted by Geralyn Long on Apr 8, 2019
Best unit for pros or guitar players who want the best to play with
7 of 7 customers found this review helpful
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Value
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Product Experience I own it
Closest Store Sudbury, Ontario
Best effect unit for pros or guitar players who want best sound, ease, versatility. Liked the unit because: Brilliantly designed unit, the engineers who designed the unit listened to guitar players the way Leo Fender did when he designed the Stratocaster. I use a Boss ME-80 as an effect in one of the send/return loops of the GT-1000. The GT-1000 has extremely flexible routing and patch management. You can download dozens of great patches from Boss for free. The AIRD technology goes beyond traditional modelling, much more organic sounding, like the way a real tube amp sounds, feels and responds. This is the most advanced technology I have ever seen in an effects unit. But it requires dedication to learn the vast possibilities. Highly recommended. The 250 presets are not disappointing, you also have 250 user patches, they can be tweaked to your heart's content. Or just download a bunch of new patches for free. One feature that I like is being able to reassign buttons and express pedals. For example; to free up CTRL 3, use the heel down position of the expression pedal to engage the tuner when in any patch. Follow instructions listed in GT-1000 Guidelines on Boss site. I printed the guidelines to have quick access to dozens of useful tips. You can program patches from your computer via USB or tablet/phone via Bluetooth. No need to bend down to tweak dials. Just play a riff on the looper, let the loop play, and adjust sound options while walking around the room, with your tablet or phone, to see how it sounds, you can then hear what the audience would hear, no more blind guessing. Make sure you have the latest software update. As of today, 12 March 2019, the software version for the Boss GT-1000 is: 2.02.
Use the unit for: Recording, practicing, playing live. As one of the pictures shows, the connections: Guitar Input, Main Out L/R, Phones Output, Send 1/2, Return 1/2, XLR out, CTRL 4/5/6/7, EXP 2/3, Amp CTRL 1/2, USB, MIDI In/Out, Power Switch, DC In. The other picture shows sample connections. The main picture shows a clean ergonomic interface. I use Stratocasters with floating tremolos, I use the whammy bar a lot, I need to micro-tune frequently. The EXP pedal heel down tuner option (instructions on Boss GT-1000 Guidelines site) gives me quick access to the great tuner, you can use it as a mono or polyphonic tuner, check your software version, latest update 2019, Version 2.02. Play clean, play dirty, have the expression pedal(s) vary the amount of any parameter. With my Strat, I get acoustic guitar sounds where you can't tell the difference. Since I like the long Strat neck and thin Strat body I don't have to sacrifice my easily playing high up on the neck. The GT-1000 gives me the sounds I like and need and I don't have to change guitars. I can play standing or sitting, and easily control the sound on the guitar with the GT-1000. Recording is the best thing about the GT-1000, so many good sound options. Trying to record with a guitar amp, microphones can be a hassle. The cabinet sounds are built into the GT-1000. Also AIRD, gives the feel of playing through the cabinet. I use Mesa Boogie guitar amps (Fillmore 50, TC-100) so I know what a high quality guitar amp sounds like. When recording, I can get those sounds with the GT-1000 plugged directly into the Tascam 32 channel recorder. Playing live or practicing, I plug the GT-1000 into the guitar amp. Thinking about getting a second Boss GT-1000. Have one set up in the studio ready to record and one in a transit case ready for gigs. I always want one wherever I am. It's that good.
Posted by Gord Ahl on Mar 15, 2019
GT-1000
3 of 3 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I own it
Closest Store Moncton, New Brunswick
I'm no pro but I do know I love the sound of this thing and it motivares me to practice more than before. Sold all 9 pedals i had.Definitely no regrets on purchase.
Posted by Vern Hicks on Mar 9, 2019
Boss GT-1000: Highest quality, best designed unit on the market
3 of 3 customers found this review helpful
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Value
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Product Experience I own it
Closest Store Sudbury, Ontario
Zero latency, reverb spillover from patch to patch, no processor overload issues as on units from other companies. AIRD means the sounds feels like a tube amp because the speaker cabinet interacts with the processor as in a real tube amp. I use Fender and Mesa Boogie tube amps on stage and in practice so I compare the sounds all the time. But for recording, I need something practical and high quality such as the Boss GT-1000. Lots or versatility, routing options. The high quality sounds of the MD-500, RV-500 and DD-500 are in the GT-1000. Lots of CTRL and EXP pedal options. 96kHz sampling rate, 32 bit processing. Several effects can be used at the same time in parallel or in series. The positions of the effects are user assignable. I use a Boss ME-80 for simplicity in some cases but the Boss GT-1000 is the way of the future. I will be recording with the GT-1000. Check out Glenn DeLaune's web site for great patches and tips. The GT-1000 comes with 250 preset patches and there are 250 user patches. The unit has IR loading. Seamless switching. 116 different effects. Lots of great amps. Two effects sends and returns. MIDI, USB, Bluetooth. Practice with it, perform with it, learn it, evolve with it.
