JoeCo Cello 22-In / 4-Out USB 2.0 Audio Interface

SKU: # 724122   |   Model: # CELLO - JOECO   |    Product Reviews0 Reviews  Write a Review

Cello 22-In / 4-Out USB 2.0 Audio Interface
Your Price: $2,025.00 CDN
or from $119 CDN/mo

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Best in class Cello interface with 384k recording and 125dB dynamic range

With its true analogue front end and tactile control surface, Cello is a 22 input, 4 output USB 2.0 interface for Mac and PC created to bring the classic era of electronics straight to your studio. Even better, with 125dB dynamic range and operation up to 384k, great design has never sounded so good.

Features

Inputs
• 2 x mic inputs (offering up to 80dB mic gain) with:
- analogue gain control
- phase reverse
- analogue pad
- analogue hi pass filter
- 48v phantom power
- balanced line level insert sends for analogue outboard
- selectable Top+ feature to add subtle high frequency lift
• 1 x Hi-Z Instrument input (adjustable analogue gain with control knob)
• 2 x Balanced line inputs / insert returns (adjustable gain with control knob)
• 16ch of ADAT digital input
• SPDIF digital input (Optical or Coax)
• Word clock input (coax)

Outputs
• 2 x balanced outputs (with master volume controlling stereo master output)
• 2 x stereo Headphone outputs (with independent low latency headphone mixes)
• SPDIF digital output

Other features
• Class compliant USB 2.0 interface to MAC/PC
• MIDI in / MIDI Out
• Talkback mic built in
• Core product features
• Operation at up to 384k
• Outstanding 125dB convertors with exceptional signal to noise ratio
• JoeCo hyper-stability clock algorithms deliver outstanding jitter performance
• Discrete analogue mic pres for optimum A/D conversion with separate line inputs
• Mastering grade monitor outputs
• Built in talkback microphone and monitoring control
• User selectable ADC filtering options
• JoeCoControl app for MacOS and Windows

Specifications

MICROPHONE PRE-AMPLIFIER
(measured to insert send)
MIC GAIN: +5dB to +78dB via Combo XLR; Range includes pad in and out
LINE GAIN: -10dB to +65dB via Combo TRS Range includes pad in and out
PHANTOM POWER: 48 VDC up to 10mA / channel
MIC EIN: -127dBu (with 150R Z source)
CMRR: > 80dB (1kHz)
MAXIMUM INPUT LEVEL: +22dBu via combo-XLR; +30dBu via combo-TRS (with pad)
INPUT IMPEDANCE (Mic): > 2.4kOhm combo XLR
INPUT IMPEDANCE (Line): > 12kOhm combo TRS
FREQUENCY RESPONSE: +/- 0.3 dB 10Hz to 70kHz
CROSSTALK: Better than 90dB rejection @ 10kHz
THD+N @ 0dBu (1kHz): -103dB (22Hz to 20kHz) Referred to +22dBu; Av = 5dB ; pad in
SNR: 117dB (22Hz to 20kHz) A-weighted Referred to +22dBu; Av = 5dB ; pad in
Pad: 20dB
HPF: Fc (-3dB = 100Hz) 20dB / decade First order 20dB/decade
XLR: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield)
1/4" JACK: TIP (Hot), RING (Cold) & SLEEVE (Shield)

INSTRUMENT IN
(Measured to SPIDF out )
INSTRUMENT GAIN: -infinity to +20dB
MAXIMUM INPUT LEVEL: 24dBu
INPUT IMPEDANCE: 1MOhm Unbalanced
FREQUENCY RESPONSE: +/-0.2dB 10Hz to 20kHz
THD+N @ 0dBu (1kHz): -107dB 0.00045%
SNR: 113dB 0.00022%
1/4" JACK: TIP (Hot) & SLEEVE (Shield)

INSERT SENDS (Mic Pre Out):
MAXIMUM OUTPUT LEVEL: "+22dBu
OUTPUT IMPEDANCE: 200 Ohm balanced
1/4" JACK: TIP (Hot), RING (Cold) & SLEEVE (Shield)

ADC LINE INPUTS (Insert Returns):
(measured at optical output under AES-17)
MAXIMUM INPUT LEVEL: +22dBu
DIGITAL REFERENCE LEVEL: 0dBFS = +22dBu
INPUT IMPEDANCE: 10k Ohm
FREQUENCY RESPONSE: +/- 0.3 dB 10 to Nyquist freq (70kHz at octal sample rates)
CROSSTALK: not measured
THD+N @ -1dBFS (1kHz): -106dB rel +22dBu
DYNAMIC RANGE: 120dB rel +22dBu
1/4" JACK: TIP (Hot), RING (Cold) & SLEEVE (Shield)

DAC OUTPUTS (1-2):
(measured from optical input under AES-17)
MAXIMUM OUTPUT LEVEL: +22dBu
DIGITAL REFERENCE LEVEL: 0dBFS = +22dBu
OUTPUT IMPEDANCE: 200Ohm balanced
FREQUENCY RESPONSE: +/- 0.3 dB 10 to Nyquist freq (70kHz at octal sample rates)
CROSSTALK: not measured
THD+N @ -1dBFS (1kHz): -104dB
DYNAMIC RANGE: 127dB
1/4" JACK: TIP (Hot), RING (Cold) & SLEEVE (Shield)

HEADPHONE OUTPUTS (1 & 2):
(measured from optical input under AES-17)
MAXIMUM OUTPUT LEVEL: +17dBu
DIGITAL REFERENCE LEVEL: 0dBFS = +17dBu
OUTPUT IMPEDANCE: 200 Ohm balanced
FREQUENCY RESPONSE: +/- 0.3 dB 10 to Nyquist freq (70kHz at octal sample rates)
CROSSTALK: not measured
THD+N @ -1dBFS (1kHz): 0.0018% -95dB rel +17dBu
DYNAMIC RANGE: 108dB
MAX LEVEL INTO 30hms:
MAX LEVEL INTO 6ohms:
MAX LEVEL INTO 600ohms: 0.0056% -85dB
1/4" JACK: TIP (Left), RING (Right), SLEEVE (Shield)

DIGITAL I/O:
ADAT 16 CHANNELS 44.1 - 48kHz
ADAT 8 CHANNELS (SMUX) 88.2 - 96kHZ
STEREO S/PDIF 44.1 - 192kHz

USB 2.0 HIGH SPEED:
No. of INPUT CHANNELS 20 6 analogue, 16 digital
No. of OUTPUT CHANNELS 24 6 analogue, 2 digital
Connector: USB2.0 Type B
Included Cables: USB2.0 Type B to USB2.0 Type A (1.8m)

Power Supply: 5VDC Centre positive DC adapter (2.1mm) - 1.5Amps
*Internally conditioned to provide +48VDC, Bipolar & low voltage rails for digital processing core & converters. Cello can be bus powered from hosts able to supply 1500mA.

Weight: 1.1kg
Dimensions: 221mm (w) x 72mm (h) x 150mm (d)

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Protect your investment with the Long & McQuade Performance Warranty

A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.

Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.

How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
  • Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
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Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.

Purchasing additional years of coverage

Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.

If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:

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