Gear Hunter

Accessories Included: Includes VX351 CV Expander

The Minimoog Voyager Electric Blue Edition is an all-analog performance synthesizer that shines on stage or in the studio. It has an incredible sonic range and power that ONLY a Minimoog is capable of delivering. From the creamiest modulated leads to monstrous Moog bass, the Voyager remains the king of analog synths. And just like the original Minimoog, the Minimoog Voyager was designed and brought to life by synthesizer pioneer, Bob Moog.

The MINIMOOG VOYAGER Synthesizer is a monophonic (one note at a time) analog performance synthesizer. It incorporates virtually all of the sound resources and functions of the original Model D Minimoog, which was produced by Moog Music, Inc. from 1970 to 1982. It has many new additional features, including a three dimensional touch surface, MIDI IN and MIDI OUT implementation, extensive patching facilities, and a large number of new panel features.

The Minimoog Voyager Electric Blue Edition is housed in a rugged steel chassis surrounded by a fractal blue solid ash cabinet. At first it appears black, but as you draw near, the fractal blue flecks create an eye-catching display. Combine this with a stunning electric blue backlit panel, blue pitch/mod wheels, and blue LEDs and you have a massive monosynth that will not be ignored.

Features include:

* 100% Analog Signal Path

* 44 Key Fatar Keybed

* Blue Backlit Panel

* Blue Backlit Pitch/Mod Wheels

* Blue LEDs

* 3 Ultra-Stable Oscillators

* 2 Legendary Moog Ladder Filters

* 2 Four-Stage Analog Envelope Generators

* 2 Flexible Modulation Busses

* Assignable X/Y/A Touch Control Interface

* Over 800 Onboard Presets

* CV/Gate Expansion Port

Quick Specs:

Player Control Interfaces
* 44 KEY KEYBOARD produces Pitch, Gate, Velocity, and Pressure control outputs.
* WHEELS: Pitch Wheel bends pitch over a range of up to +/-1 octave. Mod wheel controls the gain of the MOD WHEEL bus.
* GLIDE and RELEASE switches provide real-time on-off control over the glide and release functions.
* THREE DIMENSIONALTOUCH SURFACE provides three continuously-variable control signals which are derived from the up-down and left-right position of the player's finger, and the amount of area with which the player makes contact to the surface.

Pedal/Control Inputs
These ten jacks have red nuts. They accept either expression pedals or control voltages, and control the following performance parameters:

* VOLUME
* PAN
* FILTER CUTOFF
* WAVEFORM
* PITCH
* MOD2 - EXTERNAL MODULATION SOURCE
* MOD1 - EXTERNAL CONTROL OF THE PEDAL MOD. BUS
* SAMPLE AND HOLD IN
* ENVELOPES RATE
* LFO RATE

Mixer Ext In
Plug any instrument-level or line-level audio signal in this jack to combine with the oscillator and noise signals prior to filtering.

Mix Out/Filter Audio In
The output of the audio mixer appears here, before being fed to the filter. Normally, the Mixer output is bridged directly to the filter input. If you plug something into this jack, that breaks the normal connection. Using a standard insert cable (1/4" TRS plug to two 1/4" TS plugs) this jack can be used as an effects loop for external processing of the Mix before it goes to the filter.

Left(Mono) and Right Audio Outputs
The audio outputs are 1/4 " unbalanced outputs. The two output channels are summed to mono when only the left(mono) output is used.

Dimensions: 30 1/2" Wide X 18" Deep X 3" High (when flat) 12" High when fully upright.

Weight: 40 lbs.