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PreSonus - STUDIOLIVE RM32

Description

PreSonus - STUDIOLIVE RM32
​StudioLive RM Series: Touch-Software-Controlled, Rack-Mounted, Active Integration Digital Mixers

Like all StudioLive Active Integration mixers, the RM series delivers unrivaled sound quality, XMAX Class A solid-state preamps, amazing DSP performance, direct Wi-Fi and wired LAN communication, fast and intuitive workflow, an onboard FireWire S800 interface (compatible with Thunderbolt via adapter), and a tightly integrated software suite for Mac, Windows, and iOS, creating a streamlined working environment for both live and studio use.


FEATURES

Complete recallable touch control.
PreSonus UC Surface control software for Mac, Windows, and iPad was carefully designed for intuitive and quick performance in a live mixing environment but also serves well in the studio.

The power of Active Integration.
StudioLive RM-series mixers are based on Active Integration (AI), a complete, networked, tightly integrated hardware/software ecosystem in which every touch point in the system interacts to enhance the user experience and solve practical problems in ways not previously possible.

Actively integrated software.
PreSonus StudioLive RM-series mixers are tightly integrated with a suite of free, state-of-the-art software that helps you mix and record better and have more fun doing it. No other mixer near this price class offers comparable software.

Wi-Fi and wired networking.
PreSonus StudioLive RM-series digital mixers Active Integration technology includes powerful real-time, direct, wired and Wi-Fi remote control over a variety of features, using free Mac, Windows, and iOS software.

A gigantic console in a few rack spaces.
Unlike an analog console, with massive outboard racks of expensive signal processors, the StudioLive AI Mixer gets all its processing power to fit in three (RM16AI) or four (RM32AI) rack spaces under software control.

Tons of Effects - Light on Price.
Two 32-bit stereo effects engines on dedicated buses, loaded with reverbs so rich and detailed that you feel like you're there. Two more with delay effects that you can really use. Use all four without compromising other resources.

Dedicated I/O.
View the front of a StudioLive RM-series rack-mount mixer, and you'll see a straightforward jackfield with XLR channel inputs, XLR mix outputs, and other important connections.

The sound is pure PreSonus.
Getting a great-sounding mix depends in part on how good the mixers components are and how well the algorithms perform. That's especially true with RM Series analog (but digitally recallable) XMAX mic preamps.

Complete store and recall instantly.
With UC Surface, its very quick and easy to save all of your StudioLive RM settings for quick setup and recall.


TECHNICAL SPECIFICATIONS

Microphone Preamp:
Input Type: XLR Female, balanced, locking
Frequency Response to Direct Output (at unity gain): 20-40 kHz, 0.5 dBu
Frequency Response to Main Output (at unity gain): 20-20 kHz, 0.5 dBu
Input Impedance: 1 kΩ
THD to Main Output (1 kHz at unity gain): 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): 94 dB
Common Mode Rejection Ratio (1 kHz at unity gain): 65 dB
Gain Control Range (1 dB): 0 dB to +65 dB
Maximum Input Level (unity gain): +22 dBu
Phantom Power (2 VDC): 48 VDC, switchable per channel

Tape Inputs
Type: RCA Female, unbalanced (stereo pair)
Maximum Input Level: +12 dBu

Main Outputs
Type: XLR Male, balanced
Rated Output Level: +24 dBu
Output Impedance: 100Ω

Mix Outputs
Type: XLR Male, balanced
Rated Output Level: +24 dBu
Output Impedance: 100Ω

Headphone Output
Type: 1/4 TRS Female, active stereo
Maximum Output: 120 mW/ch. @ 60Ω load
Frequency Response: 20 Hz 20 kHz ( 0.5 dB)
THD+N: 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
S/N Ratio: 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd

System Crosstalk
Input to Output: -90 dB (Ref = +4 dBu 20 Hz-20 kHz, unwtd)
Adjacent Channels: -87 dB (Ref = +4 dBu 20 Hz-20 kHz, unwtd)

Noise Gate / Expander
Threshold Range: -84 dB to 0 dB
Attack Time: 0.02s to 500 ms / 0.5 ms
Release Time: 0.05s to 2s
Expander Attenuation Range: 2:1 (fixed)
Noise Gate Attenuation Range: -84 to 0 dB
Key Filter: 2nd-order, resonant bypass; Q=0.7
Key Listen: Off, 40 Hz to 16 kHz

Compressor
Threshold Range: -56 dB to 0 dB
Ratio: 1:1 to 14:1
Attack Time: 0.2 ms to 150 ms
Release Time: 40 ms to 1,000 ms
Auto Attack and Release: Attack = 10 ms, Release = 150 ms
Curve Types: hard and soft knee

Limiter
Threshold: -56 dB to 0 dB / -28 dBFS
Ratio: ∞:1
Attack: 20 ms
Hold: 10 ms
Release: 20 ms

Parametric EQ
Type: 2nd-order shelving filter
Low (Lowpass or Bandpass): 36 to 465 Hz, 15 dB
Low Mid (Bandpass): 90 Hz to 1.2 kHz, 15 dB
High Mid (Bandpass): 380 Hz to 5 kHz, 15 dB
High (Highpass or Bandpass): 1.4 kHz to 18 kHz, 15 dB
Q (sweepable for each band): 0.1 to 4 / Low Q= 0.55, Hi Q=2.0

Graphic EQ
31-Band 1/3-Octave Controls: Center frequencies (Hz): 20, 25, 32, 40, 50, 63, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1k, 1.3k, 1.6k, 2k, 2.5k, 3.2k, 4k, 5k, 6.4k, 8k, 10k, 13k, 16k, 20k. Each band has a constant Q.
Gain/Attenuation: 15 dB

Digital Audio
ADC Dynamic Range: 118 dB (A-wtd, 48 kHz)
DAC Dynamic Range: 118 dB (A-wtd, 48 kHz)
FireWire: S800, 800 Mb/s
S/PDIF Output: RCA Female
Internal Processing: 32-bit, floating point
Sampling Rate: 44.1, 48, 88.2, 96 kHz
A/D/A Bit Depth: 24
Reference Level for 0 dBFS: +18 dBu

Clock
Type: JetPLL
Jitter: 60 dB (1 ns in, 1 ps out)

Power/Environmental
Connector: IEC
Input-Voltage Range: 90 to 240 VAC
Power Requirements (continuous): 200W
Recommended Ambient Operating Temperature: 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit

Physical
Rackspaces: 4U
Height: 7 (17.78 cm)
Width: 19 (48.26 cm)
Depth: 10.5 (26.67 cm)
Weight: 22 lbs. (9.98 kg)