Posted by Gord Ahl on Feb 21, 2019
It was the drives...
3 of 3 customers found this review helpful
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Value
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Product Experience I own it
Closest Store Prince George, British Columbia
I had originally purchased a Boss MS-3 to have as a small control center for my board, while utilizing the 3 loops for my Wampler Ego Compressor, and Truetone VSXO drive pedal, and then sending MIDI control to my Eventide H9 MAX (delay, tremolo, verbs) at the end of my chain. I knew some of the built in modulation and delay effects would be more than usable, and had anticipated (as with most multi effect units, H9 included) that the overdrives would be lack luster. However, I was BLOWN AWAY and SO IMPRESSED with built in drive tones. Totally usable for me, at least in the low gain spectrum of tones, as I'm not much of a high gain player. So I went back to L&M, returned the MS-3 and bought its big brother, the GT-1000.
Being a pedal guy I feel like I have committed guitar pedal blasphemy, but I just absolutely love how user friendly it is, in that it doesn't take long to dial up great usable and inspiring tones. There's plenty of support online, updates that add even more sounds and pedals too.
My biggest piece of advice is, for someone who may be new to these, is don't solely rely on the factory presets for how good it can sound. Wipe a bank clean, and build your own pedal by pedal. you'll be surprised.
Posted by Keith David on Feb 7, 2019
Listen to Rob, not David. GT-1000 is awesome
0 of 0 customers found this review helpful
Features
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Value
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Product Experience I've tried it
Closest Store Sudbury, Ontario
New GT-1000 does all the effects you would need. Versatile routing system for stage or studio. I also use a Boss ME-80, in manual mode. GT-1000 has many more options for sound. It is the quality of the sounds too.
Posted by Gord Ahl on Feb 4, 2019
The natural successor
3 of 3 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I own it
Closest Store Windsor, Ontario
Having previously purchased the GT-6, then the GT-10, the GT-1000 is more than just the natural successor in the Boss line of professional guitar foot pedals. The factory sounds are rich and lush. Of course, the ability to completely customize any sound is limitless and robust. It takes more than a quick tryout to learn how to manage this sophisticated tool but having some experience gained by using prior models eased the learning curve and within an hour I was modifying and saving sounds that are amazing. Five stars for this masterpiece of technology.
Posted by Geralyn Long on Jan 24, 2019
Don't listen to this David fellow
12 of 14 customers found this review helpful
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Value
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Product Experience I own it
Closest Store Edmonton Mayfield, Alberta
David is wrong on all counts.
The Line 6 Helix was a fail? Laughable at best. Tony McKenzie? Laughable again. Tony McKenzie is an absolute joke of a reviewer.
The Boss GT-1000 is a great unit. Try it, see what you think.
Posted by Rob on Jul 16, 2018
GT1000 QUALITY ISSUES AND FAILS TO PRODUCE A SINGLE GOOD SOUND BUT CLEAN
7 of 27 customers found this review helpful
Features
Quality
Value
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Product Experience I've tried it
Closest Store Windsor, Ontario
The Overdrive , Distortion and medium to high gain amp models are lack lustre. Theres a ton of unusable presets. The Output selector didn't work on the one I had, wouldn't connect USB - with the proper drivers-except to update, tone studio wouldn't find the device. Nothing about it comes close to tube sound as it is supposed to be. Then there is that processed envelope sound that boss cant seem to get away form. Too Bad. I really had High Hopes after seeing how badly line6 Helix and Headrush failed as well. Don't believe me, watch the Unbiased Tony Mackenzie review. He's not a stellar player but he has an ear for tone.
Posted by David on Jun 22, 2018
I love this!
12 of 13 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I own it
Closest Store Hamilton, Ontario
My background is as a player over 40 years a sound engineer and amp tech. What do I think of this after having owned many high end guitar processors? This thing is a giant leap forward in sound quality and fidelity for boss. The quality of the effects are extreamly good. I have owned many boss multi effects over the years. This blows them all away. The thing I love the most about this? It absolutely maintains the tone of your guitar. The overdrives and distortions delays reverbs and modulation effects are incredible. I would highly recommend this to anyone.
Posted by Chris Church on May 26, 2018
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A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
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Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
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- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
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| Product | SKU | Qty |
|---|---|---|
| GT-1000 Guitar Effects Processor | 517796 |
